ERRORS IN THE MALORY ARCHETYPE:
THE CASE OF VINAVER'S WIGHT AND
BALAN'S
CURIOUS REMARK
by
RALPH NORRIS
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III
The effect of considering these cases together is to affirm both the importance
and
the dangers of conjectural emendation in editing Malory's text. Kato's
article
provides outstanding examples of how this principle can solve textual
mysteries,
and even Vinaver, a textual conservative, recognized its usefulness.
Vinaver's intelligence and industry stand as an inspiration to all later
Malory
scholars. His grand editions remain monuments of twentieth-century
scholar-
ship and will doubtless continue to be the standard by which new editions
of
Malory's work will be measured. And as this article shows, his
conclusionsabout
the existence and nature of the archetype from which Winchester and
the Caxton
independently derive remain solid.
However, in the cases discussed above, Vinaver appears to have been misled.
In the
instance from "The Book of Balin," Vinaver's theory of editing prevented
him from
considering the implications of the corrected mistake in his copy text:
because the
corrected reading was not impossible, he apparently did not give
much thought to the
fact that the Caxton contains the same mistake.
53
On the
otherhand, his emendation to wight
in "The Book of Tristram" section actually
demonstratesa danger of conjectural
emendation that Bédier and Vinaver sought
to avoid with their best text system of
editing. Perhaps swayed by the excitement
brought about by examining the then
newly-discovered Winchester manuscript
with its promise of solutions to mysteries,
Vinaver introduced into the standard
edition of a major author an erroneous reading
of his own creation.
54
Of these two pitfalls, however, the narrowness of Vinaver's theory is the
more
harmful because it focusesattention away from the analysis of textual
variants,
which is indispensable to textual criticism. Vinaver'scaret brackets alert
the
reader to the hand of the editor. In all such cases the scholarly reader must
judge
the validity of the emendation, which will lead to progress either as
confirma-
tion or refutation. Yet the missing word in the story of Balin threated to
vanish
from all consideration into the tiny type at the bottom of the page until
rescued
by Kato's study, a small loss perhaps, but a distortion of a great author's
syntax,
nevertheless. Applying a less narrow theory of editing and possessing a
greater
appreciation of the critical importance of both major witnesses, we are in a
posi-
tion to continue to recover more of Malory's exact words than ever before.
Field's
new edition is a great step forward in this endeavor; it improves on
Vinaver's text
in a multitude of closely-reasoned variants. This paper argues for
afew more in
the ongoing effort to safeguard Malory's work from, as has been
memorably put,
time's wallet of oblivion.
Vinaver notes the Caxton reading in his apparatus at the foot of the page, and
he
marks it with † to indicate that it is an inferior reading.
Walter Oakeshott, then a junior master, later Headmaster
ofWinchester College,
who discovered the Winchester manuscript was once similarly
tempted to accept a Winchester
reading when the Caxton was correct. Walter Oakeshott, "The Text of Malory," Times
Literary
Supplement, 27 September 1934; cf. Vinaver, Introduction, Works, cxv-cxvi.
ERRORS IN THE MALORY ARCHETYPE:
THE CASE OF VINAVER'S WIGHT AND
BALAN'S
CURIOUS REMARK
by
RALPH NORRIS
| ||