'Travelling West-Ward': The Lost
Letter from
Johathan Swift to Charles Ford
by
Clive Probyn
As Swift turned his back on London on 1 June 1713 neither he nor
the Tory party was in a healthy state. The former still suffered from
shingles, and both from fits of dizziness. Moreover, as his biographer has
remarked, 'The fifteen months of European suspense over the peace
negotiations were to be almost coterminous with Swift's suffocating
humiliation over his preferment.'[1]
At least the professional uncertainty was now over. Accompanied as far as
St Albans by his good friend John Barber (1675-1741), Printer to the City
of London since 1710, and printer of Swift's own The
Examiner, Swift covered
180 miles to Chester in six days. He missed the ships for Ireland by just
one day, and so had the inn at Chester to himself for two nights, with time
to catch up on his correspondence. He then proceeded via Holyhead to
Dublin, arriving there at 9 o'clock on the evening of Wednesday 10 June.
Three days later he was installed Dean of St. Patrick's, the permitted limit
of his ecclesiastical ambitions.
Swift initially though the journey to Chester would restore his health.
On 31 May he had assured Vanessa that he would 'ride but little every
day.'[2] In the event, he set a cracking
pace, arriving at Chester thoroughly weary; his head felt 'something better,'
yet his account book records a payment of 16s. 11d. to an apothecary
(Saturday 6 June).[3] On the same day
(6 June) he wrote to Vanessa's mother, referring her to Erasmus Lewis
(Harley's Under-Secretary of State) for an account of his largely uneventful
journey. On the Sunday, he wrote a short letter to his close and confidential
friend Charles Ford (1682-1743) at his Whitehall office, where, through the
influence of Swift, he had been appointed editor of The London
Gazette on 1 July 1712.
In 1935 David Nichol Smith's edition of The Letters of
Jonathan
Swift to Charles Ford appeared, containing the sixty-nine extant
letters from their joint correspondence of 'well over a hundred' (Nichol
Smith's estimate). Fifty-one of the letters are from Swift to Ford. The
fourth in chronological sequence, dated 7 June 1713, is a mere fragment:
"If dissolving the Union could be without ill consequence to the Ministry,
I should wish for it with all my heart. But I have been too long out of
London to judge of Politicks.'[4]
Nichol Smith's source for this fragment was the Christie's sale catalogue
of 4 June 1896. The letter was offered but not sold at auction and
subsequently disappeared; thus Harold Williams could reproduce only the
fragment in his five-volume edition of Swift's
Correspondence
in 1963.[5] Apparently, when the
fifty-one Swift letters in the original series were broken up in 1896, ten
letters
were randomly selected and dispersed at auction. Nichol Smith was able to
locate nine of them (most of these being in the Pierpoint Morgan Library;
forty-three others between Swift and Ford were in the Rothschild Library),
and published them all. Until now, the only letter not published in full was
the letter to Ford of 7 June.
The complete letter, now in the Swift Collection of Monash
University, is reproduced below and in Plate 1. It is addressed: 'To Charles
Ford Esqr, / at His Office at White-hall / London.'[6]
Chester. Jun. 7. 1713.
Mr Lewis will tell you of my Journy and wearyness, and the
prodigious dispatch I made in six days to this Place. How came it, I did not
see you before I left London. Pray take Care of my Writing table, as you
value me or my Lady Orkney. How dare you name the Gentry before the
Clergy in your Addresses. I will cutt off Barber's Ears if he does not
correct that Stile. I wish you Ld Tr
comes off as well about his
Commerce as he did about the Union. He puts me in mind of two Verses
of Marvels. Blith as a Hare that had escaped the Hounds; The House
prorogu'd the Chancellour rebounds. I have not these two years been a
week out of pain while the Parlmt was sitting. For my own
Part. If
dissolving the Union could be without ill Consequence to the Ministry, I
should wish for it with all my Heart. But I have been too long absent from
London to judge of Politicks—Pray have some Mercy on your
Money,
that you may not be reduced to live within eight miles of me, when Times
change.
