Skip directly to:Main content Main navigation

University of Virginia Library

The Works of Peter Pindar [i.e. John Wolcot]

... With a Copious Index. To which is prefixed Some Account of his Life. In Four Volumes

Pindar, Peter (1738-1819)

collapse section

I.

A POETICAL, SUPPLICATING, MODEST, AND AFFECTING EPISTLE TO THOSE LITERARY COLOSSUSES THE REVIEWERS.

['Tis hard, Messieurs Reviewers, 'pon my soul]

collapse section

LYRIC ODES TO THE ROYAL ACADEMICIANS, FOR MDCCLXXXII.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

collapse section

XIII.

XIV.

XV.

collapse section

MORE LYRIC ODES TO THE ROYAL ACADEMICIANS.

I.

II.

collapse section

III.

IV.

V.

VI.

VII.

VIII.

collapse section

LYRIC ODES, FOR MDCCLXXXV.

collapse section

I.

TO PETER PINDAR, ESQ.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

collapse section

XVI.

XVII.

XVIII.

XIX.

XX.

XXI.

XXII.

XXIII.

collapse section

FAREWELL ODES, FOR MDCCLXXXVI.

I.

II.

III.

IV.

V.

collapse section

VI.

THE PILGRIMS AND THE PEAS.

VII.

VIII.

IX.

X.

XI.

collapse section

XII.

XIII.

XIV.

XV.

collapse section

I.

collapse section

II.

THE PETITION OF THE COOKS.

III.

IV.

V.

A POETICAL AND CONGRATULATORY EPISTLE TO JAMES BOSWELL, ESQ. ON HIS JOURNAL OF A TOUR TO THE HEBRIDES WITH THE CELEBRATED DOCTOR JOHNSON.

collapse section

BOZZY AND PIOZZI, OR THE BRITISH BIOGRAPHERS,

II.

collapse section

collapse section

A KING AND A BRICK MAKER .

IN CONTINUATION.

AN APOLOGETIC POSTSCRIPT TO ODE UPON ODE.

collapse section

THE APPLE DUMPLINGS AND A KING.

KING CANUTE AND HIS NOBLES.

collapse section

INSTRUCTIONS TO A CELEBRATED LAUREAT,

collapse section

BROTHER PETER TO BROTHER TOM,

ANOTHER SIMILE.

THE TOPER AND THE FLIES.

THE ROMISH PRIEST.

THE PLYMOUTH CARPENTER AND THE COFFINS.

collapse section

PETER's PENSION,

TO AN UNFORTUNATE BEAUTY.

HYMN TO MODESTY.

THE ROYAL SHEEP.

THE KING AND PARSON YOUNG.

A MORAL REFLECTION.

THE PARSON, THE SQUIRE, AND THE SPANIEL.

PETER's PROPHECY,

collapse section

SIR JOSEPH BANKS AND THE EMPEROR OF MOROCCO,

collapse section

THE VIRTUOSO's PRAYER.

collapse section

A POETICAL EPISTLE TO A FALLING MINISTER;

EPISTLE TO A FALLING MINISTER.

IMITATION OF HORACE.

collapse section

II.

collapse section

SUBJECTS FOR PAINTERS.

SUBJECTS FOR PAINTERS.

THE KING OF SPAIN AND THE HORSE.

LORD B. AND THE EUNUCH.

TO THE ACADEMICIANS.

ODE TO THE DEVIL.

THE TENDER HUSBAND.

THE SOLDIER AND THE VIRGIN MARY.

AN ODE TO EIGHT CATS,

SIR J. BANKS AND THE THIEFTAKERS.

SOLOMON AND THE MOUSETRAP.

PETITION TO TIME IN FAVOUR OF THE DUCHESS OF DEVONSHIRE.

THE JEWESS AND HER SON.

THE EARL OF PETERBOROUGH AND THE MOB.

ODE TO A DISTRESSED BEAUTY.

THE GENTLEMAN AND HIS WIFE.

