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A Rationale of Literary Annotation: The Example of Fielding's Novels by Martin C. Battestin
  
[section]
  
Notes
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Recent Editorial Discussion and the Central Questions of Editing by G. Thomas Tanselle
 1. 
[section 1]
 2. 
I
 3. 
II
  
Notes
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A Fifteenth-Century Copyist at Work Under Authorial Scrutiny: An Incident from John Capgrave's Scriptorium by Peter J. Lucas
 1. 
I
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II
 01. 
1. Errors resulting from Miscopying
 02. 
2. Errors of Addition
 03. 
3. Errors of Omission
 3. 
III
 4. 
Appendix List of Linguistic Alterations made by the S-scribe when copying from A
  
Notes
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The Shrinking Compositor A of the Shakespeare First Folio by Gary Taylor
 1. 
[section 1]
 2. 
APPENDIX I PAGES SET BY COMPOSITORS H, I, and J
 3. 
APPENDIX II
  
Notes
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The Printing, Proof-reading, and Publishing of Thackeray's Vanity Fair: The First Edition by Peter L. Shillingsburg
 1. 
[section 1]
 2. 
Chart I—Vanity Fair Printing Schedule
 3. 
Chart II—Vanity Fair Schedule of Disbursement
 4. 
Chart III—Variants Within the First Edition of Vanity Fair
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Chart IV—Six Title-pages for Vanity Fair
  
Notes
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The Publication of Tennyson's "Lucretius" by Edgar F. Shannon, Jr.
 1. 
[section 1]
 2. 
I
 3. 
II
 4. 
III
 5. 
IV
 6. 
BIBLIOGRAPHICAL NOTE: DESCRIPTIONS OF MANUSCRIPTS AND PROOFS
 7. 
HISTORICAL COLLATION
 8. 
ALTERATIONS IN THE MANUSCRIPTS
  
Notes
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Verdict on GW 2182 and 2183 by Dennis E. Rhodes
  
[section]
  
Notes
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Establishing Shakespeare's Text: Poins and Peto in 1 Henry IV by Fredson Bowers
 1. 
[section 1]
 2. 
A Note on 2 Henry IV
  
Notes
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Astrological Analysis as an Editorial Tool: The Case of Fletcher's The Bloody Brother by J. C. Eade
  
[section]
  
Notes
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John Nourse and His Authors by John Feather
 1. 
[section 1]
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I
 01. 
A. The Purchase of Copies
 02. 
B. The Purchase of Rights
 03. 
C. Costs and Profits
 3. 
II
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APPENDIX ANOURSE DOCUMENTS IN B.L. MS. ADDL. 38729
 5. 
APPENDIX BELIZABETH BLACKWELL'S CURIOUS HERBAL
  
Notes
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The Library of George Tollet, Neglected Shakespearean by Arthur Sherbo
  
[section]
  
Notes
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William Cowper and the European Magazine by Arthur Sherbo
  
[section]
  
Notes
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William Blake's Techniques of Engraving and Printing by G. E. Bentley, Jr.
 1. 
[section 1]
 2. 
Blake's Printing Techniques
  
Notes
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Signatures and Dashes in Novels Printed by T. C. Newby in the Eighteen-Forties by G. D. Hargreaves
  
[section]
  
Notes
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A George Eliot Notebook by Valerie A. Dodd
  
[section]
  
Notes
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Tennyson's The New Timon, R. H. Shepherd, and Harry Buxton Forman by the late W. D. Paden
  
[section]
  
Notes
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Additional Manuscripts of Faulkner's "A Dead Dancer" by Louis Daniel Brodsky
  
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Notes

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[section]
  
Errata
  
Notes on Contributors
  
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
[section]
  
PUBLICATIONS IN PRINT
  
PUBLICATIONS OF THE BIBLIOGRAPHICAL SOCIETY OF AMERICA
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145

Page 145

Chart IV—Six Title-pages for Vanity Fair

Though the characteristics of the first title-page listed below are definitely those of the first printing, the order of the subsequent printings is conjectural. Smith, Elder and Co. reissued the first edition with two relatively accurate title-page dates: 1866 and 1868. (See discussion, p. 126.)

             
Line  First T-p[1]   Second(?) T-p[2]   Third(?) T-p[3]   Fourth(?) T-p[4]   Fifth(?) T-p[5]   Sixth(?) T-p[6]  
2  Novel  Novel  Aovel  Aovel  Novel  Aovel 
5  [3¼ inches]  [3frac116 in.]  [3frac316 in.]  [3frac1116 in.]  [3frac316 in.]  [3frac1316 in.] 
5  STEEL AND WOOD  WOOD AND STEEL 
7  AND  AND  AND  &  AND  & 
7  [3⅜ in.]  [3¼ in.]  [3¼ in.]  [3frac116 in.]  [3frac516 in.]  [3frac316 in.] 
8  1848  1849  1849  1848  1848  1848 

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