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Ranolf and Amohia

A dream of two lives. By Alfred Domett. New edition, revised
Domett, Alfred (1811-1887)

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RANOLF AND AMOHIA:
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VOLUME I.
  
PRELUDE.
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BOOK THE FIRST. THE SAILOR-STUDENT.
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Canto the First. The Sea-boy.
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IX.
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Canto the Second. Will-o'-wisp-chasing.
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Canto the Third. From Wisp to Morass.
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Canto the Fourth. Terra Firma.
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Canto the Fifth. Cloud-blowing.
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XIV.
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Canto the Sixth. Land-Life or Sea-Life?
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Canto the Seventh. The Shipwreck.
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BOOK THE SECOND. THE SOUTH-SEA VILLAGERS.
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Canto the First. The Rescue.
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Canto the Second. The ‘Sounding Sea.’
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Canto the Third. The Magician.
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Canto the Fourth. A Woodland Jaunt.
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Canto the Fifth. The Legend of Tawhaki.
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Canto the Sixth. Mythical Cosmogonies.
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Canto the Seventh. The Captive.
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BOOK THE THIRD. ALL IN A SUMMER NIGHT.
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Canto the First. Miroa's Tidings.
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Canto the Second. The Song-cheered Swimming.
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Canto the Third. The Star-lit Swimming.
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Canto the Fourth. Legends of the Spirit-Land.
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Canto the Fifth. Amohia at the Fountain.
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Canto the Sixth. Silence and Moonlight.
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Canto the Seventh. The Meeting.
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VOLUME II.
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BOOK THE FOURTH. A LATTER-DAY EDEN.
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Canto the First. Flight of the Lovers.
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Canto the Second. Miroa's Story.
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Canto the Third. Love and Nature luxuriant.
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Canto the Fourth. Trees and the Tree-God.
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Canto the Fifth. The Fountain-Terraces.
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Canto the Sixth. A Geyser Yoked.
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Canto the Seventh. English Maidens.
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BOOK THE FIFTH. STILL IN EDEN.
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Canto the First. The Haunted Mountain.
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Canto the Second. Sports on the Lake.
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Canto the Third. The Cicada.
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Canto the Fourth. A loving Questioner.
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Canto the Fifth. A cheery Theorist.
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Canto the Sixth. Love beats Logic.
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Canto the Seventh. An airy Nest.
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BOOK THE SIXTH WAR.
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Canto the First. The Beleaguered Fortress.
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Canto the Second. War needs Idealizing.
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Canto the Third. The grand Assault.
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Canto the Fourth. Fight between ‘Sounding Sea’ and ‘Angry Star.’
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Canto the Fifth. Love fed by War.
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Canto the Sixth. An old wrong avenged.
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Canto the Seventh. Death of the ‘Sounding Sea.’
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BOOK THE SEVENTH. SELF-SACRIFICE.
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Canto the First. Weariness.
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Canto the Second. A sad Resolve.
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Canto the Third. Death of the Magician.
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Canto the Fourth. Where is Comfort?
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Canto the Fifth. A Vision.
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Canto the Sixth. The Departure.
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Canto the Seventh. After-Experiences.
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IV.

“Many a moon he mourned—Tawháki. Then he started to discover
Where they grew, those happy creepers, that could help a hapless lover.
Many a moon he roamed—Tawháki. And his heart was sore and weary
When he found himself despondent in a forest grand and dreary;
(Ah! that wildering wildwood—who can tell how dense it was and tangled!)
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Where in wanton woody ringlets many a rope of trailers dangled.
Rapt, absorbed in her pursuit, a blind old Crone those creepers tended;
Caught at, groped and felt for any that within her reach descended.
He, an ancestress discerning, ere for counsel he implored her,
Touched her eyes, a charm repeating, and to sight at once restored her.
Then they found a creeper rooted, finely for his purpose suited.
Up he went exultingly, bold-hearted, joyous-eyed, firm-footed.
At the treetop, see! a tiny spiderthread upshooting shiny,
Wavering, viewless half, yet ever held aloft by mere endeavour!
With a beating heart, Tawháki, muttering many an incantation—
Wild with hope so high it takes the very hue of desperation,
Clasps the clue so evanescent; then with yearnings deep, incessant,
Seeing in the vault above him only Hapae's eyes that love him,
Up and up, for ever upward mounts he dauntless—nothing scares him,
Up through azure bright Abysses still that thread in triumph bears him!
Suddenly a sunny grove is round him—cheery people working
At a great Canoe, appear. All day he keeps the thicket, lurking,
Till when balmy Shadow veils them and serenest Sleep assails them,
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Stripping off his youthful glory, out he steals, an old Man hoary;
Strikes a few swift strokes, and magic-like the work is ended
Graceful with its lofty stern, with open-circled fretwork splendid,
Lo! the great Canoe completed! To his copse he then retreated;
On another hollowed trunk next night the wonderwork repeated.
—Those Celestials marvelled greatly; yet reflecting in their pleasure
Such a worker were a treasure as a Slave beyond all measure,
Watched and clutched that Old Man wilful—so decrepit yet so skilful,
And to their great Ruler bore him.—O delight! who sits before him?
'Tis his beautiful benign One, 'tis his downy-plumed divine one,
Hapae! will he now deride her or the subtle Elf beside her!—
Kindly greeted, with caresses he the Child allures and presses
To his heart no more to sever. Then, as he flings off for ever
That disguise's dim defilement, Hapae smiles sweet reconcilement;
Swift, the Child they bathe, baptize it, lustral waters o'er it dashing;
And Tawháki—breast and brow sublime insufferably flashing,
Hid in lightnings, as he looks out from the thunder-cloven portals
Of the sky—stands forth confest—a God and one of the Immortals!”
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