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The Christian Scholar

By the Author of "The Cathedral" [i.e. Isaac Williams]
Williams, Isaac (1802-1865)

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[dedication]
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CLASSICAL COMPLAINTS AND SCRIPTURAL REMEDIES.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
 XII. 
XII.
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
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HEATHEN ORACLES CONFESSING CHRIST.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VI. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.
 XI. 
XI.
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XII.
  
[section]
  
[section]
 XIII. 
XIII.
 XIV. 
XIV.
 XV. 
XV.
 XVI. 
XVI.
 XVII. 
XVII.
 XVIII. 
XVIII.
 XIX. 
XIX.
 XX. 
XX.
 XXI. 
XXI.
 XXII. 
XXII.
 XXIII. 
XXIII.
 XXIV. 
XXIV.
 XXV. 
XXV.
 XXVI. 
XXVI.
 XXVII. 
XXVII.
 XXVIII. 
XXVIII.
 XXIX. 
XXIX.
 XXX. 
XXX.
 XXXI. 
XXXI.
 XXXII. 
XXXII.
 XXXIII. 
XXXIII.
 XXXIV. 
XXXIV.
 XXXV. 
XXXV. COINCIDENCES.
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GREEK PHILOSOPHY.
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PLATO.
 I. 
I. THE DEMON OF SOCRATES.
 II. 
II. SOCRATES ON JUDGMENT AFTER DEATH.
 III. 
III. SOCRATES REFUSING TO ESCAPE FROM PRISON.
 IV. 
IV. THE LAST WORDS OF SOCRATES.
 V. 
V. EGYPT.
 VI. 
VI. MYTHOLOGY.
 VII. 
VII. THE GRECIAN JUPITER.
 VIII. 
VIII. PLATONISM.
 IX. 
IX. THE PLATONISTS.
 X. 
X. THE STOICS.
 XI. 
XI. THE PYTHAGOREANS.
 XII. 
XII.
 XIII. 
XIII. THE CHANGE.
 XIV. 
XIV. POETS ADMITTED TO THE CITY OF GOD.
 XV. 
XV. PLATO'S MUSIC OF THE SOUL.
 XVI. 
XVI. PLATO EXPELLING POETS.
 XVII. 
XVII. ON A FUTURE STATE.
 XVIII. 
XVIII. ON CONSCIENCE.
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ARISTOTLE.
  
THE HYMN TO VIRTUE.
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PYTHAGORAS.
  
THE GOLDEN VERSES.
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GREEK POETS.
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HOMER.
 I. 
I. THE ILIAD.
 II. 
II. ATE EXPELLED FROM HEAVEN.
 III. 
III. ULYSSES AND CALYPSO.
 IV. 
IV. ULYSSES SHIPWRECKED AND NAUSICAA.
 V. 
V. THE LOTOPHAGI.
 IV. 
IV. THE ABODE OF CIRCE.
 VII. 
VII. WARNING AGAINST THE SIRENS.
 VIII. 
VIII. SCYLLA AND CHARYBDIS.
 IX. 
IX. THE RECOGNITION OF ULYSSES.
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HESIOD.
 I. 
I. WORKS AND DAYS .
 II. 
II. THE IRON AGE.
 III. 
III. THE WATCHERS.
 IV. 
IV. THE PATH OF VIRTUE.
 V. 
V. THE RIGHTEOUS KING.
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ÆSCHYLUS.
 I. 
I. THE PROMETHEUS.
 II. 
II. KNOWLEDGE OF GOD BY SUFFERING.
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III. SACRILEGE.
  
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ON THE FOREGOING.
 IV. 
IV. THE BESETTING SIN.
 V. 
V. ATE.
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VI. THE FURIES OVERTAKING ORESTES.
  
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ORESTES AT THE SHRINE.
  
SONG OF THE FURIES.
 VII. 
VII. DIVINE POWER.
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SIMONIDES.
 I. 
I.
 II. 
II. ELEGIAC FRAGMENT.
 III. 
III. ON THE LIFE OF MAN.
 IV. 
IV. MUTABILITY.
 V. 
V. DANAE AND HER CHILD.
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ANACREON.
  
TO THE GRASSHOPPER.
  
