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[title page]

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[Textual] Criticism and Deconstruction by D. C. Greetham
  
[section]
  
Notes
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Text as Matter, Concept, and Action by Peter L. Shillingsburg
 1. 
[section 1]
 2. 
I. Literary Theory and the Work
 3. 
II. The Hole at the Center of Theory: Textual and Literary
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III. A Taxonomy of Texts
 01. 
[section]
 02. 
A. Methods of Classification
 03. 
B. Texts: Conceptual, Semiotic, and Physical
 03. 
C. Texts Again: Physical, Semiotic, and Conceptual
 5. 
IV. Textual Performances as Write Acts
 6. 
V. Hermeneutics or Theory
 7. 
VI. Contexts and Conventions
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VII. Problems with Concepts of Versions
 01. 
A. One Version or Several?
 02. 
B. Structuring Multiple Versions
 9. 
VIII. The Reader as Author
 10. 
IX. Conclusions
 11. 
APPENDIX A
 12. 
APPENDIX B Definition of Terms
  
Notes
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Textual Criticism and Literary Sociology by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
  
Notes
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Printing at Froben's: An Eye-Witness Account by Johan Gerritsen
 1. 
[section 1]
 2. 
Appendix epistola lii. dothiæ wyardæ.
 3. 
Terminology
  
Notes
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Copy-Text and Its Variants in Some Recent Chaucer Editions by Joseph A. Dane
 1. 
[section 1]
 2. 
Greg's Notion of Copy-Text
 3. 
Base Text and Best Text
 4. 
Recent Chaucer Editions I (Single-Text Editions)
 5. 
Chaucer Editions II (Eclectic Editions, Riverside Edition, Windeatt's Troilus)
 6. 
Kane's Piers Plowman
 7. 
Conclusion
  
Notes
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Bibliographical Methods for Identifying Unknown Printers in Elizabethan/Jacobean Books by Adrian Weiss
 1. 
[section 1]
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I
 01. 
[section 01]
 02. 
(1)
 03. 
(2)
 04. 
(3)
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II
 01. 
[section]
 02. 
(1)
 03. 
(2)
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III
 01. 
[section 01]
 02. 
(1)
 03. 
(2)
 04. 
(3)
 05. 
(4)
 06. 
(5)
 07. 
(6)
 08. 
(7)
  
Notes
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Reconstruction and Adaptation in Q Henry V by Kathleen Irace
 1. 
[section 1]
 2. 
Section 1: Memorial Reconstruction in Q Henry V
 3. 
Section 2: Reattributions
 4. 
Section 3: Omissions and Alterations
 5. 
Implications
  
Notes
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Jonson's Authorization of Type in Sejanus and Other Early Quartos by John Jowett
  
[section]
  
Notes
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'Travelling West-Ward': The Lost Letter from Johathan Swift to Charles Ford by Clive Probyn
  
[section]
  
Notes
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Attributions of Authorship in the Gentleman's Magazine, 1731-77: A Supplement to Kuist by Emily Lorraine de Montluzin
 1. 
[section 1]
 2. 
ADDITIONS TO KUIST'S NICHOLS FILE: CHRONOLOGICAL LISTING IN THE GM
 3. 
ADDITIONS TO KUIST'S NICHOLS FILE: SYNOPSIS BY CONTRIBUTOR
  
Notes
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A Collaboration in Learning: The Gentleman's Magazine and Its Ingenious Contributors by James M. Kuist
 1. 
[section 1]
 2. 
I. William Tooke (1744-1820)
 3. 
II. Edward Phillips, Jr. (1754-1831)
  
Notes
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John Nichols's Notes in the Scholarly Commentary of Others by Arthur Sherbo
  
[section]
  
Notes
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Title-Pages Produced by the Walter Scott Publishing Co LTD by John R. Turner
  
[section]
  
Notes
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A Mixed Bag from the Bookman of New York by Arthur Sherbo
  
[section]
  
Notes
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A Bibliographical Analysis of the Manuscript of D. H. Lawrence's The White Peacock by A. R. Atkins
 1. 
[section 1]
 2. 
Historical Background
 3. 
The Manuscript "Nethermere II": General Features
 4. 
The Manuscript "Nethermere II": Paper Analysis
 5. 
The Final Manuscript: Material from "Laetitia II"
 6. 
The Final Manuscript: Principal Materials from "Nethermere I"
 7. 
The Final Manuscript: 'Thick' Revision to B and E Pages and Agnes Holt's Copies
 8. 
The Final Manuscript: Agnes Mason's Contribution
 9. 
The Final Manuscript: Revisions by Lawrence and Corke in 1910
 10. 
The Final Manuscript: Final Revision by Lawrence
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Appendix: Paper Descriptions
 01. 
I. "Nethermere II"
 02. 
II. Lawrence's Correspondence
  
Notes
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Document or Process as the Site of Authority: Establishing Chronology of Revision in Competing Typescripts of Lawrence's The Boy in the Bush by Paul Eggert
  
[section]
  
Notes
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Simms's First Published Fiction by James E. Kibler
 1. 
[section 1]
 2. 
LIGHT READING
  
Notes

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
CONTRIBUTING MEMBERS FOR 1990
  
PUBLICATIONS IN PRINT
  
WINNERS OF THE 1990 STUDENT AWARDS IN BOOK COLLECTING
  
Colophon
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Printer's Imprint

Page Printer's Imprint

Colophon

This book was printed by letterpress from type cast on
the Linotype by Heritage Printers, Inc. of Charlotte,
North Carolina. The typeface is Baskerville, a design by
John Baskerville (1706-1775), English printer and type-
founder. Linotype Baskerville is a weight-for-weight
and curve-for-curve copy of Baskerville's, celebrates
printing type. The paper for the cutting was a com-
plete font of (approximately) 14 point, cast from Bas-
kerville's own matrices—exhumed at Paris, France, in
1929. The paper is 70-pound Glatfelter, an acid-free
paper with a useful life of 300 years.

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