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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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VIII.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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VIII.
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Canto the Fourth. Terra Firma.
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Canto the Fifth. Cloud-blowing.
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XIII.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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VIII.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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VIII.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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Canto the Seventh. After-Experiences.
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XII.

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I.

In days when Nature—ere discharmed—
Undeified by Science—swarmed
With bright Divinities akin
To the energies terrific
In her wilder phases working,
Or in genial ferment lurking
Mystic, magical, within,
Slumbering in her blissful breast
In daimoniac delitescence;
Till with fervour too intense
They would quicken and condense
And kindle into visible presence
And vitality specific,
Glowing on the too imprest
Keen sense in Shapes, appalling, grand
Grotesque or graceful—Phantoms haunting
And to human beauty moulding,
For quick-fancied Faith's beholding,
(Till all Earth was holy ground)
All the still-eyed Soul that broods
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In wide wind-whispering solitudes—
Each cloudchase chequering sea and land—
Moon-shadows—sunny silences—
Lone mists on fire in glens profound—
Old half-lit trunks of twisted trees—
And stealthy gleams in gloomy woods;—
In those old days what dearer dreaming
Than the Vision such deep feeling,
Instantaneously revealing
Traits of rare resemblance, fashioned
Out of things so diverse-seeming,
Ocean-foam and Love impassioned,—
As it flashed in pictured splendour
On the fine Ephesian brain?—
Will devotion true and tender
Ever at that shrine be wanting?
Ever poet's heart refrain
From a chance to touch again
That wan sweet faith and form enchanting—
Sweetest myth of all the train?
Of all the mystic Shapes and mighty,
Sovran, while Love's passionate pain
Can the senses charm and chain,—
That dream divine of Aphrodite
Freshly risen from the main?
Lo! upon the amber sands,
Brilliant throbbing Apparition—
As if poised in air she stands!
Proudly conscious, frankly smiling,
Sure of homage, love, submission;
Mostly triumph—some surprise,
In the dangerous innocent eyes,
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Where, what witchery world-beguiling
Lies in childlike archness hid!
Where the sense grows faint to mark
How the purple depths that glow
Like the velvet-petalled pansy, show
Dark—almost too lovely-dark—
Too like a stain almost,—amid
All that gleam of snowy brightness,
All her form's effulgent whiteness!
While the dazzling flood of tresses
Ripples like gold lines of light
In a hanging waterfall,
When you look from the curved rock-wall
Behind it, through its crystal pall;
Wavy sunbeams whence she presses
With those rosy-tipped fair fingers
Every diamond-drop that lingers
Lovingly in their bright recesses.
So was seen the Foam-born standing—
So for ever standeth she
In enamoured memory—
Darling Anadyomene!
While the leopard-sleek and fawning Sea
Round her plays caressingly,
Plays in many a broad festoon
Of foam-flowers—many a sliding sheet
Lovely-creaming, long-expanding,
Then dying off in a luxurious swoon;—
As if Poseidon love-beguiled,
To beguile, attract, adore her,
Ere he stood confest before her,
Mocked the playful gambols mild
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Of some creature of the wild;
And one sweet look to deserve,
But one look so killing-sweet,
Kept the simple wile repeating,
Stealing swiftly, curve on curve,
Bounding forward and retreating,
Cowering, crouching at her feet!
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