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University of Virginia Library

The Works of Tennyson

The Eversley Edition: Annotated by Alfred, Lord Tennyson: Edited by Hallam, Lord Tennyson

Tennyson, Alfred Tennyson (1809-1892)

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I.

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NOTHING WILL DIE.

ALL THINGS WILL DIE.

LEONINE ELEGIACS.

SUPPOSED CONFESSIONS

MARIANA IN THE SOUTH.

SONG—THE OWL.

RECOLLECTIONS OF THE ARABIAN NIGHTS.

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I.

II.

III.

IV.

V.

THE POET'S MIND.

THE SEA-FAIRIES.

THE DESERTED HOUSE.

THE DYING SWAN.

LOVE AND DEATH.

THE BALLAD OF ORIANA.

[My life is full of weary days]

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I.

II.

II. TO J. M. K.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XI. THE BRIDESMAID.

THE LADY OF SHALOTT.

THE TWO VOICES.

THE MILLER'S DAUGHTER.

THE PALACE OF ART.

LADY CLARA VERE DE VERE.

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THE LOTOS-EATERS.

A DREAM OF FAIR WOMEN.

THE DEATH OF THE OLD YEAR.

[You ask me, why, tho' ill at ease]

[Of old sat Freedom on the heights]

[Love thou thy land, with love far-brought]

ENGLAND AND AMERICA IN 1782.

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MORTE D'ARTHUR.

THE GARDENER'S DAUGHTER;

WALKING TO THE MAIL.

ST. SIMEON STYLITES.

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Song of the Three Sisters.

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Additional lines and fragments of verse extracted from the notes.

[The Miller's Daughter]

[The Miller's Daughter]

[The Palace of Art]

[The Palace of Art]

[The Palace of Art]

[The Palace of Art]

[A Dream of Fair Women]

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II.

THE TALKING OAK.

THE GOLDEN YEAR.

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THE SLEEPING PALACE.

THE SLEEPING BEAUTY.

ST. AGNES' EVE.

WILL WATERPROOF'S LYRICAL MONOLOGUE.

THE LORD OF BURLEIGH.

SIR LAUNCELOT AND QUEEN GUINEVERE.

THE BEGGAR MAID.

[Move eastward, happy earth, and leave]

[Come not, when I am dead]

THE VISION OF SIN.

[Break, break, break]

THE POET'S SONG.

AYLMER'S FIELD.

ODE ON THE DEATH OF THE DUKE OF WELLINGTON.

THE THIRD OF FEBRUARY, 1852.

THE CHARGE OF THE LIGHT BRIGADE.

ODE SUNG AT THE OPENING OF THE INTERNATIONAL EXHIBITION.

A WELCOME TO ALEXANDRA.

A WELCOME TO HER ROYAL HIGHNESS MARIE ALEXANDROVNA, DUCHESS OF EDINBURGH.

THE GRANDMOTHER.

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NORTHERN FARMER.

NORTHERN FARMER.

TO THE REV. F. D. MAURICE.

IN THE VALLEY OF CAUTERETZ.

IN THE GARDEN AT SWAINSTON.

THE SAILOR BOY.

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I.

I. THE CITY CHILD.

II.

II. MINNIE AND WINNIE.

THE SPITEFUL LETTER.

LITERARY SQUABBLES.

THE HIGHER PANTHEISM.

THE VOICE AND THE PEAK.

[Flower in the crannied wall]

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[O you chorus of indolent reviewers]

SPECIMEN OF A TRANSLATION OF THE ILIAD IN BLANK VERSE.

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MARRIAGE MORNING.

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HANDS ALL ROUND!

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Additional lines and fragments of verse extracted from the notes

[Sir Launcelot and Queen Guinevere]

[Ode on the Death of the Duke of Wellington]

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III.

ENOCH ARDEN AND IN MEMORIAM

IN MEMORIAM A. H. H.

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Additional lines and fragments of verse extracted from the notes

THE VICTOR HOURS

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VII.

THE PRINCESS AND MAUD

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I.

[As thro' the land at eve we went]

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II.

[Sweet and low, sweet and low]

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III.

[The splendour falls on castle walls]

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IV.

[‘O Swallow, Swallow, flying, flying South]

V.

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VI.

[Home they brought her warrior dead]

[‘Our enemies have fall'n, have fall'n: the seed]

[Ask me no more: the moon may draw the sea]

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VII.

[‘Now sleeps the crimson petal, now the white]

[‘Come down, O maid]

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MAUD; A MONODRAMA.

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I.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

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II.

I.

II.

III.

IV.

V.

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III.

VI.

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Additional lines and fragments of verse extracted from the notes.

[The Princess; A Medley.]

[The Princess; A Medley.]

[The Princess; A Medley.]

[The Princess; A Medley. Canto V]

[The Princess; A Medley. Canto VI]

[The Princess; A Medley.]

[The Princess; A Medley.]

[Maud; A Monodrama.]

V.

IDYLLS OF THE KING

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III.

BALLADS AND OTHER POEMS

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THE LOVER'S TALE.

I.

II.

III.

IV.

IV. THE GOLDEN SUPPER.

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BALLADS AND OTHER POEMS

TO ALFRED TENNYSON MY GRANDSON.

THE FIRST QUARREL.

THE NORTHERN COBBLER.

THE VILLAGE WIFE; OR, THE ENTAIL.

IN THE CHILDREN'S HOSPITAL.

DEDICATORY POEM TO THE PRINCESS ALICE.

THE DEFENCE OF LUCKNOW.

SIR JOHN OLDCASTLE, LORD COBHAM.

THE VOYAGE OF MAELDUNE.

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THE TWO GREETINGS.

I.

II.

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PREFATORY SONNET TO THE ‘NINETEENTH CENTURY.’

