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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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VII.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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VIII.
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Canto the Fourth. Terra Firma.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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VIII.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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VIII.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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 VIII. 
VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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X.
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Canto the Seventh. After-Experiences.
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XII.

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I.

Well—all the warrior-speeches had been made;
Now, with a coarsely classic dignity
Of grave debate and stern; and full parade
Of flowing dog-furred mantle, and blunt spear
With head tongue-shaped and feathery-ruffed, inlaid
With glistening shelly eyelets pearly-clear;
Now in rank virulence of savagery
Complete—each naked speaker as he shrieked
In hoarse harsh tones of mad complaint and rage,
Impatient, like a wild-beast in its cage,
To and fro fretting at a short quick run,
With which each fragmentary fierce appeal,
Each furious burst was ended and begun;
And every time he turned his angry heel
Slapping his tattoed thigh; until he reeked
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And foamed; and breathless, voiceless, faint,
Was forced at last to yield the task, to paint
And passionate his griefs, to younger tongues,
Less wearied limbs and unexhausted lungs.
And then they danced their last war-dance to gain
The physical fever of the blood and brain
That might their dashed and drooping spirit sustain,
Nor let their flagging courage fail or flinch.
Then formal frenzy in full play was seen;
The dancers seemed a mob of maniacs, swayed
By one insane volition, all obeyed,
Their mad gesticulations to enact
With frantic uniformity, exact
As some innumerably-limbed machine,
With rows of corresponding joints compact
All one way working from a single winch:
The leaping, dense, conglomerate mass of men
Now all together off the ground—in air—
Like some vast bird a moment's space—and then
Down, with a single ponderous shock, again
Down thundering on the groaning, trembling plain!
And every gesture fury could devise
And practice regulate, was rampant there;
The loud slaps sounding on five hundred thighs;
Five hundred hideous faces drawn aside,
Distorted with one paroxysm wide;
Five hundred tongues like one, protruding red,
Thrust straining out to taunt, defy, deride;
And the cold glitter of a thousand eyes
Upturning white far back into the head;
The heads from side to side with scorn all jerking
And demon-spite, as if the wearers tried
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To jerk them off those frantic bodies working
With such convulsive energy the while!
—Thus—and with grinding gnashing teeth, and fierce
Explosions deep in oft-narrated style,
Those vollied pants of heartfelt execration;
Or showers of shuddering hissing groans that pierce
The air with harsh accordance, like the crash
When regiments their returning ramrods dash
Sharp down the barrel-grooves with quivering clang
In myriad-ringing unison—they lash
Their maddened Souls to madder desperation!—
Thus all the day their fury hissed and rang;
So groaned, leapt, foamed, grimaced they o'er and o'er;
Till all were burning, ere the sun should soar,
Against that stubborn Fort to fling themselves once more.
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