University of Virginia Library

Search this document 
The Works of Tennyson

The Eversley Edition: Annotated by Alfred, Lord Tennyson: Edited by Hallam, Lord Tennyson

collapse sectionI. 
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
 I. 
 II. 
 III. 
 IV. 
 V. 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
 I. 
 II. 
 III. 
 IV. 
 V. 
 VI. 
 VII. 
 VIII. 
 IX. 
 X. 
 XI. 
  
  
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
collapse section 
  
collapse section 
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
collapse sectionII. 
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
collapse section 
 I. 
 II. 
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
  
  
collapse section 
  
  
collapse sectionIII. 
  
  
collapse section 
  
collapse section 
  
  
  
collapse sectionVII. 
collapse section 
collapse section 
  
collapse sectionI. 
  
  
collapse sectionII. 
  
  
collapse sectionIII. 
  
  
collapse sectionIV. 
  
  
  
  
  
  
 V. 
collapse sectionVI. 
  
  
  
  
  
collapse sectionVII. 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
collapse section 
collapse sectionI. 
 I. 
 II. 
 III. 
 IV. 
 V. 
 VI. 
 VII. 
 VIII. 
 IX. 
 X. 
 XI. 
 XII. 
 XIII. 
 XIV. 
 XV. 
 XVI. 
 XVII. 
 XVIII. 
 XIX. 
 XX. 
 XXI. 
 XXII. 
collapse sectionII. 
 I. 
 II. 
 III. 
 IV. 
 V. 
collapse sectionIII. 
 VI. 
collapse section 
  
  
  
  
  
  
  
  
 V. 
collapse sectionIII. 
collapse section 
  
 I. 
 II. 
 III. 
 IV. 
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
collapse section 
 I. 
 II. 
  
collapse section 
  
  
  
  
collapse section 
  
  
  
  
  
collapse section 
  
  
  
  
collapse section 
  
 I. 
 II. 
 III. 
 IV. 
 V. 
 VI. 
 VII. 
 VIII. 
 IX. 
 X. 
 XI. 
 XII. 
 XIII. 
 XIV. 
 XV. 
 XVI. 
 XVII. 
 XVIII. 
 XIX. 
 XX. 
 XXI. 
  
  
  
collapse section 
 I. 
 II. 
 III. 
 IV. 
 V. 
 VI. 
 VII. 
 VIII. 
 IX. 
 X. 
 XI. 
 XII. 
 XIII. 
 XIV. 
 XV. 
 XVI. 
 XVII. 
 XVIII. 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
  
collapse sectionIV. 
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
  
  
  
  
collapse section 
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
collapse section 
collapse section 
collapse sectionI. 
 I. 
 II. 
 III. 
 II. 
collapse section 
collapse section 
 I. 
 II. 
 III. 
collapse section 
  
collapse section 
  
  
  
collapse sectionVIII. 
collapse section 
collapse section 
collapse sectionI. 
 I. 
 II. 
 III. 
 IV. 
 V. 
collapse sectionII. 
 I. 
 II. 
 III. 
 IV. 
collapse sectionIII. 
 I. 
 II. 
 III. 
 IV. 
 V. 
 VI. 
collapse sectionIV. 
 I. 
 II. 
 III. 
collapse sectionV. 
 I. 
 II. 
 III. 
 IV. 
 V. 
SCENE V.
collapse section 
  
  
collapse section 
collapse sectionI. 
 I. 
 II. 
collapse sectionII. 
 I. 
 II. 
collapse sectionIII. 
 I. 
 II. 
collapse sectionIV. 
 I. 
 II. 
 III. 
collapse sectionV. 
 I. 
 II. 
collapse sectionIX. 
collapse section 
collapse section 
  
collapse sectionI. 
 I. 
 II. 
 III. 
 IV. 
collapse sectionII. 
 I. 
 II. 
collapse sectionIII. 
 I. 
 II. 
 III. 
collapse sectionIV. 
 I. 
 II. 
collapse sectionV. 
 I. 
 II. 
 III. 
collapse section 
collapse section 
  
collapse section 
collapse section 
collapse sectionI. 
 I. 
 II. 
 III. 
collapse sectionII. 
 I. 
 II. 
collapse sectionIII. 
 I. 
collapse sectionIV. 
  
collapse section 
  


198

SCENE V.

—London. A Room in the Palace.
A Gallery on one side. The moonlight streaming through a range of windows on the wall opposite. Mary, Lady Clarence, Lady Magdalen Dacres, Alice. Queen pacing the Gallery. A writing-table in front. Queen comes to the table and writes and goes again, pacing the Gallery.
Lady Clarence.
Mine eyes are dim: what hath she written? read.

Alice.
‘I am dying, Philip; come to me.’

Lady Magdalen.
There—up and down, poor lady, up and down.

