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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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VIII.
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Canto the Fourth. Terra Firma.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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 VIII. 
VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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Canto the Seventh. After-Experiences.
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XII.

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IV.

But while all this they watch, lo, still and grand,
The enormous Moon!—how, like
A great gold cymbal on its edge upright,
Upon the mountain's ridge it takes its stand
So close—there balanced broad and steady,
To bathe in dreamily-magical light
What seemed a magical dream already,
Twice beautify the beautiful, and strike
Transcended sense dead-mute with admiration!—
And who could mark, with wondering soul-elation,
That revel of redundant loveliness,
Nor truths that Ranolf leapt to, half confess?
“O these charms of great Nature! who ever has seen them
In their glory as these are, nor owned that the notion
They force on the thinker, is true, not illusive—
That our senses and they, so composed as between them
To awake in the mind such delightful emotion,
Are proofs self-attested, as logic conclusive,
61

Of Benevolence somewhere, in what can convene them—
Adapt them to act and react on each other?
A sentiment this, that no Science can smother.
Nor condemn it as anthropomorphical folly,
Since a cause they must have, one intelligent wholly,
To hold that the Cause of these marvels must mean them
To display that Benevolence—mutely reveal it
In delight to the creature most fitted to feel it!
—Aye truly! and though by stern reasoning's parity
You maintain that in Nature, the baleful, disgusting
Should be proof in its Cause of defect of such charity—
That if Beauty be vaunted as sign of Benevolence,
Deformity equally argues Malevolence,—
Yet the first so outsplendours the last—so exceeds it—
And the last has such uses, Mankind almost needs it—
'Tis hard not to side with the hopeful and trusting!
Yes, cavil and carp, the nice balance adjusting,
Yet is Beauty in literal truth, nothing less
Than a Gospel—an embassy mute yet express
From some Power imperial, of friendliness felt
For mankind—say of Love! one that never will cease
To diffuse its serene revelations of peace;
Bright dawns and rich sunsets its eloquent books;
And the broad laugh of flowers, and the soft-chiming brook's
Secret murmurs of joy, and the rapture of birds,
Its angelical whispers—accredited words:
But holiest Woman's affectionate looks,
Most thrillingly potent to move and to melt,
Are the pages where clearest its plenary power
Of divine Inspiration for ever has dwelt!
And he who has basked but one bliss-giving hour
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In their sunshine and solace, like me must avow,
With the loveliest lessons of Love, it is thou
O Beauty, bright Mystic, the spirit canst fill;
Aye, 'tis Thou, in all shapes, of celestial good-will,
Art the sweetest, most suasive Evangelist still!”—
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