JAMES SHIRLEY'S TRIUMPH OF PEACE:
ANALYZING GREG'S NIGHTMARE
by
STEPHEN TABOR
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§15. A Digest of the Workflow
In this section I attempt a narrative of the entire production cycle of ToP. It
follows the order of printing the quires in each
phase as far as I have been able
to determine. "Distributed" means the entire page
was broken down and the type
put back in the cases. "Stripped" means that the
skeleton (always the headlines,
and generally the direction lines as far as I can
tell) was removed—either for
distribution or for transfer to another forme—leaving
the bare type-pages to be
tied up for later impression. "Replaced" means that the
tied-up pages, complete
with their previous skeletons, were newly imposed for
reimpression. When all the
pages of a forme were replaced unaltered, I would not
rule out the possibility that
they were still locked in their chase when set
aside.
As it is difficult to assign a significance to transfers of individual types in
skel-
etons, I have mentioned only cases where two or more types in a cluster seem
to
have been moved together.
A. PHASE I
As I demonstrated in §9A, the quires were likely printed in the order B-C-
D-A-a.
Quires B and C have different measures and could have been
composed
simultaneously. Quire "a" has the same measure as quire B and was
possibly
composed with the same stick. English-sized type (20 lines = 96 mm) is
used for
the text throughout.
JAMES SHIRLEY'S TRIUMPH OF PEACE:
ANALYZING GREG'S NIGHTMARE
by
STEPHEN TABOR
| ||