University of Virginia Library

Search this document 
The Works of Tennyson

The Eversley Edition: Annotated by Alfred, Lord Tennyson: Edited by Hallam, Lord Tennyson
Tennyson, Alfred Tennyson (1809-1892)

collapse sectionI. 
POEMS
  
TO THE QUEEN.
collapse section 
JUVENILIA.
  
CLARIBEL.
  
NOTHING WILL DIE.
  
ALL THINGS WILL DIE.
  
LEONINE ELEGIACS.
  
SUPPOSED CONFESSIONS
  
THE KRAKEN.
  
SONG.
  
LILIAN.
  
ISABEL.
  
MARIANA.
  
MARIANA IN THE SOUTH.
  
TO ------.
  
MADELINE.
  
SONG—THE OWL.
  
SECOND SONG.
  
RECOLLECTIONS OF THE ARABIAN NIGHTS.
collapse section 
ODE TO MEMORY.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
  
SONG.
  
A CHARACTER.
  
THE POET.
  
THE POET'S MIND.
  
THE SEA-FAIRIES.
  
THE DESERTED HOUSE.
  
THE DYING SWAN.
  
A DIRGE.
  
LOVE AND DEATH.
  
THE BALLAD OF ORIANA.
  
CIRCUMSTANCE.
  
THE MERMAN.
  
THE MERMAID.
  
ADELINE.
  
MARGARET.
  
ROSALIND.
  
ELEÄNORE.
  
[My life is full of weary days]
collapse section 
EARLY SONNETS.
 I. 
I. TO ------
 II. 
II. TO J. M. K.
 III. 
III.
 IV. 
IV. ALEXANDER.
 V. 
V. BUONAPARTE.
 VI. 
VI. POLAND.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI. THE BRIDESMAID.
  
THE LADY OF SHALOTT.
  
THE TWO VOICES.
  
THE MILLER'S DAUGHTER.
  
FATIMA.
  
ŒNONE.
  
THE SISTERS.
  
TO ------
  
THE PALACE OF ART.
  
LADY CLARA VERE DE VERE.
  
THE MAY QUEEN
collapse section 
THE LOTOS-EATERS.
  
[section]
  
[section]
  
[section]
  
[section]
  
[section]
  
CHORIC SONG.
  
A DREAM OF FAIR WOMEN.
  
THE BLACKBIRD.
  
THE DEATH OF THE OLD YEAR.
  
TO J. S.
  
ON A MOURNER.
  
[You ask me, why, tho' ill at ease]
  
[Of old sat Freedom on the heights]
  
[Love thou thy land, with love far-brought]
  
ENGLAND AND AMERICA IN 1782.
  
THE GOOSE.
collapse section 
ENGLISH IDYLS.
  
THE EPIC.
  
MORTE D'ARTHUR.
  
THE GARDENER'S DAUGHTER;
  
DORA.
  
AUDLEY COURT.
  
WALKING TO THE MAIL.
  
EDWIN MORRIS;
  
ST. SIMEON STYLITES.
collapse section 
APPENDIX.
  
TIMBUCTOO.
collapse section 
THE HESPERIDES
  
[prologue]
  
Song of the Three Sisters.
collapse section 
Additional lines and fragments of verse extracted from the notes.
  
[To The Queen]
  
MABLETHORPE
  
LOVE
  
II
  
[The Miller's Daughter]
  
[The Miller's Daughter]
  
[The Palace of Art]
  
[The Palace of Art]
  
[The Palace of Art]
  
[The Palace of Art]
  
[A Dream of Fair Women]
  
HOME
collapse sectionII. 
POEMS
  
THE TALKING OAK.
  
LOVE AND DUTY.
  
THE GOLDEN YEAR.
  
ULYSSES.
  
TITHONUS.
  
LOCKSLEY HALL.
  
GODIVA.
collapse section 
THE DAY-DREAM.
  
PROLOGUE.
  
THE SLEEPING PALACE.
  
