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A Rationale of Literary Annotation: The Example of Fielding's Novels by Martin C. Battestin
  
[section]
  
Notes
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Recent Editorial Discussion and the Central Questions of Editing by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
  
Notes
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A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An Incident from John Capgrave's Scriptorium by Peter J. Lucas
 1. 
I
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II
 01. 
1. Errors resulting from Miscopying
 02. 
2. Errors of Addition
 03. 
3. Errors of Omission
 3. 
III
 4. 
Appendix List of Linguistic Alterations made by the S-scribe when copying from A
  
Notes
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The Shrinking Compositor A of the Shakespeare First Folio by Gary Taylor
 1. 
[section 1]
 2. 
APPENDIX I PAGES SET BY COMPOSITORS H, I, and J
 3. 
APPENDIX II
  
Notes
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The Printing, Proof-reading, and Publishing of Thackeray's Vanity Fair: The First Edition by Peter L. Shillingsburg
 1. 
[section 1]
 2. 
Chart I—Vanity Fair Printing Schedule
 3. 
Chart II—Vanity Fair Schedule of Disbursement
 4. 
Chart III—Variants Within the First Edition of Vanity Fair
 5. 
Chart IV—Six Title-pages for Vanity Fair
  
Notes
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The Publication of Tennyson's "Lucretius" by Edgar F. Shannon, Jr.
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
 6. 
BIBLIOGRAPHICAL NOTE: DESCRIPTIONS OF MANUSCRIPTS AND PROOFS
 7. 
HISTORICAL COLLATION
 8. 
ALTERATIONS IN THE MANUSCRIPTS
  
Notes
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Verdict on GW 2182 and 2183 by Dennis E. Rhodes
  
[section]
  
Notes
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Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV by Fredson Bowers
 1. 
[section 1]
 2. 
A Note on 2 Henry IV
  
Notes
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Astrological Analysis as an Editorial Tool: The Case of Fletcher's The Bloody Brother by J. C. Eade
  
[section]
  
Notes
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John Nourse and His Authors by John Feather
 1. 
[section 1]
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I
 01. 
A. The Purchase of Copies
 02. 
B. The Purchase of Rights
 03. 
C. Costs and Profits
 3. 
II
 4. 
APPENDIX ANOURSE DOCUMENTS IN B.L. MS. ADDL. 38729
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APPENDIX BELIZABETH BLACKWELL'S CURIOUS HERBAL
  
Notes
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The Library of George Tollet, Neglected Shakespearean by Arthur Sherbo
  
[section]
  
Notes
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William Cowper and the European Magazine by Arthur Sherbo
  
[section]
  
Notes
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William Blake's Techniques of Engraving and Printing by G. E. Bentley, Jr.
 1. 
[section 1]
 2. 
Blake's Printing Techniques
  
Notes
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Signatures and Dashes in Novels Printed by T. C. Newby in the Eighteen-Forties by G. D. Hargreaves
  
[section]
  
Notes
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A George Eliot Notebook by Valerie A. Dodd
  
[section]
  
Notes
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Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton Forman by the late W. D. Paden
  
[section]
  
Notes
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Additional Manuscripts of Faulkner's "A Dead Dancer" by Louis Daniel Brodsky
  
[section]
  
Notes

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
[section]
  
PUBLICATIONS IN PRINT
  
PUBLICATIONS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA
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Notes

 
[1]

The 1778 edition here and in what follows unless otherwise indicated.

[2]

For these last, see, respectively, VIII. 278.7; V. 541.6; II. 465.5; and V. 425.

[3]

See F. N. L. Poynter, A Bibliography of Gervase Markham, 1568?-1637 in Oxford Bibliographical Society Publications, New Series, vol. XI (1962).

[4]

1773, IV. 423.8 and II. 382.4, respectively.

[5]

It is described in William Oldys's British Librarian, No. VI., for June, 1737. Some of the works quoted or cited in the note on the morris dancers were lent by Steevens. See [James Boaden], ed. The Private Correspondence of David Garrick (1831-2), I. 650. Steevens does not specify any work by name.

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