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[title page]

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Textual Instability and Editorial Idealism by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
  
Notes
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Descriptive Bibliography and the Victorian Periodical by Maura Ives
 1. 
[section 1]
 2. 
Victorian Periodicals and Books: Similarities and Differences
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Bibliographical Description of Periodicals: Notes on Procedure
 01. 
[section]
 02. 
General Considerations
 03. 
Introductory Notes
 04. 
Determination of Edition, Impression, Issue and State
 05. 
Title-Page Transcription, Title-Page Substitutes, and Contents
 06. 
Contents
 07. 
Paper
 08. 
Typography
 09. 
Illustrations and Plates
 10. 
Binding
 11. 
Miscellaneous Materials
 12. 
Copies Examined
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Appendix: A Sample Description
 01. 
[section 01]
 02. 
The Broadway, 1, no. 6 (February 1868)
  
Notes
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John Shirley and British Library, MS. Additional 16165 by Ralph Hanna III
  
[section]
  
[section]
  
Notes
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The Empire of Lucius Iberius by P. J. C. Field
 1. 
[section 1]
 2. 
The Texts
  
Notes
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A Seventeenth-Century Acknowledgement of Sir Gawain and the Green Knight in an Early Catalogue of the Cottonian Library by Paul F. Reichardt
  
[section]
  
Works Cited
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Stage Directions and Speech Headings in Act 1 of Titus Andronicus Q (1594): Shakespeare or Peele? by Macd. P. Jackson
 1. 
I
 2. 
II
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III
 4. 
IV
  
Notes
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The Printing of the Plays in the Jonson Folio of 1616 by James A. Riddell
 1. 
[section 1]
 2. 
Appendix I: Skeletons in the original and corrected sheets of Every Man Out of His Humour.
 3. 
Appendix II: Variant readings in quires G, H, and I3.4 not noticed in Herford and Simpson (H&S format).
  
Notes
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A New "A" Text of "Signior Dildo" by Harold Love
 1. 
[section 1]
  
To ye Tune that peg's gone ouer ye sea with a soldr.
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[section 2]
  
Notes
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Attributions of Authorship in the Gentleman's Magazine, 1827 — 48: A Supplement to Kuist by Emily Lorraine de Montluzin
  
[section]
 1. 
Additions to Kuist's Nichols File: Chronological Listing in the GM
 2. 
Additions to Kuist's Nichols File: Synopsis by Contributor
  
Notes
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The Journeyman and the Genius: James Parker and His Partner William Blake with a List of Parker's Engravings by G. E. Bentley, Jr
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[section 1]
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James Parker's Engravings
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[section]
 02. 
Year Not Known
 03. 
1780 — 81
 04. 
1781
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1782
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1783
 07. 
1784
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1786
 09. 
1787
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1789
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1790
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1792
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1793
 15. 
1794
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1795
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1796
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1797
 19. 
1798
 20. 
1799
 21. 
1800
 22. 
1801
 23. 
1802
 24. 
1803
 25. 
1803 — 1804
 26. 
1804
 27. 
1805
 28. 
1806
 29. 
1809
  
Notes
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(De)Composing Frankenstein: The Import of Altered Character Names in the Last Draft by David Ketterer
 1. 
[section 1]
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I
  
[section]
 02. 
The Last Draft — Volume I
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The Last Draft — Volume II
 03. 
The Fair Copy Fragments
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II
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III
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IV
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V
 7. 
Appendix: Five Other Altered Character Names in the Last Draft
  
Works Cited
  
Notes
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How Many Ts Had Ezra Pound's Printer? by Shef Rogers
  
[section]
  
Notes
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Padraic Colum in The Dublin Magazine by Arthur Sherbo
  
[section]
  
Notes
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The Unpublished Preface to W. G. Simms's Collected Poems by James E. Kibler
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[section 1]
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Advertisement.
  
Notes

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[section]
  
Erratum
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
PAST PRESIDENTS
  
CONTRIBUTING MEMBERS FOR 1995
  
PUBLICATIONS IN PRINT
  
Colophon
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1803 — 1804

[Addison, Joseph, and Richard Steele.] THE | TATLER. | VOLUME THE FIRST [ — FOURTH]. | [Bust] | Printed by C. WHITTINGHAM, Dean Street. | Published by JOHN SHARPE, Piccadilly. | 1803. <BL: 243 b 21>

12°; the title-page is engraved; the half-titles call it "The British Classics Vol. I [ — IV]. 1803", though Vol. III — IV are dated 1804. It seems likely that there was also an 80 edition, as there was for the Spectator (above).

Parker engraved one of the 18 plates.

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