THE SLEEPING BEAUTY.
  
THE ARRIVAL.
  
THE REVIVAL.
  
THE DEPARTURE.
  
MORAL.
  
L'ENVOI.
  
EPILOGUE.
  
AMPHION
  
ST. AGNES' EVE.
  
SIR GALAHAD.
  
EDWARD GRAY.
  
WILL WATERPROOF'S LYRICAL MONOLOGUE.
  
LADY CLARE.
  
THE CAPTAIN.
  
THE LORD OF BURLEIGH.
  
THE VOYAGE.
  
SIR LAUNCELOT AND QUEEN GUINEVERE.
  
A FAREWELL.
  
THE BEGGAR MAID.
  
THE EAGLE.
  
[Move eastward, happy earth, and leave]
  
[Come not, when I am dead]
  
THE LETTERS.
  
THE VISION OF SIN.
  
TO ---,
  
TO E. L.,
  
[Break, break, break]
  
THE POET'S SONG.
  
THE BROOK.
  
AYLMER'S FIELD.
  
SEA DREAMS.
  
LUCRETIUS.
  
ODE ON THE DEATH OF THE DUKE OF WELLINGTON.
  
THE THIRD OF FEBRUARY, 1852.
  
THE CHARGE OF THE LIGHT BRIGADE.
  
ODE SUNG AT THE OPENING OF THE INTERNATIONAL EXHIBITION.
  
A WELCOME TO ALEXANDRA.
  
A WELCOME TO HER ROYAL HIGHNESS MARIE ALEXANDROVNA, DUCHESS OF EDINBURGH.
  
THE GRANDMOTHER.
collapse section 
[section]
  
NORTHERN FARMER.
  
NORTHERN FARMER.
  
THE DAISY.
  
TO THE REV. F. D. MAURICE.
  
WILL.
  
IN THE VALLEY OF CAUTERETZ.
  
IN THE GARDEN AT SWAINSTON.
  
THE FLOWER.
  
REQUIESCAT.
  
THE SAILOR BOY.
  
THE ISLET.
collapse section 
CHILD-SONGS.
 I. 
I. THE CITY CHILD.
 II. 
II. MINNIE AND WINNIE.
  
THE SPITEFUL LETTER.
  
LITERARY SQUABBLES.
  
THE VICTIM.
  
WAGES.
  
THE HIGHER PANTHEISM.
  
THE VOICE AND THE PEAK.
  
[Flower in the crannied wall]
  
A DEDICATION.
collapse section 
EXPERIMENTS.
  
BOÄDICEA.
  
IN QUANTITY.
  
MILTON.
  
[O you chorus of indolent reviewers]
  
SPECIMEN OF A TRANSLATION OF THE ILIAD IN BLANK VERSE.
collapse section 
THE WINDOW;
  
ON THE HILL.
  
AT THE WINDOW.
  
GONE.
  
WINTER.
  
SPRING.
  
THE LETTER.
  
NO ANSWER.
  
NO ANSWER.
  
THE ANSWER.
  
AY.
  
WHEN.
  
MARRIAGE MORNING.
collapse section 
APPENDIX.
  
TO ---
  
HANDS ALL ROUND!
collapse section 
Additional lines and fragments of verse extracted from the notes
  
[Sir Launcelot and Queen Guinevere]
  
[Ode on the Death of the Duke of Wellington]
collapse sectionIII. 
ENOCH ARDEN AND IN MEMORIAM
  
ENOCH ARDEN.
  
IN MEMORIAM A. H. H.
collapse section 
APPENDIX.
  
SPEAK TO ME.
collapse section 
Additional lines and fragments of verse extracted from the notes
  
THE GRAVE
  
TO A. H. H.
  
THE VICTOR HOURS
collapse sectionVII. 
THE PRINCESS AND MAUD
collapse section 
[section]
collapse section 
THE PRINCESS;
  
PROLOGUE.
collapse sectionI. 
I
  
[subsection]
  
[As thro' the land at eve we went]
collapse sectionII. 
II.
  
