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The Suppressed and Altered Passages in Blake's Jerusalem by David V. Erdman
 1. 
[section]
 2. 
Method of Restoration
 3. 
The Nature of Blake's Alterations
 4. 
His Probable Reasons
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JERUSALEM: All the Deleted or Altered Passages
 1. 
Plate 1 [Frontispiece] (Illustration III a)
 2. 
Plate 2 [Title Page] (Illustration II b)
 3. 
Plate 3 [Preface] (Illustration I)
 4. 
Plate 4 ("Chap: 1")
 5. 
Plate 7
 6. 
Plate 10
 7. 
Plate 11
 8. 
Plate 14
 9. 
Plate 19
 10. 
Plate 20
 11. 
Plate 21
 12. 
Plate 22
 13. 
Plate 24
 14. 
Plate 26
 15. 
Plate 27
 16. 
Plate 28 ("Chap: 2.") (Illustrations IV a, b)
 17. 
Plate 29[43] (Illustration II c)
 18. 
Plate 35[31] (Illustration III b)
 19. 
Plate 36[32]
 20. 
Plate 37[33] (Illustration V a)
 21. 
Plate 39[35]
 22. 
Plate 40[36]
 23. 
Plate 45[40]
 24. 
Plate 47
 25. 
Plate 51
 26. 
Plate 53
 27. 
Plate 56
 28. 
Plate 61
 29. 
Plate 63
 30. 
Plate 69
 31. 
Plate 73 (Illustration V b)
 32. 
Plate 76
 33. 
Plate 77 (Illustration VI a)
 34. 
Plate 82
 35. 
Plate 83
 36. 
Plate 84 (Illustration VI b)
 37. 
Plate 85
 38. 
Plate 90
 39. 
Plate 91
 40. 
Plate 93
 41. 
Plate 94
 42. 
Plate 95
 43. 
Plate 96
 44. 
Plate 98
 45. 
Plate 99
 46. 
Plate 100
 6. 
Conclusions as to the Sequence of Copies
 7. 
Addenda List of Copies
 8. 
Note
 9. 
Table of Catchwords
 10. 
Sizes of Plates
 11. 
Blake's Numbering of the Plates
 12. 
The Dating of Blake's Script
  
Notes
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A Computer Concordance to Middle English Texts by Alan Markman
  
[section]
  
Notes
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Milton and the Harvard Pindar by Maurice Kelley and Samuel D. Atkins
  
[section]
  
Notes
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Light on Joyce's Exiles? A New MS, a Curious Analogue, and Some Speculations by Robert M. Adams
  
[section]
  
Notes
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Further Observations on the Text of Dubliners by Robert Scholes
 1. 
[section]
 2. 
General Problems
 3. 
Individual Stories
  
Notes
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Mathew Carey's Proofreaders by Rollo G. Silver
  
[section]
  
Notes
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"Bound in Boston by Henry B. Legg" by Hannah D. French
  
[section]
  
Notes
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James Kirke Paulding's Contributions to American Magazines by Ralph M. Aderman
  
[section]
  
Notes
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Unsigned and Initialed Contributions to The Freeman by G. Thomas Tanselle
 1. 
[section]
 2. 
I. Authorship of Unsigned Material
 3. 
II. Identification of Initials and Pseudonyms
 4. 
III. Index
  
Notes
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Material for a Centenary Edition of Tenderis the Night by Matthew J. Bruccoli
 1. 
[section]
 2. 
Emendations to be Made in the First-Edition Copy-Text
 3. 
Textual Notes
 4. 
Historical Collation
 5. 
Revisions in Fitzgerald's Copy
 6. 
Pedigree of Editions of Tender is the Night
  
Notes
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The Terence of Turin, 1483 by Curt F. Bühler
  
[section]
  
Notes
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The Printer of the 1594 Octavo of Marlowe's Edward II by Robert Ford Welsh
  
[section]
  
Notes
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The Early Editions of Sir Walter Ralegh's The History of the World by John Racin, Jr.
 1. 
[section]
 2. 
The Suppression
 3. 
"Issues" of the Stansby 1614
 4. 
The Stansby 1614 and 1617 Editions
 5. 
The Stansby 1617, the "Jaggard 1617" and the Jaggard 1621
  
Notes
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Some Reprintings of the Gentlemen's Magazine by Jacob Leed
 1. 
i
 2. 
ii
 3. 
iii
 4. 
iv
  
Notes
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Predecessors to Burke's and Dodsley's Annual Register by John C. Weston, Jr.
  
[section]
  
Notes
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Yeats's Vision and "The Two Trees" by Robert Mortenson
  
[section]
  
Notes
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Some Principles for Scholarly Editions of Nineteenth-Century American Authors by Fredson Bowers
  
[section]
  
Notes
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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1962
 1.0. 
Part I: INCUNABULA and EARLY RENAISSANCE by Rudolf Hirsch
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Part II: THE LATER RENAISSANCE TO THE PRESENT by Howell J. Heaney
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1. BIBLIOGRAPHIES, CHECK LISTS, ENUMERATIONS
 2.1a. 
A. ENGLISH AND GENERAL
 2.1b. 
B. United States
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2. Printing, Publishing, Bibliography and Textual Scholarship
 2.2a. 
A. English and General
 2.2b. 
B. United States
  
Notes

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[section]
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
CONTRIBUTING MEMBERS FOR 1963
  
WINNERS OF THE 1963 AWARD
  
RECENT MEETINGS OF THE SOCIETY
  
OTHER PUBLICATIONS AVAILABLE TO MEMBERS
  
FORTHCOMING PUBLICATIONS
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Plate 11

Between the text and the bottom illustration there is a shadow that might be the top of a deleted line, but careful measurement dispels the idea.

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