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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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I.
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III.
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IV.
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VII.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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VIII.
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Canto the Third. From Wisp to Morass.
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VIII.
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IX.
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Canto the Fourth. Terra Firma.
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XIII.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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VIII.
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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VII.
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VIII.
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IX.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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VIII.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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VIII.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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VIII.
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Canto the Second. The Song-cheered Swimming.
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IV.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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XII.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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 VIII. 
VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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X.
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Canto the Seventh. After-Experiences.
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XII.

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IV.

“Well, all believed it was for Amo's loss
The shadow lay upon the damsel's heart;
Till recently they saw her one fine day
Alert and brisk, preparing for a start,
It seemed, to visit some one far away:
For she was with a studied neatness drest,
Her curling locks smoothed to their brightest gloss—
And striving spite of grief to look her best;
A light food-kit was o'er her shoulders slung:—
When questioned, she declared she meant to make
Her way to Roto Aira's distant Lake,
Where welcome she could always find among
Near relatives that loved her; and you know
Where'er she pleased the Maid could always go—
For who would check her movements—interfere
With one that Amohia held so dear?
25

But she by accident was overheard
That morning when she thought none near her stirred,
Plaintively crooning o'er an artless song
(While to and fro her form impatient swayed),
That told what secret on her spirit weighed;
The more, that from her bosom she was seen
To draw some finery—woven flowers or braid—
That there it seemed she must have cherished long,
And press them to her brow with passionate mien
And many tears—redoubled as she gazed
Awhile upon these tokens of desire
How vain! then flung them on her matin fire:
But when they quickly shrivelled up and blazed,
Gone like her dream for ever! she arose
Passing her slender hands with gesture swift
Across her brows and sweeping back the drift
Of streaming tresses, as she waved her head
And tossed her arms out wearily once—like those
Who brush aside a troublous dream:—so she
Seemed in that act to shake herself quite free
From that entangling coil of memory.
Then started on her journey as I said.
But these proceedings and the song combined,
And most that wreath—the withered flowery string,
Red feathers from the parrot's under-wing,
And scarlet band—that shining foreign thing—
Told them 'twas for the Stranger that she pined.”
Scarce had the word been uttered, ere with eyes
That flashed a sudden fire, fair Amo threw
Her arm round Ranolf as if danger near
Were threatening to despoil her of her prize,
Her heart's whole treasure; then withdrew it too
26

As swiftly—blushing at her foolish fear,
And asked, her bright confusion to disguise,
More than from any wish the lay to hear,
What song it was made Miroa's love so clear?—
“‘E tangi—e—te ihu’—what comes next
I'm sure I quite forget, although I heard:
At waiatas I always was a dunce.
'Twas all about a girl or some one—vexed
At scandal—full of wants and whims absurd.”
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