|
page |
| ACKNOWLEDGEMENTS |
vii |
| FOREWORD by Wolfgang Braunfels |
ix |
| SYNOPSIS OF THE WORK a schematic outline |
xviii |
| of the arrangement and main divisions of this work in three volumes |
|
| LIST OF ILLUSTRATIONS and CORRIGENDA & ERRATA see Volume III |
|
| LIST OF ABBREVIATIONS used in this work |
xx |
| PREFACE by Walter Horn |
xxi |
including an illustration of the Plan with identification of buildings and other
features of the Plan, keyed to a trilingual index |
|
| I |
| PREVIOUS LITERATURE, ORIGIN, PURPOSE & SPECIAL PROBLEMS |
|
| I.1 |
|
| PREVIOUS LITERATURE |
1 |
INTRODUCTION I.1.1 The MIDDLE AGES TO MIDDLE 19th CENTURY I.1.2 FIRST
MONOGRAPHIC STUDIES I.1.3 ENTRY OF THE SPECIALISTS I.1.4 A NEW ERA: THE FACSIMILE EDITION
of 1952 I.1.5 THE INTERNATIONAL SYMPOSIUM at ST. GALL, 1957 I.1.6 COUNCIL OF EUROPE EXHIBITION
KARL DER GROSSE AND ITS IMPETUS I.1.7 THE SCOPE OF THE PRESENT STUDY |
|
| I.2 |
|
| THE DEDICATORY LEGEND |
|
| I.2.1 WORDING & IMPLICATIONS |
9 |
| I.3 |
|
| ABBOT GOZBERT, ORDERER & RECEIVER OF THE PLAN |
10 |
I.3.1 GOZBERT'S IDENTITY I.3.2 ST. GALL AT THE TIME OF GOZBERT'S ACCESSION
I.3.3 ADMINISTRATIVE ACCOMPLISHMENTS & DECISION TO REBUILD the MONASTERY |
|
| I.4 |
|
| THE MAKER OF THE PLAN: BISHOP HAITO OF BASEL? |
11 |
| I.4.1 OTHER CONTENDERS & OTHER VIEWS I.4.2 HAITO the MOST REASONABLE CHOICE |
|
| I.5 |
|
| EXPLANATORY LEGENDS & SCRIPTORIAL HOME OF THE PLAN |
13 |
I.5.1 DISTINCTION BETWEEN GENERAL & SPECIFIC TITLES I.5.2 TWO HANDS
REPRESENTING TWO STAGES of DEVELOPMENT in the SCRIPTORIUM of REICHENAU I.5.3 CONCEPT OF
AUTHORSHIP & HAITO |
|
| I.6 |
|
| ORIGINAL OR COPY? |
15 |
| I.6.1 SOME TECHNICAL OBSERVATIONS |
|
| I.7 |
|
| THE PLAN & ITS RELATION TO THE MONASTIC REFORM MOVEMENT |
20 |
I.7.1 PROTOTYPAL CHARACTER of the PLAN I.7.2 GENERAL AIM of the MONASTIC REFORM
MOVEMENT I.7.3 SPECIFIC RULINGS of the MONASTIC REFORM MOVEMENT affecting MONASTIC
ARCHITECTURE I.7.4 CONCLUSIONS |
|
| I.8 |
|
| PRESUMABLE DATE OF THE PLAN |
25 |
| I.9 |
|
| THE PROTOTYPE PLAN |
27 |
| I.9.1 SOME REFLECTIONS ABOUT IT & ITS RELATION to the CATHEDRAL OF COLOGNE |
|
| I.10 |
|
| HOW THE PLAN WAS DRAWN AND ASSEMBLED |
35 |
I.10.1 NUMBER OF SHEETS & SEQUENCE IN WHICH THEY WERE SEWN TOGETHER
I.10.2 SUCCESSIVE STAGES IN TRACING THE PLAN |
|
| I.11 |
|
| THE CONCEPTUAL HOMOGENEITY OF THE PLAN |
50 |
I.11.1 HOMOGENEITY IN QUESTION I.11.2 THE CAROLINGIAN CONCEPT OF UNITY
(UNITAS): A COUNTER ARGUMENT |
