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The Christian Scholar

By the Author of "The Cathedral" [i.e. Isaac Williams]
Williams, Isaac (1802-1865)

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[section]
  
[dedication]
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CLASSICAL COMPLAINTS AND SCRIPTURAL REMEDIES.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
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HEATHEN ORACLES CONFESSING CHRIST.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VI. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV. COINCIDENCES.
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GREEK PHILOSOPHY.
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PLATO.
 I. 
I. THE DEMON OF SOCRATES.
 II. 
II. SOCRATES ON JUDGMENT AFTER DEATH.
 III. 
III. SOCRATES REFUSING TO ESCAPE FROM PRISON.
 IV. 
IV. THE LAST WORDS OF SOCRATES.
 V. 
V. EGYPT.
 VI. 
VI. MYTHOLOGY.
 VII. 
VII. THE GRECIAN JUPITER.
 VIII. 
VIII. PLATONISM.
 IX. 
IX. THE PLATONISTS.
 X. 
X. THE STOICS.
 XI. 
XI. THE PYTHAGOREANS.
 XII. 
XII.
 XIII. 
XIII. THE CHANGE.
 XIV. 
XIV. POETS ADMITTED TO THE CITY OF GOD.
 XV. 
XV. PLATO'S MUSIC OF THE SOUL.
 XVI. 
XVI. PLATO EXPELLING POETS.
 XVII. 
XVII. ON A FUTURE STATE.
 XVIII. 
XVIII. ON CONSCIENCE.
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ARISTOTLE.
  
THE HYMN TO VIRTUE.
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PYTHAGORAS.
  
THE GOLDEN VERSES.
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GREEK POETS.
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HOMER.
 I. 
I. THE ILIAD.
 II. 
II. ATE EXPELLED FROM HEAVEN.
 III. 
III. ULYSSES AND CALYPSO.
 IV. 
IV. ULYSSES SHIPWRECKED AND NAUSICAA.
 V. 
V. THE LOTOPHAGI.
 IV. 
IV. THE ABODE OF CIRCE.
 VII. 
VII. WARNING AGAINST THE SIRENS.
 VIII. 
VIII. SCYLLA AND CHARYBDIS.
 IX. 
IX. THE RECOGNITION OF ULYSSES.
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HESIOD.
 I. 
I. WORKS AND DAYS .
 II. 
II. THE IRON AGE.
 III. 
III. THE WATCHERS.
 IV. 
IV. THE PATH OF VIRTUE.
 V. 
V. THE RIGHTEOUS KING.
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ÆSCHYLUS.
 I. 
I. THE PROMETHEUS.
 II. 
II. KNOWLEDGE OF GOD BY SUFFERING.
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III. SACRILEGE.
  
[section]
  
ON THE FOREGOING.
 IV. 
IV. THE BESETTING SIN.
 V. 
V. ATE.
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VI. THE FURIES OVERTAKING ORESTES.
  
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ORESTES AT THE SHRINE.
  
SONG OF THE FURIES.
 VII. 
VII. DIVINE POWER.
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SIMONIDES.
 I. 
I.
 II. 
II. ELEGIAC FRAGMENT.
 III. 
III. ON THE LIFE OF MAN.
 IV. 
IV. MUTABILITY.
 V. 
V. DANAE AND HER CHILD.
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ANACREON.
  
TO THE GRASSHOPPER.
  
ON THE SAME.
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PINDAR.
 I. 
I.
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II. THE BIRTH OF HERCULES.
  
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THE CONTRAST.
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III. TRIAL AND REWARD.
  
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[section]
  
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REFLECTION ON THE ABOVE.
 IV. 
IV. BEGINNING WELL.
 V. 
V. THE FOUNDLING ON EARTH.
 VI. 
VI. ASPIRATIONS OF EARTH.
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SOPHOCLES.
 I. 
I. GRECIAN TRAGEDY.
 II. 
II. THE TRAGIC CHORUS AND THE MORAL LAW.
 III. 
III. SIGHT OF ATHENS.
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EURIPIDES.
 I. 
I. ALCESTIS RETURNING FROM THE GRAVE.
 II. 
II. THE GARLAND OF HIPPOLYTUS.
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BION.
  