Alice.
And how her shadow crosses one by one
The moonlight casements pattern'd on the wall,
Following her like her sorrow. She turns again.

[Queen sits and writes, and goes again.
Lady Clarence.
What hath she written now?

Alice.
Nothing; but ‘come, come, come,’ and all awry,
And blotted by her tears. This cannot last.

[Queen returns.
Mary.
I whistle to the bird has broken cage,
And all in vain.
[Sitting down.
Calais gone—Guisnes gone, too—and Philip gone!


199

Lady Clarence.
Dear Madam, Philip is but at the wars;
I cannot doubt but that he comes again;
And he is with you in a measure still.
I never look'd upon so fair a likeness
As your great King in armour there, his hand
Upon his helmet.

[Pointing to the portrait of Philip on the wall.
Mary.
Doth he not look noble?
I had heard of him in battle over seas,
And I would have my warrior all in arms.
He said it was not courtly to stand helmeted
Before the Queen. He had his gracious moment,
Altho' you'll not believe me. How he smiles
As if he loved me yet!

Lady Clarence.
And so he does.

Mary.
He never loved me—nay, he could not love me.
It was his father's policy against France.
I am eleven years older than he,
Poor boy!

[Weeps.
Alice.
That was a lusty boy of twenty-seven;
[Aside.
Poor enough in God's grace!

Mary.
—And all in vain!
The Queen of Scots is married to the Dauphin,
And Charles, the lord of this low world, is gone;

200

And all his wars and wisdoms past away;
And in a moment I shall follow him.

Lady Clarence.
Nay, dearest Lady, see your good physician.

Mary.
Drugs—but he knows they cannot help me—says
That rest is all—tells me I must not think—
That I must rest—I shall rest by and by.
Catch the wild cat, cage him, and when he springs
And maims himself against the bars, say ‘rest’:
Why, you must kill him if you would have him rest—
Dead or alive you cannot make him happy.

Lady Clarence.
Your Majesty has lived so pure a life,
And done such mighty things by Holy Church,
I trust that God will make you happy yet.

Mary.
What is the strange thing happiness? Sit down here:
Tell me thine happiest hour.

Lady Clarence.
I will, if that
May make your Grace forget yourself a little.
There runs a shallow brook across our field
For twenty miles, where the black crow flies five,
And doth so bound and babble all the way
As if itself were happy. It was May-time,
And I was walking with the man I loved.
I loved him, but I thought I was not loved.

201

And both were silent, letting the wild brook
Speak for us—till he stoop'd and gather'd one
From out a bed of thick forget-me-nots,
Look'd hard and sweet at me, and gave it me.
I took it, tho' I did not know I took it,
And put it in my bosom, and all at once
I felt his arms about me, and his lips—

Mary.
O God! I have been too slack, too slack.
There are Hot Gospellers even among our guards—
Nobles we dared not touch. We have but burnt
The heretic priest, workmen, and women and children.
Wet, famine, ague, fever, storm, wreck, wrath,—
We have so play'd the coward; but by God's grace,
We'll follow Philip's leading, and set up
The Holy Office here—garner the wheat,
And burn the tares with unquenchable fire!
Burn!—
Fie, what a savour! tell the cooks to close
The doors of all the offices below.
Latimer!
Sir, we are private with our women here—
Ever a rough, blunt, and uncourtly fellow—
Thou light a torch that never will go out!
'Tis out—mine flames. Women, the Holy Father
Has ta'en the legateship from our cousin Pole—
Was that well done? and poor Pole pines of it,
As I do, to the death. I am but a woman,

202

I have no power.—Ah, weak and meek old man,
Seven-fold dishonour'd even in the sight
Of thine own sectaries—No, no. No pardon!—
Why that was false: there is the right hand still
Beckons me hence.
Sir, you were burnt for heresy, not for treason,
Remember that! 'twas I and Bonner did it,
And Pole; we are three to one—Have you found mercy there,
Grant it me here: and see, he smiles and goes,
Gentle as in life.

Alice.
Madam, who goes? King Philip?

Mary.
No, Philip comes and goes, but never goes.
Women, when I am dead,
Open my heart, and there you will find written
Two names, Philip and Calais; open his,—
So that he have one,—
You will find Philip only, policy, policy,—
Ay, worse than that—not one hour true to me!
Foul maggots crawling in a fester'd vice!
Adulterous to the very heart of Hell.
Hast thou a knife?

Alice.
Ay, Madam, but o' God's mercy—

Mary.
Fool, think'st thou I would peril mine own soul
By slaughter of the body? I could not, girl,

203

Not this way—callous with a constant stripe,
Unwoundable. The knife!

Alice.
Take heed, take heed!
The blade is keen as death.

Mary.
This Philip shall not
Stare in upon me in my haggardness;
Old, miserable, diseased,
Incapable of children. Come thou down.
[Cuts out the picture and throws it down.
Lie there. (Wails)
O God, I have kill'd my Philip!