[subsection]
  
[Sweet and low, sweet and low]
collapse sectionIII. 
III.
  
[subsection]
  
[The splendour falls on castle walls]
collapse sectionIV. 
IV.
  
[subsection]
  
[subsection]
  
[subsection]
  
[‘O Swallow, Swallow, flying, flying South]
  
[subsection]
  
[subsection]
 V. 
V.
collapse sectionVI. 
VI.
  
[Home they brought her warrior dead]
  
[subsection]
  
[‘Our enemies have fall'n, have fall'n: the seed]
  
[subsection]
  
[Ask me no more: the moon may draw the sea]
collapse sectionVII. 
VII.
  
[subsection]
  
[‘Now sleeps the crimson petal, now the white]
  
[subsection]
  
[‘Come down, O maid]
  
[subsection]
  
[subsection]
  
[subsection]
  
[subsection]
  
[subsection]
  
[subsection]
  
[subsection]
  
[subsection]
  
[subsection]
  
CONCLUSION.
collapse section 
[section]
collapse section 
MAUD; A MONODRAMA.
collapse sectionI. 
PART I.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
collapse sectionII. 
PART II.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
collapse sectionIII. 
PART III.
 VI. 
VI.
collapse section 
Additional lines and fragments of verse extracted from the notes.
  
[The Princess; A Medley.]
  
[The Princess; A Medley.]
  
[The Princess; A Medley.]
  
[The Princess; A Medley. Canto V]
  
[The Princess; A Medley. Canto VI]
  
[The Princess; A Medley.]
  
[The Princess; A Medley.]
  
[Maud; A Monodrama.]
 V. 
IDYLLS OF THE KING
collapse sectionIII. 
BALLADS AND OTHER POEMS
collapse section 
THE LOVER'S TALE.
  
ARGUMENT.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV. THE GOLDEN SUPPER.
collapse section 
BALLADS AND OTHER POEMS
  
TO ALFRED TENNYSON MY GRANDSON.
  
THE FIRST QUARREL.
  
RIZPAH.
  
THE NORTHERN COBBLER.
  
THE REVENGE.
  
THE SISTERS.
  
THE VILLAGE WIFE; OR, THE ENTAIL.
  
IN THE CHILDREN'S HOSPITAL.
  
DEDICATORY POEM TO THE PRINCESS ALICE.
  
THE DEFENCE OF LUCKNOW.
  
SIR JOHN OLDCASTLE, LORD COBHAM.
  
COLUMBUS.
  
THE VOYAGE OF MAELDUNE.
collapse section 
DE PROFUNDIS
collapse section 
THE TWO GREETINGS.
 I. 
I.
 II. 
II.
  
THE HUMAN CRY.
collapse section 
[section]
  
PREFATORY SONNET TO THE ‘NINETEENTH CENTURY.’
  
TO THE REV. W. H. BROOKFIELD
  
MONTENEGRO.
  
TO VICTOR HUGO.
collapse section 
TRANSLATIONS, ETC.
  
BATTLE OF BRUNANBURH.
  
ACHILLES OVER THE TRENCH.
  
TO PRINCESS FREDERICA ON HER MARRIAGE.
  
SIR JOHN FRANKLIN.
  
TO DANTE.
collapse section 
TIRESIAS AND OTHER POEMS
  
[dedication]
  
TO E. FITZGERALD.
  
TIRESIAS.
  
THE WRECK.
collapse section 
DESPAIR.
  
[preface]
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
  
THE ANCIENT SAGE.
  
THE FLIGHT.
  
TOMORROW.
collapse section 
THE SPINSTER'S SWEET-ARTS.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
  
LOCKSLEY HALL SIXTY YEARS AFTER.
  
PROLOGUE TO GENERAL HAMLEY.
  
THE CHARGE OF THE HEAVY BRIGADE AT BALACLAVA.
  