|
| I.12 |
|
| METHOD OF RENDERING |
53 |
I.12.1 USE OF DIFFERENT COLORS FOR DRAWING & EXPLANATORY TITLES
I.12.2 COMBINATION OF VERTICAL & HORIZONTAL PROJECTION I.12.3 LACK OF DEFINITION OF WALL
THICKNESS I.12.4 DIFFERENTIATION of LEVELS in DOUBLE-STORIED STRUCTURES I.12.5 LACK of
SPECIFIC INFORMATION CONCERNING BUILDING MATERIALS I.12.6 DIFFERENTIAL ATTENTION IN
RENDERING OF DOORS I.12.7 THE PLAN IN HISTORICAL PERSPECTIVE |
|
| I.13 |
|
| OMISSIONS AND OVERSIGHTS |
65 |
I.13.1 INTENT OR INADVERTENCY I.13.2 STAIRS I.13.3 DOORS & WINDOWS
I.13.4 FIREPLACES & LOUVERS I.13.5 WATERWAYS I.13.6 PERIPHERAL ENCLOSURE WALL I.13.7 PRIVIES
I.13.8 KITCHEN FOR SERFS & WORKMEN |
|
| I.14 |
|
| SCALE & CONSTRUCTION METHODS USED IN DESIGNING THE PLAN |
77 |
I.14.1 INCONSISTENCIES BETWEEN DRAWING & EXPLANATORY TITLES I.14.2 PREVIOUS
INTERPRETATIONS I.14.3 THE SCALE used in DESIGNING the PLAN I.14.4 SCALE of the PLAN & ITS
RELATION to the CAROLINGIAN FOOT I.14.5 PURPOSEFUL MODIFICATIONS I.14.6 SUCCESSIVE STAGES
in the CONCEPTUAL GROWTH of the LAYOUT OF CHURCH and CLAUSTRUM I.14.7 DIFFICULT OR
INSOLUBLE FEATURES I.14.8 CONCLUSIONS I.14.9 CONFIRMING EVIDENCE |
|
| I.15 |
|
| THE PROBLEM OF SCALE AND FUNCTION |
112 |
| I.15.1 SCHEMATIC DRAWING OR BUILDING PLAN? |
|
| I.16 |
|
| THE PLAN AND THE ROMAN CASTRUM |
114 |
| I.17 |
|
| NUMERI SACRI 3 4 7 10 12 40 |
118 |
| II |
| THE MONASTERY CHURCH |
|
| II.1 |
|
| DESCRIPTION |
127 |
INTRODUCTION II.1.1 APPROACH II.1.2 ATRIUM II.1.3 TOWERS II.1.4 WESTERN APSE
II.1.5 AISLES II.1.6 NAVE II.1.7 TRANSEPT II.1.8 PRESBYTERY II.1.9 EASTERN APSE II.1.10 CRYPT
II.1.11 SACRISTY & VESTRY II.1.12 SCRIPTORIUM & LIBRARY II.1.13 EASTERN PARADISE |
|
| II.2 |
|
| RECONSTRUCTION |
159 |
II.2.1 THE CHURCH AS DEFINED in the DRAWING II.2.2 THE CHURCH in light of its
CORRECTIVE TITLES |
|
| II.3 |
|
| HISTORICAL EVALUATION |
187 |
II.3.1 SALIENT FEATURES OF THE CHURCH II.3.2 LENGTH OF THE CHURCH
II.3.3 EXTENDED EASTERN ALTAR SPACE (FORE CHOIR) II.3.4 DISENGAGED CROSSING II.3.5 CRYPTS
II.3.6 COUNTER APSE II.3.7 SEMICIRCULAR ATRIA II.3.8 DETACHED TOWERS II.3.9 PLURALITY OF ALTARS
II.3.10 SQUARE SCHEMATISM |
|
| III |
| THE CLOISTERS AND THE ABBOT'S HOUSE |
|
| III.1 |
|
| THE CLOISTER OF THE MONKS |
241 |
III.1.1 LAYOUT III.1.2 THE "SCATTERED" PLAN of the IRISH MONASTERIES III.1.3 FIRST
APPEARANCE OF THE SQUARE CLOISTER III.1.4 CLOISTER YARD III.1.5 DORMITORY & WARMING ROOM
