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[title page]
 
[colophon]
 
Contents

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Notes on Recent Work in Descriptive Bibliography
 
[section]
 
INTRODUCTION TO THE FIELD
 
RELATION TO LIBRARY CATALOGUING
 
IDEAL COPY
 
EDITION, IMPRESSION, ISSUE, AND STATE
 
TOLERANCES
 
TRANSCRIPTION
 
COLLATION
 
FORMAT
 
PAPER
 
TYPOGRAPHY AND LAYOUT
 
TYPESETTING AND PRESSWORK
 
NON-LETTERPRESS MATERIAL
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PUBLISHERS' BINDINGS, ENDPAPERS, AND JACKETS
 
Color
 
Patterns
 
Jackets
 
ARRANGEMENT
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ERRORS IN THE MALORY ARCHETYPE: THE CASE OF VINAVER'S WIGHT AND BALAN'S CURIOUS REMARK by RALPH NORRIS
 
I
 
II
 
III
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JAMES SHIRLEY'S TRIUMPH OF PEACE: ANALYZING GREG'S NIGHTMARE by STEPHEN TABOR
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THREE PUZZLES
 
§1. Main Settings
 
§2. Headlines
 
§3. Italic Raids
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DEVELOPMENT BY QUIRES
 
§5. Quire A
 
§6. Quire B
 
§7. Quire C
 
§8. Quire D and "A Speech"
 
§9. Order of Printing the Quires
 
§10. Skeleton Formes
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GATHERING THE SHEETS
 
§11. Phase I
 
§12. Phase II
 
§13. Phase III
 
§14. Phase IV
 
§15. A Digest of the Workflow
 
B outer forme
 
B inner forme
 
C outer forme
 
C inner forme
 
D outer forme
 
D inner forme
 
A outer forme
 
A inner forme
 
"a"
 
C outer forme
 
C inner forme
 
D outer forme
 
D inner forme
 
A outer forme Phase IIa
 
A inner forme Phase Ila
 
B outer forme
 
B inner forme
 
"a"
 
A outer forme Phase Ilb
 
A inner forme Phase IIb
 
A outer forme
 
A inner forme
 
B outer forme Phase IIIa
 
B outer forme Phase IIIb
 
B inner forme
 
C outer forme
 
C inner forme
 
D outer forme (Norton)
 
D inner forme (Norton)
 
Quire D (Okes)
 
"a"
 
A outer forme
 
A inner forme
 
C outer forme
 
C inner forme
 
D (Norton)
 
D (Okes)
 
B outer forme
 
B inner forme
 
"a"
 
"A Speech to the King and Queenes Maiesties"
 
§16. When, How Many, and How Fast?
 
CONCLUSIONS AND APPLICATIONS
 
ACKNOWLEDGMENTS
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APPENDIX 1
 
KEY TO VARIANTS
 
a1r (title page; p. [i])
 
a1v (p. [ii]) blank
 
a2v (p. [iv])
 
A1r (p. 11)
 
A1v (p. 12)
 
A2r (p. 13)
 
A2v (p. 14)
 
A3r (p. 15)
 
A3v (p. 16)
 
A4r (p.17)
 
A4v (p. 18)
 
B1r (p. 21)
 
B1v (p. 22)
 
B2r (p. 23)
 
B2v (p. 24)
 
B3r (p. 25)
 
B3v (p. 26)
 
B4r (p. 27)
 
B4v (p. 28)
 
C1r (p. 9)
 
C1v (p. 10)
 
C2r (p. 11)
 
C2v (p. 12)
 
C3r (p. 13)
 
C3v (p. 14)
 
C4r (p. 15)
 
C4v (p. 16)
 
D1r (p. 17)
 
D1v (p. 18)
 
D2r (p. 19)
 
D2v (p. 20)
 
D3r (p. 21)
 
D3v (p. 22)
 
D4r (p. 23)
 
D4v (p. 24)
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APPENDIX 2
 
COPIES EXAMINED
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APPENDIX 3
 
Master Table of Printing Variants
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THE MANUSCRIPTS OF SIR HENRY MAINWARING'S SEA-MANS DICTIONARY by AMY BOWLES
 
I
 
II
 
III
 
THE JEFFERSONIAN PROVENANCE OF THE UNIVERSITY OF VIRGINIA COPY OF COPERNICUS'S DE REVOLUTIONIBUS: ADDENDUM TO GINGERICH by Samuel V. Lemley
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JOYCE'S ULYSSES LIBRARY by TRISTAN POWER
 
I
 
II
 
III
 
IV
 
V
 
VI
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L'ARCHITECTURE VIVANTE AND ITS EXTRAITS by Daniel Lawler
 
1. L'ARCHITECTURE VIVANTE
 
2. WEISSENHOF
 
3. LE CORBUSIER ET P. JEANNERET
 
4. E.1027. MAISON en bord de mer
 
5. L'ARCHITECTURE RUSSE EN U.R.S.S.
 
6. FREYSSINET
 
7. FRANK LOYD WRIGHT
 
8. ALLEMAGNE
 
9. HOLLANDE
 
10. TONY GARNIER
 
11. HÔPITAUX
 
12. A. ET G. PERRET
 
BEYOND THE REVIEW
 
APPENDIX
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SUPPLEMENT TO THE BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA: THE FIRST FIFTY YEARS by ELIZABETH K. LYNCH AND ANNE G. RIBBLE
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PUBLICATIONS
 
STUDIES IN BIBLIOGRAPHY
 
SEPARATE PUBLICATIONS
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AUTHOR INDEX TO STUDIES IN BIBLIOGRAPHY
 
VOLUMES 51–60
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APPENDIX
 
OFFICERS AND COUNCILORS
 
2. SPECIAL CATEGORIES OF MEMBERSHIP
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Contributing Members
 
INDIVIDUALS
 
INSTITUTIONS
 
3. PROGRAMS
 
4. STUDENT AWARDS IN BOOK COLLECTING
 
5. BATTESTIN FELLOWSHIPS
 
INDEX
 
Notes on Contributors
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BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
 
OFFICERS
 
COUNCIL
 
PRESIDENTS
 
BENEFACTORS
 
PATRONS
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CONTRIBUTING MEMBERS
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SUBSCRIBING MEMBERS
 
INDIVIDUALS
 
INSTITUTIONS
 
STUDENT MEMBERS
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AVAILABLE PUBLICATIONS
 
DIGITAL PUBLICATIONS
 
PRINT PUBLICATIONS
 
Other Society Publications
 
PROGRAMS
 
STUDENT AWARDS IN BOOK COLLECTING
 
BATTESTIN FELLOWSHIPS

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A outer forme Phase Ilb

Preparation for printing: all new skeletons. A2v catchword marries with first line
of roman on next page. (That is the third line of text, so the workman evidently
overlooked the two short lines of italic that begin the page). Some quads left up
on A4v.

Pauses for correction: none.

After printing: all pages kept standing: A3r and 4v with their skeletons, A1r
and 2v without.

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