Alice.
No,
Madam, you have but cut the canvas out;
We can replace it.

Mary.
All is well then; rest—
I will to rest; he said, I must have rest.
[Cries of ‘Elizabeth’ in the street.
A cry! What's that? Elizabeth? revolt?
A new Northumberland, another Wyatt?

(Act v. Sc. v.) After Mary's speech, ending “Help me hence,” the end of the last Act of the Acting Edition ran thus:

[Falls into the arms of Lady Clarence.
Alice.
The hand of God hath help'd her hence.

Lady Clarence.
Not yet.
[To Elizabeth as she enters.
Speak, speak, a word of yours may wake her.

Elizabeth
(kneeling at her sister's knee).
Mary!

Mary.
Mary! who calls? 'tis long since any one
Has called me Mary—she—
There in the dark she sits and calls for me—
She that should wear her state before the world.
My Father's own true wife. Ay, madam. Hark!
For she will call again.

Elizabeth.
Mary, my sister!

Mary.
That's not the voice!
Who is it steps between me and the light?
[Puts her arm round Elizabeth's neck.
I held her in my arms a guileless babe,
And mourn'd her orphan doom along with mine.
The crown! she comes for that! take it and feel it!
It stings the touch! It is not gold but thorns!
[Mary starts up.
The crown of crowns! Play not with holy things!
[Clasps her hands and kneels.
Keep you the faith! . . yea, mother, yea I come!

[Dies.
Lady Clarence.
She is dead.

Elizabeth
(kneeling by the body).
Poor sister! Peace be with the dead.
[Curtain.


I'll fight it on the threshold of the grave.

Lady Clarence.
Madam, your royal sister comes to see you.

Mary.
I will not see her.
Who knows if Boleyn's daughter be my sister?
I will see none except the priest. Your arm.
[To Lady Clarence.
O Saint of Aragon, with that sweet worn smile
Among thy patient wrinkles—Help me hence.

[Exeunt.

204

The Priest passes. Enter Elizabeth and Sir William Cecil.
Elizabeth.
Good counsel yours—
No one in waiting? still,
As if the chamberlain were Death himself!
The room she sleeps in—is not this the way?
No, that way there are voices. Am I too late?
Cecil . . . God guide me lest I lose the way.
[Exit Elizabeth.

Cecil.
Many points weather'd, many perilous ones,
At last a harbour opens; but therein
Sunk rocks—they need fine steering—much it is
To be nor mad, nor bigot—have a mind—
Nor let Priests' talk, or dream of worlds to be,
Miscolour things about her—sudden touches
For him, or him—sunk rocks; no passionate faith—
But—if let be—balance and compromise;
Brave, wary, sane to the heart of her—a Tudor
School'd by the shadow of death—a Boleyn, too,
Glancing across the Tudor—not so well.
Enter Alice.
How is the good Queen now?

Alice.
Away from Philip.

205

Back in her childhood—prattling to her mother
Of her betrothal to the Emperor Charles,
And childlike-jealous of him again—and once
She thank'd her father sweetly for his book
Against that godless German. Ah, those days
Were happy. It was never merry world
In England, since the Bible came among us.

Cecil.
And who says that?

Alice.
It is a saying among the Catholics.

Cecil.
It never will be merry world in England,
Till all men have their Bible, rich and poor.

Alice.
The Queen is dying, or you dare not say it.

Enter Elizabeth.
Elizabeth.
The Queen is dead.

Cecil.
Then here she stands! my homage.

Elizabeth.
She knew me, and acknowledged me her heir,
Pray'd me to pay her debts, and keep the Faith;
Then claspt the cross, and pass'd away in peace.
I left her lying still and beautiful,
More beautiful than in life. Why would you vex yourself,
Poor sister? Sir, I swear I have no heart
To be your Queen. To reign is restless fence,
Tierce, quart, and trickery. Peace is with the dead.

206

Her life was winter, for her spring was nipt:
And she loved much: pray God she be forgiven.

Cecil.
Peace with the dead, who never were at peace!
Yet she loved one so much—I needs must say—
That never English monarch dying left
England so little.

Elizabeth.
But with Cecil's aid
And others, if our person be secured
From traitor stabs—we will make England great.

Enter Paget, and other Lords of the Council, Sir Ralph Bagenhall, etc.
Lords.
God save Elizabeth, the Queen of England!

Bagenhall.
God save the Crown! the Papacy is no more.

Paget
(aside).
Are we so sure of that?

Acclamation.
God save the Queen!

 

As produced at the Lyceum Theatre with Irving as Philip, and Miss Kate Bateman as Queen Mary.

On the Australian stage Miss Dargon won a triumph in Queen Mary. It was very popular when produced at the Melbourne Theatre-Royal, and had a long run; and when reproduced at the Bijou Theatre in the same city had a second long run.