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FOREWORD
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The Greatest English Lyric? — A New Reading of Joe E. Skilmer's "Therese" by John Frederick Nims
 1. 
[section 1]
 2. 
1.
 3. 
2.
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3.
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4.
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5.
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6.
  
Notes
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Tudor Roses from John Tate by Allan Stevenson
  
[section]
  
Notes
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The Printers and The Beaumont and Fletcher Folio of 1647, Section 2 by Robert K. Turner, Jr.
 1. 
I. Introduction
collapse section2. 
II. Evidence
 01. 
Presswork
 02. 
The Order of Composition and Distribution
 03. 
The Identity of Compositors
 3. 
III. The Printer of Section 2
 4. 
IV. Presentation of Evidence
 5. 
V. Conclusions
  
Notes
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Richardson's Revisions of Pamela by T. C. Duncan Eaves and Ben D. Kimpel
 1. 
[section 1]
 2. 
i
 3. 
ii
 4. 
iii
  
Notes
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William Strahan's Ledgers: Standard Charges for Printing, 1738-1785 by Patricia Hernlund
 1. 
[section 1]
 2. 
The Ledgers
 3. 
Establishment of the Unit Price: Entries before 1749
 4. 
Methods of Entry in the Ledgers
 5. 
The Unit Charge
 6. 
Later Evidence of the Unit Price: Entries after 1749
 7. 
Type
 8. 
Considerations Involved in Fixing the Unit Price
 9. 
The Representative Nature of Strahan's Methods
  
Notes
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"Woodcuts dropped into the Text": The Illustrations in The Old Curiosity Shop And Barnaby Rudge by Joan Stevens
  
[section]
  
Notes
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Two 'New' Texts of Thomas Hardy's The Woodlanders by Dale Kramer
 1. 
[section 1]
 2. 
I
 3. 
II
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III
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IV
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V
  
Notes
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Harriet Weaver's Letters to James Joyce 1915-1920 by John Firth
  
[section]
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1301
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Notes
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The Manuscript of The Sound And The Fury: The Revisions in the First Section by Emily K. Izsak
  
[section]
  
Notes
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A System of Color Identification for Bibliographical Description by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
  
Notes
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The Influence of Justification on Spelling in Jaggard's Compositor B by William S. Kable
  
[section]
  
Notes
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New Evidence on the Provenance of The Padua Prompt-Books of Shakespeare's Macbeth, Measure for Measure, and Winter's Tale by G. Blakemore Evans
  
[section]
  
Notes
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The Library of Lady Southwell and Captian Sibthorpe by Sister Jean Carmel Cavanaugh, S.L.
 1. 
[section 1]
  
Notes
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Coleridge's Lines to Thelwall: A Corrected Text and a First Version. by C. G. Martin
  
Notes
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Notes on the Destruction of The Scarlet Letter Manuscript by Matthew J. Bruccoli
  
Notes
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Washington Irving: An Unrecorded Periodical Publication by Daniel R. Barnes
 1. 
[section 1]
 2. 
Our Changing Sky and Climate. by Washington Irving.
  
Notes
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A Speech by W. D. Howells by George Monteiro
  
[section]
  
Notes
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Some New Stephen Crane Items by George W. Hallam
  
[section]
  
Notes
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An Unpublished Review by Henry James by James Kraft
  
[section]
  
Notes
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1965
 1.0. 
Part I: INCUNABULA AND EARLY RENAISSANCE by Derek A. Clarke
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Part II. THE LATER RENAISSANCE TO THE PRESENT by Howell J. Heaney
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1. Bibliographies, Check Lists, Enumerations
 2.1a. 
A. English and General
 2.1b. 
B. United States
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2. Printing, Publishing, Bibliography and Textual Scholarship
 2.2a. 
A. English and General
 2.2b. 
B. United States
  
Notes

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
LIFE MEMBERS
  
CONTRIBUTING MEMBERS FOR 1966
  
WINNERS OF THE 1966 AWARDS IN BOOK COLLECTING
  
RECENT MEETINGS OF THE SOCIETY
  
PUBLISHED BY THE SOCIETY DURING THE YEAR
  
OTHER PUBLICATIONS AVAILABLE TO MEMBERS
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155

Page 155

1301

Sep. 6th 1915
Dear Mr. Joyce,

I thank you very much for your kind letter & good wishes. But it is rather we who owe you very warm thanks for having given us your novel & for having allowed it to make its first appearance in the Egoist, and it was the least I could do in return, & a pleasure to me, to try & protect the text.

The September number is late & does not go out till tomorrow, for Miss Marsden has again been unwell & was unable to finish her leader [?] up to time.[1]

If it would at all interest you to continue to see the Egoist I would gladly arrange to have a copy sent to you each month & in a printed wrapper.

With very grateful thanks from all our staff & kind regards | I am | Yours very sincerely

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