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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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Canto the Fourth. Terra Firma.
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VI.
  
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Canto the Fifth. Cloud-blowing.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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Canto the Seventh. After-Experiences.
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59

VI.

Notes from lectures or from reading;
Talk between those two succeeding—
Student led and Tutor leading,
May we offer—not unheeding
Task of pruning—lopping—weeding?
Free Nature! how careless, confiding!
Half playfully, furtively hiding
Truths ever momentous, abiding,
In her least or her lowliest works!
There assurance of Power presiding—
Foreseeing—forethinking—foreguiding—
In silence and secrecy lurks!
Think of the foresight proved in that small fact—
Next century's oak within an acorn packed!
But ‘Mummy-corn’! O greater wonder hid
Than from the summit of its Pyramid
Those famous ‘Forty Ages’ saw or did!
Rome rose—toiled through long glories—slow decay;
Still, seeming dead, that grain's-germ ready lay
To shoot, a blade—a beautiful green birth
Soon as it touched ev'n England's warm moist earth!
Truly this Life-in-death with new life fired,
Some ‘knowledge of affinities’ required—
Some lasting holdfast to an end desired!
60

What sense in sense-less tissue there can be!
Mark—in a tiny mote you scarce can see
‘The movement to achieve an end precedes
And makes the organ for the end it needs.’
A floating jelly-speck in filmy skin—
Protean globule changing form at will—
Borne on by currents that revolve within,
Wraps itself round the mite of food it meets
And turns into a stomach! Feat of feats!
How do such prescient impulses begin?—
Mark other jellied sea-motes simpler still,
Where neither limb nor organ you espy,
Nor any structure Science can detect,
Expanding into spider-webs, erect
Shell-marvels of minutest masonry
That for ingenious geometric skill
With mightiest Angelo's or Wren's may vie;—
How do such impulses such ends fulfil?
‘Fancy the antenatal human Ear!’
(Says one consummate Master of Thought severe)
‘In secret framed—of microscopic size—
That grand Piano of three thousand strings,
Each to distinct vibrations fitly tuned
Of the outer air with which it ne'er communed,
Anticipates all Music's melodies.’
What! had the Cause from which this marvel springs
No mental power to regulate—review
All the relations of these complex things—
Purposely make them each to each so true?
61

But say, through Æons film by film 'twas spun,
With power to breed it passed from Sire to Son;—
By greater prescience then the end was won.
O wise dorr-beetle! you make fit supply
For eggs you lay the moment ere you die;
Look forward to results with foresight keen—
From want beforehand will an offspring screen
You and your ancestors have never seen;
With means most apt unconsciously achieve
Ends you know nothing of, nor could conceive!
Is there no Power to which your wants were known?
No guidance here—or sense beyond your own?
See working Bees, from whom their Queen has flown,
A sexless grub with ‘royal jelly’ feed,
And make it ‘grow a Queen’ new swarms to breed!
Could all the Reason, Science, Skill of Man,
Working their utmost since the World began,
Work towards an End upon a subtler plan
Or surer, than these brainless Insects can?
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