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The Christian Scholar

By the Author of "The Cathedral" [i.e. Isaac Williams]
Williams, Isaac (1802-1865)

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[dedication]
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CLASSICAL COMPLAINTS AND SCRIPTURAL REMEDIES.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
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HEATHEN ORACLES CONFESSING CHRIST.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VI. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV. COINCIDENCES.
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GREEK PHILOSOPHY.
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PLATO.
 I. 
I. THE DEMON OF SOCRATES.
 II. 
II. SOCRATES ON JUDGMENT AFTER DEATH.
 III. 
III. SOCRATES REFUSING TO ESCAPE FROM PRISON.
 IV. 
IV. THE LAST WORDS OF SOCRATES.
 V. 
V. EGYPT.
 VI. 
VI. MYTHOLOGY.
 VII. 
VII. THE GRECIAN JUPITER.
 VIII. 
VIII. PLATONISM.
 IX. 
IX. THE PLATONISTS.
 X. 
X. THE STOICS.
 XI. 
XI. THE PYTHAGOREANS.
 XII. 
XII.
 XIII. 
XIII. THE CHANGE.
 XIV. 
XIV. POETS ADMITTED TO THE CITY OF GOD.
 XV. 
XV. PLATO'S MUSIC OF THE SOUL.
 XVI. 
XVI. PLATO EXPELLING POETS.
 XVII. 
XVII. ON A FUTURE STATE.
 XVIII. 
XVIII. ON CONSCIENCE.
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ARISTOTLE.
  
THE HYMN TO VIRTUE.
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PYTHAGORAS.
  
THE GOLDEN VERSES.
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GREEK POETS.
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HOMER.
 I. 
I. THE ILIAD.
 II. 
II. ATE EXPELLED FROM HEAVEN.
 III. 
III. ULYSSES AND CALYPSO.
 IV. 
IV. ULYSSES SHIPWRECKED AND NAUSICAA.
 V. 
V. THE LOTOPHAGI.
 IV. 
IV. THE ABODE OF CIRCE.
 VII. 
VII. WARNING AGAINST THE SIRENS.
 VIII. 
VIII. SCYLLA AND CHARYBDIS.
 IX. 
IX. THE RECOGNITION OF ULYSSES.
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HESIOD.
 I. 
I. WORKS AND DAYS .
 II. 
II. THE IRON AGE.
 III. 
III. THE WATCHERS.
 IV. 
IV. THE PATH OF VIRTUE.
 V. 
V. THE RIGHTEOUS KING.
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ÆSCHYLUS.
 I. 
I. THE PROMETHEUS.
 II. 
II. KNOWLEDGE OF GOD BY SUFFERING.
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III. SACRILEGE.
  
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ON THE FOREGOING.
 IV. 
IV. THE BESETTING SIN.
 V. 
V. ATE.
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VI. THE FURIES OVERTAKING ORESTES.
  
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ORESTES AT THE SHRINE.
  
SONG OF THE FURIES.
 VII. 
VII. DIVINE POWER.
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SIMONIDES.
 I. 
I.
 II. 
II. ELEGIAC FRAGMENT.
 III. 
III. ON THE LIFE OF MAN.
 IV. 
IV. MUTABILITY.
 V. 
V. DANAE AND HER CHILD.
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ANACREON.
  
TO THE GRASSHOPPER.
  
ON THE SAME.
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PINDAR.
 I. 
I.
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II. THE BIRTH OF HERCULES.
  
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THE CONTRAST.
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III. TRIAL AND REWARD.
  
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REFLECTION ON THE ABOVE.
 IV. 
IV. BEGINNING WELL.
 V. 
V. THE FOUNDLING ON EARTH.
 VI. 
VI. ASPIRATIONS OF EARTH.
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SOPHOCLES.
 I. 
I. GRECIAN TRAGEDY.
 II. 
II. THE TRAGIC CHORUS AND THE MORAL LAW.
 III. 
III. SIGHT OF ATHENS.
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EURIPIDES.
 I. 
I. ALCESTIS RETURNING FROM THE GRAVE.
 II. 
II. THE GARLAND OF HIPPOLYTUS.
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BION.
  
THE EVENING STAR.
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MOSCHUS.
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[“When the calm wind upon the dark-blue sea]
  
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THE CONTRAST.
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CALLIMACHUS.
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I. FROM THE HYMN TO APOLLO.
  
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ON THE SAME.
 II. 
II. EPITAPH.
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LATIN WRITERS.
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LUCRETIUS.
 I. 
I.
  
