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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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I.
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II.
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III.
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IV.
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VII.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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VIII.
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Canto the Third. From Wisp to Morass.
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VIII.
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IX.
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Canto the Fourth. Terra Firma.
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XIII.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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VII.
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VIII.
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IX.
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Canto the Second. The ‘Sounding Sea.’
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VI.
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Canto the Third. The Magician.
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VIII.
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Canto the Fourth. A Woodland Jaunt.
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VIII.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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VIII.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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VIII.
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Canto the Second. The Song-cheered Swimming.
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III.
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IV.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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XII.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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VI.
  
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 VIII. 
VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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X.
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Canto the Seventh. After-Experiences.
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VIII.
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XI.
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XII.

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VI.

So with much grief for Miroa's fond distress,
The pair recalled full many a sign that might
Have helped them read her simple heart aright,
Had both not been too much pre-occupied
With fancies of their own at hers to guess:
And they remembered with what eyes—how wide—
Of eager wondering gladness she had seemed
To feed and fasten on all Ranolf's ways
And looks and movements, when, those two first days,
They met at Rotorua; how they beamed
When with such giggling blushes of delight
She bent her head as carelessly he tied
The ribbon round it he declared less fair
And tasteful than the wreath already there,
Of crimson feathers and the snowy rays
Of clematis—while all might see she deemed
The present of less value than the praise.
And then it flashed on Amo's mind, as sped
Her memory back, with such a cue supplied,
How artfully and oft the Maid would guide
Their talk the way that to the Stranger led;
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And when that theme was reached, how glibly ran
Her tongue, unceasing when it once began
In Ranolf's favour mostly, or would raise
Some point against him—find some fault—aver
Some blemish—that she, Amo, might demur
More warmly—more unguardedly be brought
To sound his dear deserts for whom she fought,
And his light-jesting enemy upbraid:
All which the unsuspecting Amo thought
She did to humour, not herself but her—
The foolish Mistress, not the foolish Maid;
(With an arch glance at Ranolf this was said:)
And then she recollected once, when turning
Suddenly, with what surprise she caught
Poor Miroa's bloodshot eyes fixed on her, burning
With envy, almost hate; with what swift check
She changed that look to one of passionate yearning,
And wildly flung her arms round Amo's neck
And burst into a flood of tears, and cried:
“My good, good Mistress—O how good and kind
And always dear—O do not mark or mind
The passion of your worthless slave—too bad
For such a mistress—O too false and mad!
Kill, kill me if you will—you should—you may—
But tear this blackness from my breast away!”—
“And then she lavished on me little acts
Of kindness and attention all that day.
And I, still blind to these so patent facts,
Thought 'twas the memory of her home afar
And friends, from whom long years ago in war
She had been torn—a captive, that oppressed
Her fancy then, with fond regrets distressed;
30

Although I rather wondered she was moved
By that so deeply—scarcely could ascribe
Such passion to such cause; for she had known
Nothing but kindness, since, so terrified
That day she came she shuffled to my side,
And I scarce older, set her numbed limbs free
From bonds, and said she should belong to me.
But since that day so merry had she grown—
She, sprung too from a chief of good degree—
That all our people looked upon and loved
The Child as a true daughter of the tribe,
I always as a sister of my own.”
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