III.1.6 MONKS' PRIVY III.1.7 MONKS' LAUNDRY & BATHHOUSE III.1.8 REFECTORY & VESTIARY
III.1.9 MONKS' KITCHEN III.1.10 CELLAR & LARDER III.1.11 PARLOR |
|
| III.2 |
|
| NOVITIATE AND INFIRMARY |
311 |
III.2.1 TWO AUTONOMOUS CLOISTERS in a SYMMETRICAL BUILDING COMPLEX
III.2.2 TWO CHAPELS in a CHURCH INTERNALLY HALVED III.2.3 NOVITIATE III.2.4 INFIRMARY
III.2.5 KITCHEN & BATHHOUSES III.2.6 SCHEME OF THE COMPLEX III.2.7 NOVITIATE & INFIRMARY
COMPLEX in the CONTEXT of the WHOLE PLAN III.2.8 RECONSTRUCTION |
|
| III.3 |
|
| THE ABBOT'S HOUSE |
321 |
III.3.1 THE AULA III.3.2 OTHER BUILDINGS of the SAME TYPE OF CONSTRUCTION
III.3.3 RECONSTRUCTION III.3.4 THE ABBOT'S RIGHT TO LIVE in a SEPARATE HOUSE III.3.5 LATER
PRACTICES |
|
| IV |
| THE MONASTIC POLITY |
|
| INTRODUCTION |
327 |
| IV.1 |
|
| THE MONASTIC OFFICIALS |
330 |
IV.1.1 THE ABBOT (ABBAS) IV.1.2 THE PROVOST OR PRIOR IV.1.3 THE DEAN (DECANUS)
IV.1.4 THE CELLARER (CELLARARIUS) IV.1.5 THE CHAMBERLAIN (CAMERARIUS) IV.1.6 THE PORTER
(OSTIARIUS) IV.1.7 THE WARDEN OF THE SICK (CUSTOS INFIRMORUM) IV.1.8 THE MASTER
OF NOVICES (MAGISTER PULSANTIUM) IV.1.9 THE SACRISTAN (CUSTOS ECCLESIAE)
IV.1.10 THE CHOIRMASTER (CANTOR) IV.1.11 THE LIBRARIAN (BIBLIOTHECARIUS or ARMARIUS)
IV.1.12 THE KEEPER OF CHARTERS (CUSTOS CARTARUM) |
|
| IV.2 |
|
| THE MONKS |
337 |
| IV.2.1 ELIGIBILITY & BACKGROUND IV.2.2 NOVICES & OBLATES IV.2.3 DAILY ROUTINE |
|
| IV.3 |
|
| LAYMEN |
341 |
| IV.3.1 THE MONASTERY'S INDUSTRIAL & AGRICULTURAL FORCE OF LABOR |
|
| IV.4 |
|
| NUMBER OF MONKS AND SERFS |
342 |
| IV.4.1 MONKS (RELIGIOSI) IV.4.2 WORKMEN, SERFS, & SERVANTS (FAMILIA) |
|
| IV.5 |
|
| THE MONASTERY'S MILITARY OBLIGATIONS |
347 |
| IV.5.1 MEN & HORSES FOR BATTLE & OTHER SUPPORTIVE SERVICES |
|
| IV.6 |
|
| THE MONASTERY AS A MANORIAL CORPORATION |
349 |
| IV.6.1 OUTLYING ESTATES |
|
| IV.7 |
|
| THE MONASTERY AS A CULTURAL INSTITUTION |
351 |
IV.7.1 SUPERIORITY IN MORAL & IN MANAGERIAL STANDARDS IV.7.2 SUPERIOR
TECHNOLOGICAL STANDARDS IV.7.3 SUPERIOR STANDARDS IN THE ART OF WINE MAKING & IN LARGE
SCALE PRODUCTION OF WINE AND BEER IV.7.4 SUPERIOR METHODS OF SANITATION
IV.7.5 CULTIVATION OF LINGUISTIC & INTELLECTUAL SKILLS IV.7.6 THE MONASTIC TIMETABLE & ITS
EFFECT UPON THE CREATION OF A MODERN CONCEPT OF TIMING IV.7.7 DEVELOPMENT OF NEW
CONCEPTS IN ARCHITECTURE |
|
| INDEX TO THE WORK, see Volume III |
|
| See also Synopsis of the Work, a comprehensive abstract of the plan of this work, next page |
|