EPILOGUE.
  
TO VIRGIL.
  
THE DEAD PROPHET
  
EARLY SPRING.
  
PREFATORY POEM TO MY BROTHER'S SONNETS.
  
‘FRATER AVE ATQUE VALE.’
  
HELEN'S TOWER.
  
EPITAPH ON LORD STRATFORD DE REDCLIFFE.
  
EPITAPH ON GENERAL GORDON.
  
EPITAPH ON CAXTON.
  
TO THE DUKE OF ARGYLL.
  
HANDS ALL ROUND.
  
FREEDOM.
  
TO H.R.H. PRINCESS BEATRICE.
  
THE FLEET.
  
OPENING OF THE INDIAN AND COLONIAL EXHIBITION BY THE QUEEN.
  
POETS AND THEIR BIBLIOGRAPHIES.
collapse section 
Additional lines and fragments of verse extracted from notes.
  
THE MYSTIC
collapse sectionIV. 
DEMETER AND OTHER POEMS
collapse section 
DEMETER AND OTHER POEMS
  
TO THE MARQUIS OF DUFFERIN AND AVA.
  
ON THE JUBILEE OF QUEEN VICTORIA
  
TO PROFESSOR JEBB,
  
DEMETER AND PERSEPHONE.
  
OWD ROÄ.
  
VASTNESS.
  
THE RING.
  
FORLORN.
  
HAPPY.
  
TO W. C. MACREADY.
  
TO ULYSSES.
  
TO MARY BOYLE.
  
THE PROGRESS OF SPRING.
  
MERLIN AND THE GLEAM.
  
ROMNEY'S REMORSE.
  
PARNASSUS.
collapse section 
BY AN EVOLUTIONIST.
  
[section]
  
Old Age.
  
FAR—FAR—AWAY.
  
POLITICS.
  
BEAUTIFUL CITY.
  
THE ROSES ON THE TERRACE.
  
THE PLAY.
  
ON ONE WHO AFFECTED AN EFFEMINATE MANNER.
  
TO ONE WHO RAN DOWN THE ENGLISH.
  
THE SNOWDROP.
  
THE THROSTLE
  
THE OAK.
  
IN MEMORIAM.
collapse section 
THE DEATH OF ŒNONE, AKBAR'S DREAM, AND OTHER POEMS
  
JUNE BRACKEN AND HEATHER.
  
TO THE MASTER OF BALLIOL.
  
THE DEATH OF ŒNONE.
  
ST. TELEMACHUS.
collapse section 
AKBAR'S DREAM.
  
[section]
  
Hymn.
  
TO SIR WALTER SCOTT.
  
THE BANDIT'S DEATH.
  
THE CHURCH-WARDEN AND THE CURATE.
  
CHARITY.
  
KAPIOLANI.
  
THE DAWN.
  
THE MAKING OF MAN.
  
THE DREAMER.
  
MECHANOPHILUS.
  
RIFLEMEN FORM!
  
THE TOURNEY.
  
THE WANDERER.
  
POETS AND CRITICS.
  
A VOICE SPAKE OUT OF THE SKIES.
  
DOUBT AND PRAYER.
  
FAITH.
  
THE SILENT VOICES.
  
GOD AND THE UNIVERSE.
  
THE DEATH OF THE DUKE OF CLARENCE AND AVONDALE.
  
CROSSING THE BAR.
collapse section 
[section]
collapse section 
THE CUP
collapse sectionI. 
ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 II. 
ACT II.
collapse section 
[section]
collapse section 
THE PROMISE OF MAY
 I. 
ACT I.
 II. 
ACT II.
 III. 
ACT III.
collapse section 
APPENDIX.
  
RETICENCE.
collapse section 
Additional lines and fragments of verse extracted from the notes.
  