THE PARSON-DEALER.

collapse section

THE PETIT MAITRE, AND THE MAN ON THE WHEEL.

collapse section

THE TRIUMPH OF ISIS,

A SERIOUS REFLECTION.

ODE TO PATIENCE.

TO A NEST OF LORDS.

collapse section

EXPOSTULATORY ODES TO A GREAT DUKE AND A LITTLE LORD.

I.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

XII.

XIII.

XIV.

XV.

XVI.

collapse section

XVII.

THE PIG AND MAGPIE,

collapse section

A BENEVOLENT EPISTLE TO SYLVANUS URBAN, ALIAS MASTER JOHN NICHOLS, PRINTER, Common-Councilman of Farringdon Ward, And Censor General of Literature:

BENEVOLENT EPISTLE, &c. &c.

ELEGY TO APOLLO.

SIR J. BANKS AND THE BOILED FLEAS.

collapse section

A ROWLAND FOR AN OLIVER, OR A POETICAL ANSWER TO THE BENEVOLENT EPISTLE OF MR. PETER PINDAR.

A POETICAL ANSWER, &c

PETER's APOLOGY.

ODE TO MY BARN.

ODE TO AFFECTATION.

ODE TO MADAM SCHW---G & CO.

A CONSOLATORY STANZA TO LADY MOUNT E---,

TO MR. J. NICHOLS,

TO A FRIEND IN DISGRACE.

collapse section

ADVICE TO THE FUTURE LAUREAT,

II.

collapse section

COMPLIMENTARY EPISTLE TO JAMES BRUCE, ESQ. The Abyssinian Traveller.

A COMPLIMENTARY EPISTLE.

collapse section

ODE TO JAMES BRUCE, ESQ.

ODE TO THE GLOW-WORM.

collapse section

THE RIGHTS OF KINGS,

ODE TO THE ACADEMICIANS.

II.

III.

IV.

V.

VI.

VII.

VIII.

IX.

X.

XI.

collapse section

XII.

XIII.

XIV.

XV.

XVI.

XVII.

XVIII.

collapse section

ODES TO MR. PAINE, AUTHOR OF ‘RIGHTS OF MAN;’

ODE TO MR. PAINE.

II.

SONG BY MR. PAINE.

collapse section

THE REMONSTRANCE; TO WHICH IS ADDED AN ODE TO MY ASS ALSO THE MAGPIE AND ROBIN, A TALE; AN APOLOGY FOR KINGS; AND AN ADDRESS TO MY PAMPHLET.

collapse section

ODE TO MY ASS, PETER.

IN CONTINUATION.

AN AFTER-REFLECTION.

PROËMIUM TO THE MAGPIE AND ROBIN RED-BREAST.

THE MAGPIE AND ROBIN RED-BREAST.

collapse section

AN APOLOGY FOR KINGS.

STORY THE SECOND.

ADDRESS TO MY BOOK,

collapse section

I.

II.

III.

IV.

V.

THE ROYAL BULLOCKS,

A MORAL REFLECTION On the preceding Elegy.

ELEGY ON MY DYING ASS, PETER.

collapse section

AN ACADEMIC ODE.

THE TALE OF VAN TRUMP.

THE PROGRESS OF ADMIRATION;

ADDRESS TO THE VIRTUES,

THE PROGRESS OF KNOWLEDGE.

collapse section

ODES OF IMPORTANCE, &c.

ODE TO LORD LONSDALE

ODE TO THE ACADEMIC CHAIR,

ODE TO THE KING.

ODE TO A MARGATE HOY.

THE WOLF AND THE LION.

THE WOLVES, THE BEAR, AND OTHER BEASTS.

collapse section

THE TEARS OF ST. MARGARET;

collapse section

PROLOGUE TO THE ODES;

MARGARET's LAMENTATION.

collapse section

ODES OF CONDOLENCE.

I.

ODE TO ST. CECILIA.

collapse section

ADDRESS TO AN OWL.

collapse section

MRS. ROBINSON's HANDKERCHIEF AND JUDGE BULLER's WIG.

