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The Greatest English Lyric? — A New Reading of Joe E. Skilmer's "Therese" by John Frederick Nims

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Tudor Roses from John Tate by Allan Stevenson

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The Printers and The Beaumont and Fletcher Folio of 1647, Section 2 by Robert K. Turner, Jr.

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I. Introduction

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The Order of Composition and Distribution

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The Identity of Compositors

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III. The Printer of Section 2

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IV. Presentation of Evidence

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Richardson's Revisions of Pamela by T. C. Duncan Eaves and Ben D. Kimpel

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William Strahan's Ledgers: Standard Charges for Printing, 1738-1785 by Patricia Hernlund

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Establishment of the Unit Price: Entries before 1749

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Methods of Entry in the Ledgers

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The Unit Charge

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Later Evidence of the Unit Price: Entries after 1749

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Considerations Involved in Fixing the Unit Price

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The Representative Nature of Strahan's Methods

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"Woodcuts dropped into the Text": The Illustrations in The Old Curiosity Shop And Barnaby Rudge by Joan Stevens

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Two 'New' Texts of Thomas Hardy's The Woodlanders by Dale Kramer

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Harriet Weaver's Letters to James Joyce 1915-1920 by John Firth

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The Manuscript of The Sound And The Fury: The Revisions in the First Section by Emily K. Izsak

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A System of Color Identification for Bibliographical Description by G. Thomas Tanselle

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The Influence of Justification on Spelling in Jaggard's Compositor B by William S. Kable

Notes

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New Evidence on the Provenance of The Padua Prompt-Books of Shakespeare's Macbeth, Measure for Measure, and Winter's Tale by G. Blakemore Evans

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The Library of Lady Southwell and Captian Sibthorpe by Sister Jean Carmel Cavanaugh, S.L.

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Coleridge's Lines to Thelwall: A Corrected Text and a First Version. by C. G. Martin

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Notes on the Destruction of The Scarlet Letter Manuscript by Matthew J. Bruccoli

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Washington Irving: An Unrecorded Periodical Publication by Daniel R. Barnes

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Our Changing Sky and Climate. by Washington Irving.

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A Speech by W. D. Howells by George Monteiro

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Some New Stephen Crane Items by George W. Hallam

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An Unpublished Review by Henry James by James Kraft

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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1965

1.0.

Part I: INCUNABULA AND EARLY RENAISSANCE by Derek A. Clarke

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2.0.

Part II. THE LATER RENAISSANCE TO THE PRESENT by Howell J. Heaney

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2.1.

1. Bibliographies, Check Lists, Enumerations

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A. English and General

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B. United States

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2.2.

2. Printing, Publishing, Bibliography and Textual Scholarship

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A. English and General

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B. United States

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Notes on Contributors

BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA

CONTRIBUTING MEMBERS FOR 1966

WINNERS OF THE 1966 AWARDS IN BOOK COLLECTING

RECENT MEETINGS OF THE SOCIETY

PUBLISHED BY THE SOCIETY DURING THE YEAR

OTHER PUBLICATIONS AVAILABLE TO MEMBERS

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Notes

[1]

Ronald B. McKerrow, An Introduction to Bibliography for Literary Students (1927), p. 11, n. 2.

[2]

Joseph Moxon, Mechanick Exercises on the Whole Art of Printing (1683-4), ed. Herbert Davis and Harry Carter, 2nd edition (1962), pp. 204-208 and 235. See also: "Printers' Spelling in Moxon's Time," pp. 381-383.

[3]

For an interesting brief discussion see: Charlton Hinman, The Printing and Proof-reading of the First Folio of Shakespeare (1963), I, 186-187.

[4]

The present writer is engaged in a comprehensive spelling analysis of Jaggard's Compositor B as reflected in his setting of the Pavier quartos. The statistics here presented result from this study. It must be remembered that although conclusions reached in this paper are of demonstrable validity in relation to Compositor B, further investigation is needed before extending these specific indications into general rules.

[5]

In the following statistics, the primary figures are for short lines, and the evidence from justified lines is generally indicated by (+J-).