ON THE SAME.
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PINDAR.
 I. 
I.
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II. THE BIRTH OF HERCULES.
  
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THE CONTRAST.
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III. TRIAL AND REWARD.
  
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REFLECTION ON THE ABOVE.
 IV. 
IV. BEGINNING WELL.
 V. 
V. THE FOUNDLING ON EARTH.
 VI. 
VI. ASPIRATIONS OF EARTH.
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SOPHOCLES.
 I. 
I. GRECIAN TRAGEDY.
 II. 
II. THE TRAGIC CHORUS AND THE MORAL LAW.
 III. 
III. SIGHT OF ATHENS.
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EURIPIDES.
 I. 
I. ALCESTIS RETURNING FROM THE GRAVE.
 II. 
II. THE GARLAND OF HIPPOLYTUS.
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BION.
  
THE EVENING STAR.
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MOSCHUS.
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[“When the calm wind upon the dark-blue sea]
  
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THE CONTRAST.
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CALLIMACHUS.
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I. FROM THE HYMN TO APOLLO.
  
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ON THE SAME.
 II. 
II. EPITAPH.
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LATIN WRITERS.
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LUCRETIUS.
 I. 
I.
  
II. VANITY OF HUMAN LIFE.
 III. 
III. EFFECTS OF SIN IRREMEDIABLE.
 IV. 
IV. BIRTH AND REARING OF MAN.
 V. 
V. DREAD OF ANNIHILATION.
 VI. 
VI. OCULAR DECEPTIONS.
 VII. 
VII. TRUE PHILOSOPHY.
 VIII. 
VIII. ATHEISM CORRECTED.
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CATULLUS.
 I. 
I. THE PINNACE.
 II. 
II. HOME.
 III. 
III. THE FADED FLOWER.
 IV. 
IV. A BROTHER'S DEATH.
 V. 
V. TO HIMSELF.
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VIRGIL.
 I. 
I. FIRST ECLOGUE.
 II. 
II. THE GEORGICS.
 III. 
III. ORPHEUS AND EURYDICE.
 IV. 
IV. THE ÆNEID.
 V. 
V. THE SHADES BELOW.
 VI. 
VI. ÆNEAS AND DIDO.
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HORACE.
 I. 
I. LUCRETIUS AND HORACE COMPARED.
 II. 
II. THE WORLD RENOUNCED.
 III. 
III. ECCLESIA LABORANS.
 IV. 
IV. ECCLESIA MIGRATURA.
 V. 
V. PROTECTING PROVIDENCE.
 VI. 
VI. THE SICILIAN FEAST.
 VII. 
VII. MEN DEIFIED.
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[subsection]
  
TIBULLUS.
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OVID.
 I. 
I. THE METAMORPHOSIS.
 II. 
II. OVID'S EPISTLES.
 III. 
III. OVID'S TRISTIA, OR LAMENTATIONS.
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JUVENAL.
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I. GUILT THE SELF-AVENGER.
  
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THE SAME ILLUSTRATED BY REVELATION.
 II. 
II. RURAL IMAGES IN THE SATIRIST.
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PERSIUS.
 I. 
I. SUFFERINGS OF CONSCIENCE.
 II. 
II. THE FAITHFUL INSTRUCTOR.
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LIVY.
 I. 
I. THE ROMAN CHARACTER.
 II. 
II. NUMA POMPILIUS.
 III. 
III. THE FAITHLESS GUARDIAN.

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44

XII.

“Οσσα δε μη πεφιληκε
Ζευς, ατυζονται βοαν
Πιεριδων αιοντα.”
Pind. Pyth. 1. 24,

Sweet and entrancing was that song
Which Pindar paints the heavens among;
Which held the gods in ecstasy,
And clos'd in sleep the eagle's eye.
“That melody whose sound to hear
Fills every guilty soul with fear,
Whom the great Father doth not love,
Through earth, sea, hell, or skies above.”
“And I heard the voice of harpers harping with their harps: and they sung as it were a new song before the throne.” Rev xiv 2. 3.

Oh, that with me the blissful spell,
That soul of music, might indwell,
Which sets all strife and sin afar,
And in its orbit holds each star!
For what is music but, to sense
Express'd in wondrous eloquence,
That peace no heart can tell below,
And which the wicked ne'er shall know.
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