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Notes

 
[1]

Montague Summers first noticed these peculiarities in The Restoration Theatre (1934), pp. 145-146. Dogget appears for Quickwit on F1, F4v, G4v, and uncorrected H1v. The warnings appear on G1 and uncorrected H1.

[2]

DFo (8.30.46), ICN, ICU, PU; Nat. Libr. Scotland.

[3]

DFo (10.21.43), DLC, IU, NNC; Bodl., Worc. Coll.

[4]

Under the title "Stubborn Church-Division," its opening line, the song was attributed to The Richmond Heiress in Thesaurus Musicus (1693), pp. 24-25. It was also printed in a revised form in four editions of Pills to Purge Melancholy.

[5]

Additional examination by courtesy of Mr. Herman R. Mead of the Huntington Library.

[6]

See also Charles Gildon, The Lives and Characters of the English Dramatick Poets (1698), p. 52.

[7]

According to Dryden the catcalls were led by the Dukes of Richmond and St. Albans.

[8]

The irregularity between the compositorial characteristics of sheet F and sheets G and H is therefore best explained not as resulting from a change in workman but instead from some alteration in his treatment of the text after resuming work following a delay.

[9]

My thanks are due the editor of Studies in Bibliography for various suggestions about the interpretation of the bibliographical evidence and for assistance in the writing of this article.