THE CHURCHWARDEN,

collapse section

A PAIR OF LYRIC EPISTLES TO LORD MACARTNEY AND HIS SHIP.

A LYRIC EPISTLE TO LORD MACARTNEY,

collapse section

ODES TO KIEN LONG, The present Emperor of China;

TO THE EMPEROR OF CHINA.

collapse section

ODES TO KIEN LONG.

I.

II.

III.

IV.

V.

collapse section

collapse section

WILLIAM PENN, NATHAN, AND THE BAILIFF; A TALE.

ELEGY TO THE FLEAS OF TENERIFFE.

collapse section

ODE TO MESSIEURS TOWNSEND, MACMANUS, AND JEALOUS, The Thief-takers, and Attendants on Majesty.

AN ODE TO A PRETTY MILLINER.

A MORAL AFTER-THOUGHT ON THE ABOVE.

collapse section

A LYRIC EPISTLE TO SIR WILLIAM HAMILTON.

POSTSCRIPT (sub rosâ).

ON A NEW-MADE LORD.

collapse section

A POETICAL, SERIOUS, AND POSSIBLY IMPERTINENT, EPISTLE TO THE POPE.

PROLOGUE TO THE EPISTLE.

collapse section

A SERIOUS, THOUGH POSSIBLY IMPERTINENT, EPISTLE TO THE POPE.

THE WAGGONER AND JUPITER.

collapse section

II.

ODE TO INNOCENCE.

collapse section

THE DUKE OF RICHMOND's DOG THUNDER,

ODE TO A POOR SOLDIER OF TILBURY FORT.

collapse section

ODE TO CERTAIN FOREIGN SOLDIERS, IN CERTAIN PAY.

collapse section

ODE TO TYRANTS.

THE FROGS AND JUPITER.

collapse section

THE DIAMOND PIN AND THE FARTHING CANDLE; A FABLE.

THE SUN AND THE PEACOCK;

collapse section

III.

collapse section

THE ROYAL TOUR, AND WEYMOUTH AMUSEMENTS;

TO J. PYE, ESQ.

collapse section

THE ROYAL TOUR,

MR. PITT'S FLIGHT TO WIMBLEDON.

collapse section

ODE TO THE FRENCH.

CÆSAR AND THE FOG.

ODE TO THE MILL,

A HINT TO A POOR DEMOCRAT.

ODE TO THE ELEPHANT,

THE SORROWS OF SUNDAY:

collapse section

THE CONVENTION BILL;

THE CONVENTION BILL; ODE TO MR. PITT.

collapse section

ONE THOUSAND SEVEN HUNDRED AND NINETY-SIX;

I.

II.

collapse section

LIBERTY'S LAST SQUEAK;

LIBERTY'S LAST SQUEAK;

ODE TO AN INFORMER.

SECOND ODE TO AN INFORMER.

ODE TO JURYMEN.

CRUMBS OF COMFORT FOR THE GRAND INFORMER.

collapse section

AN ODE TO THE LIVERY OF LONDON,

I.

II.

AN ODE TO SIR JOSEPH BANKS,

[advertisement]

A JEREMI-AD, ADDRESSED TO GEORGE ROSE, ESQ. OF THE TREASURY.

A COMMISERATING EPISTLE TO JAMES LOWTHER, EARL OF LONSDALE AND LOWTHER, Lord Lieut. and Cust. Rot. of the Counties of Cumberland and Westmorland.

collapse section

collapse section

TO THE CRITICS.

HYMN TO THE GUILLOTINE.

THE PROUD OLD MAID.

EARLY PROPENSITIES.

INVITATION TO CYNTHIA.

collapse section

THE OLD SHEPHERD'S DOG.

JENNY'S COMPLAINT.

ODE FOR BOYS AND GIRLS.

THE OWL AND PARROT.

AN ANACREONTIC.

SUSAN AND THE SPIDER.

VERSES TO A WHITE SATIN PETTICOAT,

THE TINKER, AND MILLER'S DAUGHTER.

collapse section

THE DRUID HYMN TO THE SUN.

