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[title page]

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Textual Instability and Editorial Idealism by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
  
Notes
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Descriptive Bibliography and the Victorian Periodical by Maura Ives
 1. 
[section 1]
 2. 
Victorian Periodicals and Books: Similarities and Differences
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Bibliographical Description of Periodicals: Notes on Procedure
 01. 
[section]
 02. 
General Considerations
 03. 
Introductory Notes
 04. 
Determination of Edition, Impression, Issue and State
 05. 
Title-Page Transcription, Title-Page Substitutes, and Contents
 06. 
Contents
 07. 
Paper
 08. 
Typography
 09. 
Illustrations and Plates
 10. 
Binding
 11. 
Miscellaneous Materials
 12. 
Copies Examined
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Appendix: A Sample Description
 01. 
[section 01]
 02. 
The Broadway, 1, no. 6 (February 1868)
  
Notes
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John Shirley and British Library, MS. Additional 16165 by Ralph Hanna III
  
[section]
  
[section]
  
Notes
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The Empire of Lucius Iberius by P. J. C. Field
 1. 
[section 1]
 2. 
The Texts
  
Notes
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A Seventeenth-Century Acknowledgement of Sir Gawain and the Green Knight in an Early Catalogue of the Cottonian Library by Paul F. Reichardt
  
[section]
  
Works Cited
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Stage Directions and Speech Headings in Act 1 of Titus Andronicus Q (1594): Shakespeare or Peele? by Macd. P. Jackson
 1. 
I
 2. 
II
 3. 
III
 4. 
IV
  
Notes
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The Printing of the Plays in the Jonson Folio of 1616 by James A. Riddell
 1. 
[section 1]
 2. 
Appendix I: Skeletons in the original and corrected sheets of Every Man Out of His Humour.
 3. 
Appendix II: Variant readings in quires G, H, and I3.4 not noticed in Herford and Simpson (H&S format).
  
Notes
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A New "A" Text of "Signior Dildo" by Harold Love
 1. 
[section 1]
  
To ye Tune that peg's gone ouer ye sea with a soldr.
 2. 
[section 2]
  
Notes
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Attributions of Authorship in the Gentleman's Magazine, 1827 — 48: A Supplement to Kuist by Emily Lorraine de Montluzin
  
[section]
 1. 
Additions to Kuist's Nichols File: Chronological Listing in the GM
 2. 
Additions to Kuist's Nichols File: Synopsis by Contributor
  
Notes
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The Journeyman and the Genius: James Parker and His Partner William Blake with a List of Parker's Engravings by G. E. Bentley, Jr
 1. 
[section 1]
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James Parker's Engravings
 01. 
[section]
 02. 
Year Not Known
 03. 
1780 — 81
 04. 
1781
 05. 
1782
 06. 
1783
 07. 
1784
 08. 
1786
 09. 
1787
 10. 
1789
 11. 
1790
 12. 
1792
 13. 
1793
 15. 
1794
 16. 
1795
 17. 
1796
 18. 
1797
 19. 
1798
 20. 
1799
 21. 
1800
 22. 
1801
 23. 
1802
 24. 
1803
 25. 
1803 — 1804
 26. 
1804
 27. 
1805
 28. 
1806
 29. 
1809
  
Notes
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(De)Composing Frankenstein: The Import of Altered Character Names in the Last Draft by David Ketterer
 1. 
[section 1]
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I
  
[section]
 02. 
The Last Draft — Volume I
 03. 
The Last Draft — Volume II
 03. 
The Fair Copy Fragments
 3. 
II
 4. 
III
 5. 
IV
 6. 
V
 7. 
Appendix: Five Other Altered Character Names in the Last Draft
  
Works Cited
  
Notes
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How Many Ts Had Ezra Pound's Printer? by Shef Rogers
  
[section]
  
Notes
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Padraic Colum in The Dublin Magazine by Arthur Sherbo
  
[section]
  
Notes
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The Unpublished Preface to W. G. Simms's Collected Poems by James E. Kibler
 1. 
[section 1]
 2. 
Advertisement.
  
Notes

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[section]
  
Erratum
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
PAST PRESIDENTS
  
CONTRIBUTING MEMBERS FOR 1995
  
PUBLICATIONS IN PRINT
  
Colophon
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222

Page 222

1790

The Times for 23 November 1788 carried an advertisement for "A CAPITAL ENGRAVING from a Picture [24” x 19”] by JAMES NORTHCOTE of the Prince and Princess of Orange [William and Mary] being offered the crown of England; Subscriptions are received by the Publisher John Harris, No. 3. Sweeting's Alley, Royal-Exchange; and by the Engraver James Parker, No. 27, Broad Street, Golden Square; at which Places an etched proof may be seen".[46] According to Dodd, this plate (he calls it "The Revolution of 1688") and Northcote's "The Landing of the Prince of Orange at Torbay", published in 1790, were among Parker's most distinguished line-engravings. They would have been especially appropriate for the celebrations of the centenary of the Glorious Revolution in 1788. Apparently the copperplates were acquired by John Boydell and reprinted in 1801.[47]

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