THE EVENING STAR.
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MOSCHUS.
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[“When the calm wind upon the dark-blue sea]
  
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THE CONTRAST.
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CALLIMACHUS.
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I. FROM THE HYMN TO APOLLO.
  
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ON THE SAME.
 II. 
II. EPITAPH.
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LATIN WRITERS.
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LUCRETIUS.
 I. 
I.
  
II. VANITY OF HUMAN LIFE.
 III. 
III. EFFECTS OF SIN IRREMEDIABLE.
 IV. 
IV. BIRTH AND REARING OF MAN.
 V. 
V. DREAD OF ANNIHILATION.
 VI. 
VI. OCULAR DECEPTIONS.
 VII. 
VII. TRUE PHILOSOPHY.
 VIII. 
VIII. ATHEISM CORRECTED.
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CATULLUS.
 I. 
I. THE PINNACE.
 II. 
II. HOME.
 III. 
III. THE FADED FLOWER.
 IV. 
IV. A BROTHER'S DEATH.
 V. 
V. TO HIMSELF.
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VIRGIL.
 I. 
I. FIRST ECLOGUE.
 II. 
II. THE GEORGICS.
 III. 
III. ORPHEUS AND EURYDICE.
 IV. 
IV. THE ÆNEID.
 V. 
V. THE SHADES BELOW.
 VI. 
VI. ÆNEAS AND DIDO.
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HORACE.
 I. 
I. LUCRETIUS AND HORACE COMPARED.
 II. 
II. THE WORLD RENOUNCED.
 III. 
III. ECCLESIA LABORANS.
 IV. 
IV. ECCLESIA MIGRATURA.
 V. 
V. PROTECTING PROVIDENCE.
 VI. 
VI. THE SICILIAN FEAST.
 VII. 
VII. MEN DEIFIED.
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[subsection]
  
TIBULLUS.
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OVID.
 I. 
I. THE METAMORPHOSIS.
 II. 
II. OVID'S EPISTLES.
 III. 
III. OVID'S TRISTIA, OR LAMENTATIONS.
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JUVENAL.
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I. GUILT THE SELF-AVENGER.
  
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THE SAME ILLUSTRATED BY REVELATION.
 II. 
II. RURAL IMAGES IN THE SATIRIST.
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PERSIUS.
 I. 
I. SUFFERINGS OF CONSCIENCE.
 II. 
II. THE FAITHFUL INSTRUCTOR.
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LIVY.
 I. 
I. THE ROMAN CHARACTER.
 II. 
II. NUMA POMPILIUS.
 III. 
III. THE FAITHLESS GUARDIAN.

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277

III. ORPHEUS AND EURYDICE.

[_]

Georg. b. iv.

“All chances 'scaped, from shades below
“He back retraced his steps, and now
“He near'd the realms of light, and she,
“The lost and loved Eurydice,
“Follow'd his upward steps behind,
“So Proserpine's stern law assign'd.
“Day's threshold now was scarcely won,
“When, ah, unmindful and undone,
“He stood, and with love-trancèd eye
“Look'd back on his Eurydice!
“Then all was lost, the word was spoken—
“His treaty with the dead was broken,
“For ever! thrice with crash profound
“The Avernian lakes gave back the sound.
“‘Orpheus,’ she cried, ‘O misery!
“Who hath destroyed both me and thee?
“What madness! cruel fates advance
“O'er me again, and death's dark trance.
“Fare thee—farewell—borne from thy sight,
“Surrounded by the mighty night,
“I stretch to thee from death's dark shore
“These powerless hands—but thine no more.’”
278

He in whose soul is born from high
The music of Heaven's harmony,—
Which soothes dark passions into peace,
And from their kingdoms gives release;—
He with him draws to realms above
The objects of his earthly love,
And leads them onward, while his face
Is upward turn'd:—with faltering pace
Should he on them turn back and gaze,
He then lets go the harmonious maze;
The music of that love divine,
That bears all heavenward, must decline.
The backward tide no power can stem:
He loses both himself and them.
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