THE BLIND BEGGAR.

ANACREONTIC SONG.

A PASTORAL SONG.

ODE TO A PRETTY BAR-MAID.

ODE TO A HEDGE-SPARROW,

THE CAPTIVE QUEEN.

ODE TO JEALOUSY.

ODE TO THE LADIES OF ENGLAND.

THE LADY'S LAP DOG AND THE COACHMAN.

ODE TO THE POET DELILLE.

TRANSLATION FROM GALLUS.

A SECOND ODE TO THE POET DELILLE.

PHILLIDA'S COMPLAINT.

collapse section

A THIRD ODE TO THE POET DELILLE.

THE KNIGHT AND THE RATS.

THE CRUELTY OF ÆNEAS TO QUEEN DIDO.

TO A YOUNG LADY,

TO NANCY OF THE ROSE.

MODES OF COURTSHIP.

DEVONSHIRE-HOB'S LOVE.

collapse section

HAWSER TO SUSAN.

ODE TO TWO MICE IN A TRAP.

THE MISER AND THE DERVISE.

ODE TO A COUNTRY HOYDEN.

THE GRAVE OF EURIPIDES.

SONG TO CYNTHIA.

CORIN'S PROFESSION,

ODE TO UGLINESS.

THE TRAVELLER AND JUPITER.

ODE TO MY GOOD FRIEND THE MOST MERCIFUL JUDGE ------.

HYMN TO ADVERSITY.

SONG TO SAPPHO.

INVOCATION TO ST. CECILIA.

ON THE DEATH OF A MUSICAL FRIEND.

APOLLO TO THE ANACREONTIC SOCIETY,

ODE TO A HANDSOME WIDOW.

OSGAR'S PRAYER.

SONG, BY SYLVIA.

ODE TO THE SUN.

THE QUEEN OF FRANCE TO HER CHILDREN,

ODE ON FRENCH TASTE.

TO THE NIGHTINGALE.

THE YOUNG FLY, AND THE OLD SPIDER.

ODE TO A COUNTRY 'SQUIRE,

THE COMPLAINT OF MIRZA,

HAWKING, A BALLAD

A LITTLE SKETCH OF A CERTAIN MOST MERCIFUL AND LITTLE JUDGE.

SIR JOSHUA REYNOLDS.

AN EPITAPH ON A FRIEND.

ODE ON THE CHOLERIC CHARACTER.

TO MISS HARRINGTON.

ANACREON TO HIS LYRE.

THE ADDRESS OF THE FAIRIES TO THE LADIES OF R---, IN CORNWALL:

HYMN TO SILENCE.

AN APOLOGY FOR INCONSTANCY.

ODE TO ADMIRAL HOTHAM.

TO THE BUTTERFLY.

ODE TO THE LION SHIP OF WAR.

ODE TO A BUTTERFLY.

ODE ON MODERATION.

THE SONG OF DISAPPOINTMENT:

THE ROYAL VISIT TO EXETER;

collapse section

ODE OF TRIUMPH.

POETA LOQUITUR.

collapse section

LORD AUCKLAND'S TRIUMPH;

collapse section

I.

A KING OF FRANCE AND THE FAIR LADY.

II.

ADVICE TO YOUNG WOMEN;

ODE ON THE PASSIONS.

collapse section

ODE TO THE BLUE STOCKING-CLUB.

ODE TO SOME ROBIN REDBREASTS, IN A COUNTRY CATHEDRAL.

collapse section

ODES TO INS AND OUTS.

I.

[Ode I.] PROLOGUE.

collapse section

II.

ODE II. TO THE K---.

III.

ODE III. TO LORD H---Y.

IV.

ODE IV. TO THE CHANCELLOR OF THE EXCHEQUER.

V.

ODE V. TO GEORGE ROSE, ESQ.

VI.

VII.

THE HEDGE-HOGS;

collapse section

VIII.

ODE VIII. TO PITT.

THE SULTAN AND THE DOG.

IX.

