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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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VIII.
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Canto the Fourth. Terra Firma.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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VIII.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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X.
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Canto the Seventh. After-Experiences.
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XII.

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II.

And Amo felt the evening;—felt
The solemn tenderness that dwelt
In all that gorgeous flood of pride
And splendour, spreading far and wide
Into her kindred spirit melt:
And nestling close to Ranolf's side
As half in sport and half in fear—
“Hush!”—whispered she, quite serious-eyed—
“Some awful Spirit must be near!—
What is it else that from the deep
Abyss o'erhead, seems so to creep
And creep—and ever nearer steal,
As though the heavens above us bending,
Were closing round us—slow descending!—
Not evil though, that Spirit, I feel!
But like some gentle boundless arm
Encircling us—in shelter warm
Infolding us from hurt or harm;
Close to us, yet unheard, unseen:
Just as I felt you bending down
One morn above our couch of fern,
Which you had left so soon, to learn
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What bird it was whose strange new cry
('Twas that blue crane with bristly crown—
You recollect?) we heard so nigh;
And I, unknowing your return
Lay half-awake nor wooing sleep;
With eyes just lightly shut to keep
Your image there with clearer glow,
And play with it in fancy so;
In dreamy bliss—such full content—
Somehow as calm and innocent,
It seemed, as when in infant days
Upon a mother's breast I leant;
So loath was I my lids to raise;
Or my fantastic joy resign
Till I should be no more alone!—
But you had stol'n towards me unknown;
And though I neither saw nor heard,
I felt your face approach my own:
Your lips were almost touching mine,
But did not—and no limb you stirred;
I neither heard nor felt your breath,
For you were silent—still as death;
And yet I knew your presence dear,
I knew that it was you so near,
Pausing before you would impress
To wake me quite, some light caress
Of fond and playful tenderness.
But that was Love—made me so wise,
To see without the use of eyes;
And know who 'twas did by me stand,
Without the aid of ear or hand:
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No tongue to speak—no limb to move,
Was needed for my heart to prove
That near approach of Love to Love!”—
“Yes—that was Love! and this, as well,
This solemn, sweet, absorbing spell,
This charm diffused o'er heaven and earth,
In Love may have its hidden birth!
For all that Reason—Science—guess,
It stands a mystery, none the less;—
A symbol, why not so designed
To do just what we find it do?
Impress upon the human Mind
A soothing sense of Love as true,
As warm and true as mine and thine,
But infinite—and all divine!—
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