TO THE REV. W. H. BROOKFIELD

TO VICTOR HUGO.

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TRANSLATIONS, ETC.

BATTLE OF BRUNANBURH.

ACHILLES OVER THE TRENCH.

TO PRINCESS FREDERICA ON HER MARRIAGE.

SIR JOHN FRANKLIN.

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TIRESIAS AND OTHER POEMS

TO E. FITZGERALD.

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I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

THE ANCIENT SAGE.

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THE SPINSTER'S SWEET-ARTS.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

LOCKSLEY HALL SIXTY YEARS AFTER.

PROLOGUE TO GENERAL HAMLEY.

THE CHARGE OF THE HEAVY BRIGADE AT BALACLAVA.

THE DEAD PROPHET

PREFATORY POEM TO MY BROTHER'S SONNETS.

‘FRATER AVE ATQUE VALE.’

EPITAPH ON LORD STRATFORD DE REDCLIFFE.

EPITAPH ON GENERAL GORDON.

EPITAPH ON CAXTON.

TO THE DUKE OF ARGYLL.

HANDS ALL ROUND.

TO H.R.H. PRINCESS BEATRICE.

OPENING OF THE INDIAN AND COLONIAL EXHIBITION BY THE QUEEN.

POETS AND THEIR BIBLIOGRAPHIES.

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Additional lines and fragments of verse extracted from notes.

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IV.

DEMETER AND OTHER POEMS

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DEMETER AND OTHER POEMS

TO THE MARQUIS OF DUFFERIN AND AVA.

ON THE JUBILEE OF QUEEN VICTORIA

TO PROFESSOR JEBB,

DEMETER AND PERSEPHONE.

TO W. C. MACREADY.

THE PROGRESS OF SPRING.

MERLIN AND THE GLEAM.

ROMNEY'S REMORSE.

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BY AN EVOLUTIONIST.

FAR—FAR—AWAY.

BEAUTIFUL CITY.

THE ROSES ON THE TERRACE.

ON ONE WHO AFFECTED AN EFFEMINATE MANNER.

TO ONE WHO RAN DOWN THE ENGLISH.

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THE DEATH OF ŒNONE, AKBAR'S DREAM, AND OTHER POEMS

JUNE BRACKEN AND HEATHER.

TO THE MASTER OF BALLIOL.

THE DEATH OF ŒNONE.

ST. TELEMACHUS.

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TO SIR WALTER SCOTT.

THE BANDIT'S DEATH.

THE CHURCH-WARDEN AND THE CURATE.

THE MAKING OF MAN.

POETS AND CRITICS.

A VOICE SPAKE OUT OF THE SKIES.

DOUBT AND PRAYER.

THE SILENT VOICES.

GOD AND THE UNIVERSE.

THE DEATH OF THE DUKE OF CLARENCE AND AVONDALE.

CROSSING THE BAR.

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I.

I.

II.

III.

II.

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THE PROMISE OF MAY

I.

II.

III.

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Additional lines and fragments of verse extracted from the notes.

TO THE VICAR OF SHIPLAKE

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VIII.

QUEEN MARY AND HAROLD

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II.

III.

IV.

V.

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II.

I.

II.

III.

IV.

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III.

I.

II.

III.

IV.

V.

VI.

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IV.

I.

II.

III.

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V.

I.

II.

III.

IV.

V.

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SHOW-DAY AT BATTLE ABBEY, 1876.

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HAROLD: A DRAMA

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II.

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II.

I.

II.

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III.

I.

II.

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IV.

I.

II.

III.

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V.

I.

II.

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IX.

BECKET AND OTHER PLAYS

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II.

III.

IV.

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II.

I.

II.

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III.

I.

II.

III.

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IV.

I.

II.

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V.

I.

II.

III.

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I.

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II.

III.

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II.

ACT II THE FLIGHT OF MARIAN

I.

II.

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III.

ACT III THE CROWNING OF MARIAN

I.

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IV.

ACT IV THE CONCLUSION

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UNPUBLISHED SONNET.

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81

[Thy voice is heard thro' rolling drums]

Thy voice is heard thro' rolling drums,

Cf. Sedgwick's Life, ii. 103.—Extract of a letter from J. Eaton, a private serving in the Battle of Aliwal, 1846, and a son of two of Sedgwick's servants:

“Also, my dear mother, tell Rhoda Harding I thought of her in the battle's heat, and that as I cut at the enemy and parried their thrusts my arm was strong on her account; for I felt at that moment that I loved her more than ever, and may God Almighty bless her.”

Sedgwick's comment: “This is, I think, exquisitely beautiful, for it is the strong language of pure feeling in the hour of severest trial.”

My first version of this song was published in Selections, 1865:

And gives the battle to his hands.

And strikes him dead for thine and thee.

That beat to battle where he stands;
Thy face across his fancy comes,
And gives the battle to his hands:
A moment, while the trumpets blow,
He sees his brood about thy knee;
The next, like fire he meets the foe,
And strikes him dead for thine and thee.

So Lilia sang: we thought her half-possess'd,
She struck such warbling fury thro' the words;
And, after, feigning pique at what she call'd
The raillery, or grotesque, or false sublime—
Like one that wishes at a dance to change
The music—clapt her hands and cried for war,
Or some grand fight to kill and make an end:
And he that next inherited the tale
Half turning to the broken statue, said,
‘Sir Ralph has got your colours: if I prove
Your knight, and fight your battle, what for me?’
It chanced, her empty glove upon the tomb
Lay by her like a model of her hand.

82

She took it and she flung it. ‘Fight’ she said,
‘And make us all we would be, great and good.’
He knightlike in his cap instead of casque,
A cap of Tyrol borrow'd from the hall,
Arranged the favour, and assumed the Prince.