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Studies in bibliography

  
STUDIES IN BIBLIOGRAPHY
  
[title page]
  
Contents

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The Textual Criticism of Visual and Aural Works
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Work in Intangible Media
  
1. Verbal Work
  
2. Music
  
3. Dance
  
4. Film, Video, and Digital Art
  
5. Drama and Performance Art
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Work in Tangible Media
  
6. Painting, Drawing, and Calligraphy
  
7. Sculpture, Craft, and Installation Art
  
8. Architecture, Interior Design, and Gardening
  
9. Printmaking, Photography, and Book Design
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Martin Boghardt: A Memoir
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APPENDIX
  
A Selection of Martin Boghardt's Major Bibliographical Writings
  
German Printer's Manuals
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VERSES IN SERMONS AGAIN: THE CASE OF CAMBRIDGE, JESUS COLLEGE, MS QA.13
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TRANSCRIPTIONS
  
Jesus verses (a)
  
Jesus verses (b)
  
Jesus verses (c)
  
Jesus verses (d)
  
Jesus verses (e)
  
Jesus verses (f)
  
Jesus verses(g)
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ROYAL-PAPER COPIES OF ALDINE EDITIONS, 1494–1550
  
Aldine Folios with Copies on Royal Paper
  
Aldine Octavos with Copies on Royal Paper
  
Conclusion
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APPENDIX
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Royal-paper Copies of Aldine Octavo Editions
  
Library Abbreviations
  
A. Editions Published from 1514 to 1534
  
B. Editions Published between 1535 and 1550
  
WORKS CITED
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PRINTING THE FAERIE QUEENE IN 1590
  
A View of The Faerie Queene in 1590: F. R. Johnson and Yamashita et al.
  
Dedication, Vision, and Revision: The Poet in the Printing House
  
Spurning at a Dead Dog: Patronage, Politics, and Allegory
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THE SHAKESPEARIAN PAVIER QUARTOS REVISITED
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
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APPENDIXES
  
1. Sequence Tables: Watermarks by Gathering in the Plays
  
2. Summary Tables: Watermarks in Individual Plays
  
3. Summary Table: Watermarks in All Plays
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4. Copies Examined
  
Library symbols
  
Copies by title
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MARY ASTELL'S WORK TOWARD A NEW EDITION OF A SERIOUS PROPOSAL TO THE LADIES, PART II
  
What?
  
When?
  
Why?
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APPENDIX 1
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Text of A Serious Proposal to the Ladies, Part II
  
Introduction
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APPENDIX 2
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Front Pastedown
  
Introduction
  
Text
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APPENDIX 3
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First Front Free Endpaper, Recto and Verso
  
Introduction
  
Text
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APPENDIX 4
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Penultimate Rear Free Endpaper, Recto
  
Introduction
  
Text
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APPENDIX 5
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Final Rear Free Endpaper, Recto and Verso
  
Introduction
  
Text
  
WORKS CITED
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HENRY FIELDING IN CHINA
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CHINESE TRANSLATIONS OF FIELDING'S WORKS
  
By Title
  
By Date
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WHEN BOOK HISTORY NEGLECTS BIBLIOGRAPHY: TROUBLE WITH THE "OLD CANON" IN THE READING NATION
  
"Johnson's Poets" as Never Known Before
  
William Thomas Lowndes Redivivus
  
The "Old Canon"—How Sudden and How Rigid?
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AUTHORS OF THE MIND: SOME NOTES ON THE QSUM ATTRIBUTION THEORY
  
The QSUM Attribution Theory
  
Testing QSUM
  
Alternatives to Cumulative Sums
  
Some Modest Proposals
  
"TELLING IT UNABRIDGED": GRAHAM SWIFT'S REVISION OF WATERLAND

  
Notes on Contributors
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BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
OFFICERS
  
COUNCIL
  
PAST PRESIDENTS
  
BENEFACTORS FOR 2003–2004
  
PATRONS FOR 2003–2004
  
CONTRIBUTING MEMBERS FOR 2003–2004
  
SUBSCRIBING MEMBERS FOR 2003–2004
  
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AVAILABLE PUBLICATIONS
  
Accessible on the World Wide Web
  
Print Publications
  
Studies in Bibliography
  
Other Society Publications
  
WINNERS OF THE 2008 STUDENT AWARDS IN BOOK COLLECTING
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Jesus verses (f)

[As the sermon nears its end, the preacher describes the passion as resembling a
harp like that Orpheus used in hell:]

[fol. 90] In ista autem cithera Cristus cantauit 7. dulcissimos cantus confortatio-
nis peccatorum, que fuerunt 7. uerba que locutus est in cruce. Primus cantus fuit,
'Pater, dimitte illis, quia nesciunt quid faciunt' [Luke 23:34]. In quo datur magna
consolacio peccatori, videndo clemenciam Dei, quando pro persecutoribus et
peccatoribus exorauit. Pro quibus non solum orauit in cruce, sed iugiter eis orat
in celo, vnde verum securum accessum habes homo ad Deum. Mater ostendit
filio pectus et vbera; filius ostendit patri latus et wlnera. Nulla ergo omnino po-
terit esse repulsa vbi tot concurrunt caritatis insignia:

Suer help hast thou & prest
qwer the modyr hyr sone shewyt hyr brest
80

Page 80
the sone hys fader[49] hijs blode syde
and alle hys wowndes opennyd wyde
ther no may be noo waryngge
qwer i[s] of loue so gret tokny[n]gge[50]
 
[49]

MS vader (corr. to fader) fadyr.

[50]

MS id, to knygge. On the poem and its sources, see Rosemary Woolf, The English Religious Lyric in the Middle Ages (Oxford, 1968), 34.

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