ODE IX. TO PITT AGAIN.

collapse section

X.

ODE X. TO HENRY DUNDAS, ESQ.

A MORAL CONCLUSION.

collapse section

IV.

collapse section

TALES OF THE HOY;

['Twas in that month when Nature drear]

THE PRAISE OF MARGATE.

AN ODE OF CONDOLENCE TO GEORGE ROSE, ESQ.

[Whate'er from dirty Thames to Margate goes]

[Now, as our immortal Milton sublimely would have sung:]

[Or, as the no less immortal author of Hudibras would have quaintly said;]

[Again, as the illustrious Butler would have said, or sung:]

[Thus oft it happens that the sky]

CORINNA'S EPITAPH.

THE WIDOW OF EPHESUS;

THE DRUNKEN FLY.

VERSES ON A FLY

Verses on the Fall of the Statue of Apollo from the Summit of the Organ, on the Head of Shield, as he was playing.

THE SHEPHERD'S PIPE.

[Thus, as the flocks amid the valley feed]

collapse section

TEARS AND SMILES;

I.

II.

III.

IV.

V.

collapse section

ORSON AND ELLEN;

I.

II.

III.

IV.

V.

collapse section

NEW-OLD BALLADS.

[Ah! woe is mee, who sighe forlorne]

A PRAISE OF FAYRE GERALDINE,

BALLADE OF LOVE.

BALLADE OF GRIEF.

THE PETITION OF THE LOVER.

ODE ON AN INCONSTANT.

THE LOVER'S PITYE.

ON THE FAYRE GERALDYNE.

THE BRENNED MOTH, A BALLADE.

WYATT TO BRYAN, FROM HIS PRISON.

WYATT TO POINS, IN PRAISE OF LIBERTY.

A BALLADE OF PRAYER,

THE THREAT OF OBERON THE FAIRY.

A BALLADE OF WYNTER.

TO HER HIGH MAJESTY,

With a Gyfte of a Glow-worm to the fayre Geraldine, in the Country.

BALLADE ON THE VIOLET.

BALLADE TO A FISH OF THE BROOKE.

ANCIENT SIMPLICITY.

THE YOUNG CROWS AND THE YOUNG WRENS.

collapse section

TO CYNTHIA IN TOWN.

ODE ON THE ANCIENTS.

ODE TO AN UNFORTUNATE PRINCESS.

ODE TO ST. CECILIA.

PETER'S TRIUMPH.

A POETICAL EPISTLE TO BENJAMIN COUNT RUMFORD, Knight of the White Eagle, &c. &c.

THE ISLAND OF INNOCENCE;

collapse section

THE MIDDLESEX ELECTION;

I.

II.

III.

IV.

V.

VI.

collapse section

PITT AND HIS STATUE;

After a most pathetic exordium, Madam Penny-Post thus lamenteth

LORD B--- AND HIS MOTIONS.

PROH IMPUDENTIAM! AN ODE.

TEMPORA MUTANTUR.

collapse section

GREAT CRY AND LITTLE WOOL;

I.

II.

III.

IV.

VII.

VIII.

IX.

AN INSTRUCTIVE EPISTLE TO JOHN PERRING, ESQ. Lord Mayor of London;

THE HORRORS OF BRIBERY;

collapse section

ELEGY TO THE KING.

ELEGY TO THE SAME.

ELEGY TO THE SAME.

ELEGY TO LORD GRENVILLE.

ELEGY TO LORD H. PETTY.

ELEGY TO LORD SIDMOUTH.

ELEGY TO LORD ERSKINE.

ELEGY TO J. DONITHORNE, ESQ.

ELEGY TO MR. FOX.

ELEGY TO MR. SHERIDAN.

ELEGY TO NARCISSA.

ELEGY TO THE BISHOP OF LONDON.

ELEGY TO CYNTHIA.

ELEGY TO THE BEE.

ELEGY TO SCOTLAND.

ELEGY TO MR. ROWLANDSON.

ELEGY TO A FRIEND.

ELEGY TO MR. R. GOUGH.