THE ROSEBUD
  
TO THE VICAR OF SHIPLAKE
  
THE BRIDAL
collapse sectionVIII. 
QUEEN MARY AND HAROLD
collapse section 
QUEEN MARY:
collapse section 
QUEEN MARY.
collapse sectionI. 
ACT I.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
 VI. 
SCENE VI.
collapse sectionIV. 
ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
collapse sectionV. 
ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
 IV. 
SCENE IV.
 V. 
SCENE V.
collapse section 
HAROLD:
  
[dedication]
  
SHOW-DAY AT BATTLE ABBEY, 1876.
collapse section 
HAROLD: A DRAMA
collapse sectionI. 
HAROLD.
 I. 
SCENE I.
 II. 
SCENE II.
collapse sectionII. 
ACT II.
 I. 
SCENE I.
 II. 
SCENE II.
collapse sectionIII. 
ACT III.
 I. 
SCENE I.
 II. 
SCENE II.
collapse sectionIV. 
ACT IV.
 I. 
SCENE I.
 II. 
SCENE II.
 III. 
SCENE III.
collapse sectionV. 
ACT V.
 I. 
SCENE I.
 II. 
SCENE II.
collapse sectionIX. 
BECKET AND OTHER PLAYS
collapse section 
[section]
collapse section 
BECKET.
  
PROLOGUE.
collapse sectionI. 
ACT I.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
 IV. 
Scene IV.
collapse sectionII. 
ACT II.
 I. 
Scene I.
 II. 
Scene II.
collapse sectionIII. 
ACT III.
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
collapse sectionIV. 
ACT IV.
 I. 
Scene I.
 II. 
Scene II.
collapse sectionV. 
ACT V
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
collapse section 
[section]
collapse section 
THE FALCON
  
Scene.
collapse section 
[section]
collapse section 
THE FORESTERS
collapse sectionI. 
ACT I
 I. 
Scene I.
 II. 
Scene II.
 III. 
Scene III.
collapse sectionII. 
ACT II THE FLIGHT OF MARIAN
 I. 
Scene I.
 II. 
Scene II.
collapse sectionIII. 
ACT III THE CROWNING OF MARIAN
 I. 
Scene I.
collapse sectionIV. 
ACT IV THE CONCLUSION
  
Scene.
collapse section 
APPENDIX.
  
UNPUBLISHED SONNET.

collapse section Collapse All | Expand All expand section
previous section The Works of Tennyson
next section
‘Blame not thyself too much,’ I said, ‘nor blame
Too much the sons of men and barbarous laws;
These were the rough ways of the world till now.
Henceforth thou hast a helper, me, that know
The woman's cause is man's: they rise or sink
Together, dwarf'd or godlike, bond or free:
For she that out of Lethe scales with man
The shining steps of Nature, shares with man
His nights, his days, moves with him to one goal,
Stays all the fair young planet in her hands—
If she be small, slight-natured, miserable,
How shall men grow? but work no more alone!
Our place is much: as far as in us lies
We two will serve them both in aiding her—
Will clear away the parasitic forms
That seem to keep her up but drag her down—
Will leave her space to burgeon out of all
135

Within her—let her make herself her own
To give or keep, to live and learn and be
All that not harms distinctive womanhood.
For woman is not undevelopt man,
But diverse: could we make her as the man,
Sweet Love were slain: his dearest bond is this,
Not like to like, but like in difference.
Yet in the long years liker must they grow;
The man be more of woman, she of man;
He gain in sweetness and in moral height,
Nor lose the wrestling thews that throw the world;
She mental breadth, nor fail in childward care,
Nor lose the childlike in the larger mind;
Till at the last she set herself to man,
Like perfect music unto noble words;
And so these twain, upon the skirts of Time,
Sit side by side, full-summ'd in all their powers,
Dispensing harvest, sowing the To-be,
Self-reverent each and reverencing each,
Distinct in individualities,
But like each other ev'n as those who love.
Then comes the statelier Eden back to men:
Then reign the world's great bridals, chaste and calm:
Then springs the crowning race of humankind.
May these things be!’
previous section The Works of Tennyson
next section