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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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Canto the Fourth. Terra Firma.
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Canto the Fifth. Cloud-blowing.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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Canto the Seventh. After-Experiences.
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XII.

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XI.

And truly, every instant she displayed
A look or attitude that would have made
A Phidias turn admiring, though intent
On one fastidious finishing touch, the last—
One pumice-polish, warm wax-stain, that lent
Perfection to some wonder, now complete,
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Some marble miracle or famous feat
Chryselephantine, all the world to beat,
And stamp his own surpassing self surpassed!
Though on his ears, already charmed, he felt
Aspasia's clear Milesian accents melt
In critic subtleties of praise that seize
The heart of his conception, and excite
The stoic soul of stately Pericles
Into confest emotions of delight.
Some look or gesture was each instant shown
That with as happily-tempting hints—assured
Forecast of chiselled triumphs, had allured
A Flaxman, say, that Phidias of our own—
As when at his soul's call, with beauty aflame
And dignity and grace immortal, came
(All chastened—checked by Art's severest curb—
Harmonious calm no passion could disturb)
Trooping divinities in grand array,
As if Olympus were his freehold—they
His tenants—slaves—who heard but to obey!—
But as the busy Maid would oft look round
With brows and high-upcurling lashes raised
And such a glance, what Ranolf wished—to ask—
Bright glance of innocent inquiry—sweet
Alert attention; or would leave her task,
And throw herself beside him on the ground
To see what 'twas that he would sometimes look
Half-pleased with, proud of, in the fast-leaved book
Where he “wrote images”—then with such heat
Would “pish” and “pshaw” at, as on her he gazed,
Abused the work so much—the model praised;
18

There, as she watched him, toying all the while
With those light locks she loved so, with a smile
Where such a depth of playful fondness shone;
Did she not then the very vision seem
Young Foley saw, when, scarce to manhood grown,
He brought old Athens back in that bright dream
Of Ino feeding her maternal joy
On purple temptings of her grape-fed boy?—
Or that which bade his great compeer achieve
The new-born loveliness of listening Eve?
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