ELEGY TO A FRIEND.

ELEGY TO THE BAT.

ELEGY. THE SPEECH OF PRUDENCE.

ON THE DEATH OF A CELEBRATED MUSICIAN.

LINES TO LORD NELSON,

TO HELEN IN TOWN.

THE INCONSTANT.

ELEGY ON JESSICA.

A SONG TO A COQUETTE.

LAURA, A PASTORAL SONG.

A LYRIC EPISTLE TO MYSELF.

collapse section

ONE MORE PEEP AT THE ROYAL ACADEMY;

[Again th' Academy I greet]

collapse section

ODES TO THE HEADS.

The Bard addresseth, in plaintive Ditty, the Heads of the Lord knows who—painted by the Lord knows whom, and executed the Lord knows how.

TO A FEMALE HEAD.

TO A MAN'S HEAD.

TO THE SOMBRE FACE OF PARSON CODMAN.

TO THE PORTRAIT OF HELEN.

TO A MINIATURE PORTRAIT OF A YOUNG LADY, LATELY DECEASED.

TO A FEMALE HEAD.

TO ANOTHER FEMALE HEAD.

ANTICIPATION: OR, THE PRIZE ADDRESS;

A SOLEMN SENTIMENTAL, AND REPROBATING EPISTLE TO MRS. CLARKE.

A SECOND SOLEMN, SENTIMENTAL, AND REPROBATING, EPISTLE TO MRS. CLARKE.

collapse section

CARLTON-HOUSE FETE;

I.

II.

III.

IV.

V.

CURIOSITY IN RAGS.

collapse section

Collapse All | Expand All expand section

393

[Again th' Academy I greet]

The Bard, after a long Absence, saluteth the Royal Academy.—He singeth in a Strain of high Panegyric of himself—yet acknowledging the malevolent Depredations of Time on his Person.

Again th' Academy I greet,
Once more, my graphic friends, we meet—
Shake hands—Ah! why the greeting hand withdraw?
Lo! by your looks ye seem to say—
‘Avaunt, thou vagabond—away—
We'd sooner take the Devil by the paw!’

Well, well! once more the bard appears;
He sings, in spite of rolling years:
Time has not stol'n one atom of his fire;
The Muse, unconscious of decay,
Still pours the proud Pindaric lay,
Still strikes with equal energy the lyre.

Now cries the critic of my rhime,
‘How dar'st thou dream of the sublime,
And fancy that it e'er inspir'd thy odes?
‘How dar'st thou take a Pindar's name,
To steal into the dome of Fame,
And place thy Momus by the side of Gods?’—

394

I own that Time, to my surprise,
Has done some mischief to my eyes,
And done that mischief much against my will:
But as the bulfinch, beyond doubt,
Sings better when his eyes are out,
Why not the songster of th' Aonian Hill?

Time too has chosen to efface
The fine Apollo form and grace,
And somewhat bent to earth my lofty head;
And though the knave has touch'd my hand,
The goose-quill yet it can command,
And o'er the snow the feather'd giant lead.

Time has made free too with my features,
Those pretty inoffensive creatures,
That never yet were cruel to the fair;
Spoil'd my poor lip and dimple sleek,
Run his hard ploughshare o'er my cheek,
And stol'n the blushing roses that were there.

Time too, I own, my mouth has enter'd;
To steal some pearl, the rogue has ventur'd,
And giv'n a lisping to my tuneful tongue;—
But, thank the Muses for their care,
And Phœbus—of his tricks aware—
Safe is my brain—the fount of flowing song.

Th' academicians would rejoice
If Time had also stol'n my voice;—
But while that voice exists, by heav'ns, I'll sing!—
But mind me, while I pour my lays,
To justice I my altar raise,
Too virtuous to profane the Muses' spring.

It certainly must be confest,
I come a most unwelcome guest,
'Mid sheaves of corn a sort of wicked weovil:—
As for R. A.'s I briefly tell 'em,
Fiat justitia ruat cœlum,
Although they sooner would behold the devil.