II. VANITY OF HUMAN LIFE.
 III. 
III. EFFECTS OF SIN IRREMEDIABLE.
 IV. 
IV. BIRTH AND REARING OF MAN.
 V. 
V. DREAD OF ANNIHILATION.
 VI. 
VI. OCULAR DECEPTIONS.
 VII. 
VII. TRUE PHILOSOPHY.
 VIII. 
VIII. ATHEISM CORRECTED.
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CATULLUS.
 I. 
I. THE PINNACE.
 II. 
II. HOME.
 III. 
III. THE FADED FLOWER.
 IV. 
IV. A BROTHER'S DEATH.
 V. 
V. TO HIMSELF.
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VIRGIL.
 I. 
I. FIRST ECLOGUE.
 II. 
II. THE GEORGICS.
 III. 
III. ORPHEUS AND EURYDICE.
 IV. 
IV. THE ÆNEID.
 V. 
V. THE SHADES BELOW.
 VI. 
VI. ÆNEAS AND DIDO.
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HORACE.
 I. 
I. LUCRETIUS AND HORACE COMPARED.
 II. 
II. THE WORLD RENOUNCED.
 III. 
III. ECCLESIA LABORANS.
 IV. 
IV. ECCLESIA MIGRATURA.
 V. 
V. PROTECTING PROVIDENCE.
 VI. 
VI. THE SICILIAN FEAST.
 VII. 
VII. MEN DEIFIED.
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[subsection]
  
TIBULLUS.
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OVID.
 I. 
I. THE METAMORPHOSIS.
 II. 
II. OVID'S EPISTLES.
 III. 
III. OVID'S TRISTIA, OR LAMENTATIONS.
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JUVENAL.
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I. GUILT THE SELF-AVENGER.
  
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THE SAME ILLUSTRATED BY REVELATION.
 II. 
II. RURAL IMAGES IN THE SATIRIST.
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PERSIUS.
 I. 
I. SUFFERINGS OF CONSCIENCE.
 II. 
II. THE FAITHFUL INSTRUCTOR.
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LIVY.
 I. 
I. THE ROMAN CHARACTER.
 II. 
II. NUMA POMPILIUS.
 III. 
III. THE FAITHLESS GUARDIAN.

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303

TIBULLUS.

[_]

(Left sick at Corcyra by the army of Messala.)

[_]

Lib. i. Eleg. iii. 35.

“How blest they lived in that Saturnian reign,
Ere through long roads the earth was open laid,
Ere yet the pine-tree mock'd the dark blue main,
And its full bosom to the winds display'd.
“To distant shores no wandering mariner
With foreign freight loaded th' adventurous keel;
Beneath the yoke there groan'd no sturdy steer;
No steed champ'd in his mouth the mast'ring steel.
“No house had doors, no limit in the field
Or stony witness did its bounds divide;
Oaks of their own accord sweet honey yield;
And sheep to men at ease their milk supplied.
“No battle-line, no wrath, no warlike sound,
No cruel smith the unpitying sword to mould;
Now 'neath Jove's reign slaughters and wounds abound,
The sea, and ways of death a thousand fold.
304

“Spare, Father, for I have no conscious fears
For perjured oaths or words of blasphemy;
But if I have fulfill'd my destin'd years,
Let these words mark the grave wherein I lie,
“Here lies Tibullus, seized by death's could hand,
Following Messala over sea and land.
“But me, so pliant found to tender Love,
Into Elysian bowers shall Venus bring,
Where choirs and dances bloom, and as they rove
Melodious birds for ever sweetly sing.
“Wild shrubs sweet cassia bear, through all the leas
With fragrant roses teems the genial ground,
Boys intermix'd with maidens sport at ease,
And no contentions but of love are found.
“There is the lover whom death snatch'd away,
The myrtle wreaths his honour'd locks adorn;
But guilty seats, in night profound, from day
Lie hid, black sounding streams around them borne.”

ON THE FOREGOING.

The sensual mind, as pleasures fleet away,
Looks back and longs again to be a boy,
Thence pictures the world's childhood and first day,
Where it might drink delights without annoy.
305

And when it hears of an Elysian youth
Something within acknowledges the theme,
It catches at the shadow of high truth,
Itself delighting in the golden dream.
For deeper than it knew the soul within
Found the great witness of that ancient tale,
Of happy days ere yet the world knew sin,
Which yet shall be restor'd and never fail,—
But that this mingled web of good and ill
Must be unravell'd first, the light and shade
Be parted, which together travail, till
That final separation shall be made.
And this too well they deem'd, that nought but Love
Can lay its hand upon the golden key,
Which shall admit her to those realms above,
And lead her to those bowers which Sorrows flee.
Yet not that Love which is allied to sense
Which fain would bribe e'en Conscience on its throne,
But Love whose light burns pure with innocence,
And binds to God in endless union.
306

“Love hath the keys of Heaven, and Love of Hell,”
So Orpheus spake of old, who all things drew
By his sweet music;—these words ponder well,
And think which Love thine own thoughts now pursue.
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