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Notes

 
[1]

W. W. Greg, A Bibliography of the English Printed Drama to the Restoration, II (1939-59), Number 352 (b).

[2]

See R. B. McKerrow, "Elizabethan Printers and the Composition of Reprints," The Library, 4th Series, V (1925), 357-364.

[3]

In the remaining copies, the error has been rectified by cancelling either B3-B4 (in three copies) or B4-C1 (in three copies).

[4]

"Elizabethan Printers and the Composition of Reprints," p. 357.

[5]

Though I have managed to trace only nineteen distinctive types, these recur in the sheets with enough consistency to suggest that only one type-case was employed.

[6]

As follows (line numbers within parentheses):

"t" B1 (30) — B3v (14)
"e" B1 ( 8) — B4 (16)
"i" B4v (29) — B3v (31)

[7]

"Notes on Running-Titles as Bibliographical Evidence," The Library, 4th Series, XIX (1938), 324.

[8]

Records of the Court of the Stationers' Company, 1602 to 1640, ed. William A. Jackson (1957), pp. 158-159.

[9]

Professor Hinman considers that the "five very substantial works (in addition to a number of smaller items)" issued by Jaggard during 1621-1622 must have been enough to keep Jaggard's presses and workmen fully occupied. The Printing and Proof-Reading of the First Folio of Shakespeare, I (1963), 18.

[10]

Note that the running-title pattern (see above) shows an irregular alternation between Sheets B and C.

[11]

His habits resemble those of Compositor E in the First Folio noted by Hinman. The Printing and Proof-Reading, I, 204ff.

[12]

D. F. McKenzie, "A List of Printer's Apprentices, 1605-1640," SB, XIII (1960), 128.