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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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VII.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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VIII.
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Canto the Fourth. Terra Firma.
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XIII.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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VIII.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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VIII.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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 VIII. 
VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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X.
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Canto the Seventh. After-Experiences.
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XII.

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II.

And Amo coming to his side amused,
Her smiling eyes with tender love suffused,
“How fond, O Rano mine,” said she,
“Of these dumb things you seem to be;
I shall be jealous soon, I think,
And wish myself a Tree!”
“A tree, my Amo! but I wonder which?
O which so fair that we might link
Such loveliness in fancy with its form?
Which should be haven for a heart so warm,
So sweet a Spirit's dwelling-place?
The Rata-myrtle for its bloom so rich—
Or Tree-fern for its perfect grace?
Its slender stem I would embrace
How fondly!—nay, but that would never do—
That limbless tree-fern never should be you
With nothing but a stem and plumy crest!
Ah no! the glorious Rata-tree were best,
With blooming arms that spread around—above;
That should be you, my sole delight,
My darling bliss! that so I might
Embosomed in embowering beauty rest,
And nestle in the branches of my love!”
“Nay—but I would not be,” said Amo—“I,
That Rata—if the change I had to try;
Rather the snowy Clematis, to twine
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About the tree I loved; or rather yet
That creeper Fern, with little roots so fine
Along its running cords, it seems to get
For its gay leaves with golden spots beset,
Its dearest nurture from the bark whereto
It clings so close; as if its life it drew,
Drew all its loving life from that alone—
As I from thee, Ranoro, all my own!”
She paused a tender moment—then resumed:
“Nay, not the Rata! howsoe'er it bloomed,
Paling the crimson sunset; for you know,
Its twining arms and shoots together grow
Around the trunk it clasps, conjoining slow
Till they become consolidate, and show
An ever-thickening sheath that kills at last
The helpless tree round which it clings so fast.
Rather, O how much rather than destroy
The thing I loved, the source of all my joy,
Would I, my Rano, share the piteous fate
The Rata's poor companion must await—
Were you the clasper, I the tree that died,
That you might flourish in full strength and pride!”
“Nay—nay—my Amo! were't to be my doom
To clasp you till you perished in your bloom,
Neither to misery should be left behind—
Together would we be to death consigned—
In death, as all through life, in love entwined.
But now, my lovely Clematis, be gay!—
Though never shall I see that Rata bright,
In murderous fondness, fastening round its prey
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The serpent-folds that hug the friend they slay,
Without a sigh for the poor victim's plight;
Without a wish to cut and cleave away
The monster throttling what has been his stay;
Without some wonder why the Power divine
Includes such pictures in his world's design,
And even in lovely vegetable life
Leaves startling models of unnatural strife.”
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