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Studies in bibliography

  
STUDIES IN BIBLIOGRAPHY
  
[title page]
  
Contents

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The Textual Criticism of Visual and Aural Works
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Work in Intangible Media
  
1. Verbal Work
  
2. Music
  
3. Dance
  
4. Film, Video, and Digital Art
  
5. Drama and Performance Art
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Work in Tangible Media
  
6. Painting, Drawing, and Calligraphy
  
7. Sculpture, Craft, and Installation Art
  
8. Architecture, Interior Design, and Gardening
  
9. Printmaking, Photography, and Book Design
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Martin Boghardt: A Memoir
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APPENDIX
  
A Selection of Martin Boghardt's Major Bibliographical Writings
  
German Printer's Manuals
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VERSES IN SERMONS AGAIN: THE CASE OF CAMBRIDGE, JESUS COLLEGE, MS QA.13
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TRANSCRIPTIONS
  
Jesus verses (a)
  
Jesus verses (b)
  
Jesus verses (c)
  
Jesus verses (d)
  
Jesus verses (e)
  
Jesus verses (f)
  
Jesus verses(g)
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ROYAL-PAPER COPIES OF ALDINE EDITIONS, 1494–1550
  
Aldine Folios with Copies on Royal Paper
  
Aldine Octavos with Copies on Royal Paper
  
Conclusion
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APPENDIX
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Royal-paper Copies of Aldine Octavo Editions
  
Library Abbreviations
  
A. Editions Published from 1514 to 1534
  
B. Editions Published between 1535 and 1550
  
WORKS CITED
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PRINTING THE FAERIE QUEENE IN 1590
  
A View of The Faerie Queene in 1590: F. R. Johnson and Yamashita et al.
  
Dedication, Vision, and Revision: The Poet in the Printing House
  
Spurning at a Dead Dog: Patronage, Politics, and Allegory
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THE SHAKESPEARIAN PAVIER QUARTOS REVISITED
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
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APPENDIXES
  
1. Sequence Tables: Watermarks by Gathering in the Plays
  
2. Summary Tables: Watermarks in Individual Plays
  
3. Summary Table: Watermarks in All Plays
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4. Copies Examined
  
Library symbols
  
Copies by title
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MARY ASTELL'S WORK TOWARD A NEW EDITION OF A SERIOUS PROPOSAL TO THE LADIES, PART II
  
What?
  
When?
  
Why?
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APPENDIX 1
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Text of A Serious Proposal to the Ladies, Part II
  
Introduction
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APPENDIX 2
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Front Pastedown
  
Introduction
  
Text
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APPENDIX 3
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First Front Free Endpaper, Recto and Verso
  
Introduction
  
Text
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APPENDIX 4
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Penultimate Rear Free Endpaper, Recto
  
Introduction
  
Text
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APPENDIX 5
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Final Rear Free Endpaper, Recto and Verso
  
Introduction
  
Text
  
WORKS CITED
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HENRY FIELDING IN CHINA
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CHINESE TRANSLATIONS OF FIELDING'S WORKS
  
By Title
  
By Date
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WHEN BOOK HISTORY NEGLECTS BIBLIOGRAPHY: TROUBLE WITH THE "OLD CANON" IN THE READING NATION
  
"Johnson's Poets" as Never Known Before
  
William Thomas Lowndes Redivivus
  
The "Old Canon"—How Sudden and How Rigid?
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AUTHORS OF THE MIND: SOME NOTES ON THE QSUM ATTRIBUTION THEORY
  
The QSUM Attribution Theory
  
Testing QSUM
  
Alternatives to Cumulative Sums
  
Some Modest Proposals
  
"TELLING IT UNABRIDGED": GRAHAM SWIFT'S REVISION OF WATERLAND

  
Notes on Contributors
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BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
OFFICERS
  
COUNCIL
  
PAST PRESIDENTS
  
BENEFACTORS FOR 2003–2004
  
PATRONS FOR 2003–2004
  
CONTRIBUTING MEMBERS FOR 2003–2004
  
SUBSCRIBING MEMBERS FOR 2003–2004
  
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AVAILABLE PUBLICATIONS
  
Accessible on the World Wide Web
  
Print Publications
  
Studies in Bibliography
  
Other Society Publications
  
WINNERS OF THE 2008 STUDENT AWARDS IN BOOK COLLECTING
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Jesus verses (e)

[In the tercium principale, the preacher relates the Good Friday Passion hour by
hour; the last two hours discussed include English verse:]

[fol. 89] Hora 6a., quando Cristus fuit cum latronibus conclauatus, cum felle et
aceto saturatus, tunc clamauit ad huc voce alciori, sic dicens generi humano,
'deficit in salutare tuum anima mea' [Ps. 118:81]:

for thy sawle sauyng
my sawle makyt hijs endyng
[the verse is cited again as a tag, fol. 89v]

Hora 9a. ita alte clamauit ista philomena quod emisit spiritum. Sed quis tunc fuit
vltimus cantus huius philomene? Certe mirabilia testimonia tua, 'ideo s[crut]ata[48]
est eo anima mea' [Ps. 118:129], quasi diceret patri:

thy wondyrful wil & wytnesse
4 my sowle hath sowht in bitturnesse,

ita in amaritudine mortis, et isto modo philomena nostra mortua est….

 
[48]

MS sanctificata.

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