I go to morrow towards Holy head, and dread the Journy, When you
and I went to London it was nothing to what I have suffered. There is
something very disagreeable in travelling west-ward.—Tis late, and
I am
going to the Cathedrall; Adieu
This concise and allusive letter brings together several of Swift's
pressing social and political concerns, as well as a number of his closest
friends. It was Swift who had brought Ford and Lewis together for the first
time, on 9 December 1710.[7] John
Barber and Benjamin Tooke printed Ford's The London
Gazette
until Ford was tipped out of office (22 September 1714), and Barber was
to be proceeded against for printing Swift's own Publick Spirit of the
Whigs (advertised 23 February 1714).[8] Erasmus Lewis (1670-1754), of
course,
was Swift's intimate friend at the centre of Harley's administration since
1704, 'a Cunning Shaver, / And very much in HARLEY's Favour' ('Part
of the Seventh Epistle of the First Book of Horace Imitated,' 1713, ll. 7-8).
He was also Swift's trusted postman for his confidential letters to both
Stella and Vanesssa.
The 'Writing table' had been the very personal gift of Elizabeth
Villiers (1657?-1733), Countess of Orkney ('the most intrested joyner that
ever made a thing of this natuer'[9]),
and the circumstances of its construction and arrival are described by Swift
in a letter to Stella of 28 October, where she is called 'perfectly kind, like
a mother', and (in an earlier letter) 'the wisest woman I ever saw.'[10] Swift's letter to the 56-year-old
cast-off
mistress of William III (21 November), ten years his senior, is crammed
with playful banter and some sexual innuendo. The gift clearly had been left
in Ford's keeping, and
the threat to Barber no doubt referred to a 'blunder' of protocol in a recent
issue of Ford's
Gazette.
Of greater interest is Swift's quotation of a couplet from Marvell's
The Last Instructions to a Painter (composed c. 1667:
published
1689; ll. 335-336). Overt allusions to Marvell are exceedingly rare in
Swift's works, the one to Marvell's Answer to Parker in the
Apology to A Tale of a Tub being the most familiar. There
are
none to his poetry. Even so, here is confirmation that Swift, like almost
everybody else in the period, was aware of Marvell's best-known poem.
Marvell's coruscating attack on Charles II's parliament may perhaps lie
behind Swift's savage attack on the Irish House of Commons in The
Legion Club (1736). Certainly, Swift's poem has a strong if
unrecognised claim to be considered as part of the poetic 'Advice to a
Painter' genre first popularised in England by Waller. Swift owned the
1664 octavo edition of Waller's poems.[11] Denham's celebrated 'Advices'
continued
the Marvellian theme, and mimickry of the
former's well-known lines in 'Cooper's Hill' is specifically forbidden in
Swift's—and/or Mary Barber's—'Apollo's Edict' (ll. 46-49:
1721).
Being no Court-poet, Swift enjoyed neither access to panegyrical limners
nor acquaintance with those visual artists as expert as himself in grotesque
engraving: thus The Legion Club concludes with the
following
apology:
How I want thee, humorous Hogart?
Thou I hear, a pleasant Rogue art;
Were but you and I acquainted,
Every Monster should be painted;
You should try your graving Tools
On this odious Group of Fools;
Draw the Beasts as I describe 'em',
Form their Features, while I gibe them;
Draw them like, for I assure you,
You will need no Car'catura;
Draw them so that we may trace
All the Soul in every Face.[12]
The immediate, and to Swift himself the least pleasant, context of this
letter is political, i.e. the motion in the House of Lords on 1 June to bring
in a Bill to dissolve the Union with Scotland. Harley's necessarily strenuous
defence of the Union carried most, but not all Tories with him. The
reference to the Treaty of Commerce, a section of the Treaty of Peace
establishing trade with France (Bolingbroke's pet project, voted upon 18
June) was also defeated. This Whig triumph, Vanessa believed, would have
been prevented if Swift had been in London rather than in Dublin.[13] In the general election in the
following
August and September, a Tory government was again returned. By 8 July,
however, Swift was ostentatiously preferring the pastimes of 'a Country
Vicar', hedging, ditching and expelling cows rather than 'driving out
Factions and fencing against them.'[14]
Ford had inherited his modest paternal estate at Woodpark, Co.
Meath, in 1705; its 100 acres lay between Dublin and Trim, and although
it provided Swift with many hours, and Stella and Rebecca Dingley with
many weeks, of pleasant relaxation (commemorated in 'Stella at
Wood-Park, A House of Charles Ford, Esq; eight Miles from Dublin',
1723), Ford ('Don Carlos') had the tastes of a bon vivant, scorned Dublin
society, and preferred to satisfy them in London. Swift's caution to Ford
against financial profligacy characteristically reflected his own anxiety that
the financial burdens which he would assume as Dean in a week's time
would be beyond his means.
Notes