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Problems of Literary Executorship by Norman Holmes Pearson

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Establishing a Text: The Emily Dickinson Papers by Thomas H. Johnson

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The Text of the "Envoy to Alison" by Harris Chewning

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Notes on the Wynkyn de Worde Editions of the Boke of St Albans and its Separates by Eloise Pafort

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The Copy for the First Folio Richard II by Richard E. Hasker

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Compositor Determination in the First Folio King Lear by I. B. Cauthen, Jr.

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The Issues and States of the Second Folio and Milton's Epitaph on Shakespeare by William B. Todd

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I. The Order of Issues

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II. The Order of Variants in the First Issue

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III. The Size and Distribution of Issues

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IV. The Effigies Leaf

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V. Historical Associations: The Charles I Copy

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VI. Tabulation of Variants

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VII. Register of Copies

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The Text of the Spectator by Donald F. Bond

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The Preface to A Dictionary of the English Language: Johnson's Revision and the Establishment of the Text by W. R. Keast

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I. The Second Folio Edition, 1755-56

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II. The Third Folio Edition, 1765

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III. The Fourth Folio Edition, 1773

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Type Sizes in the Eighteenth Century by Philip Gaskell

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Notes on the Table

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The Pre-Publication Printings of Tarkington's Penrod by Campbell R. Coxe

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The Morgan Copy of Machlinia's Speculum Christiani Curt F. Bühler

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The Melancholy Cavalier: A Study in Seventeenth-Century Plagiarism Sarah Dickson

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The Early Editions of Dryden's State of Innocence Marion H. Hamilton

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The Pirated Quarto of Dryden's State of Innocence Fredson Bowers

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Thomas D'Urfey's Richmond Heiress (1693): A Bibliographical Study Raymond A. Biswanger, Jr.

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Variant Forms of Fielding's Coffee-House Politician Jeanne Addison Masengill

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The Case of the Planters of Tobacco in Virginia, 1733: An Extraordinary Use of Standing Type Oliver L. Steele, Jr.

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Baskerville and James Whatman A. T. Hazen

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The First Edition of Essays by Mr. Goldsmith, 1765 Arthur Friedman

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Some Notes on Edward Gibbon's Mémoire Justificatif Robert R. Rea

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Two New Works of Robert Southey Kenneth Curry

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The Printing of Jefferson's Notes, 1793-94 Coolie Verner P. J. Conkwright

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A Sheaf of Whitman Letters Walter Harding

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2.

I. (Blue-lined white paper, 8" x 5", one page)

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[letter 1]

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II. (White paper, 4" x 6", four pages; envelope addressed to Charles W. Eldridge / care Major Hapgood / Paymaster U S Army / Washington D C, postmarked Brooklyn.)

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III. (Blue-lined white paper, 8" x 5", four pages)

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IV. (White paper, unlined, with Harper's official heading, 8" x 5")

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V. (White paper, 8" x 5", one page).

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VI. (Grey paper, unlined, 9½" x 6")

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VII. (Postal card postmarked Camden, September 11, 1883, and addressed to Karl Knortz, cor Morris Avenue & 155th Street, New York City)

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VIII. (Postal card postmarked Philadelphia, June 11, 1885, and addressed to Sylvester Baxter, Outing office, 175 Tremont St., Boston, Mass.)

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IX. (White board, 4½" x 3½")

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X. (Blue-lined white paper, 10" x 7½", one page)

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XI. (Blue-lined white paper, 10" x 8", two sheets; envelope postmarked Camden, June 14, and addressed to Carl Knortz.)

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XII. (Light green paper, 10" x 8", two sheets, originally used by Ernest Rhys for his letter to Whitman of March 29, 1887).

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XIII. (Postal card, postmarked Camden June 14, and addressed to Karl Knortz.)

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XIV. (Postal card postmarked September 30, 1889, and addressed to O. O. Hemenway, Pittsfield, Illinois.)

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Addendum Ernst Kyriss

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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1951

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Part I: INCUNABULA AND EARLY RENAISSANCE, by Rudolf Hirsch

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Part II: THE LATER RENAISSANCE TO THE PRESENT, by Howell J. Heaney

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2.1.

1. Bibliographies, Check Lists, Enumeration

2.1a.

A. English and General

2.1b.

B. United States

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2.2.

2. Printing, Publishing, Bibliographical and Textual Scholarship

2.2a.

A. English and General

2.2b.

B. United States

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Notes On Contributors

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BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA

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WINNERS OF 1952 STUDENT BOOK COLLECTORS' CONTEST

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WINNERS OF THE PRINTERS' CONTEST FOR BEST PRINTING IN VIRGINIA 1951-1952

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PAPERS READ BEFORE THE SOCIETY

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CONTRIBUTING MEMBERS FOR 1952

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Jan. 20, '60

Dear Sir,

Mr. House informed me that you accepted, and would publish, my "Bardic

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Symbols." If so, would you as soon as convenient, have it placed in type, and send me the proof?

About the two lines:

(See from my dead lips the ooze exuding at last!
See the prismatic colors glistening and rolling!)

I have in view, from them, an effect in the piece which I clearly feel, but cannot as clearly define.—Though I should prefer them in, still, as I told Mr. House, I agree that you may omit them, if you decidedly wish to.

Yours & c

Walt Whitman

Portland av. near Myrtle
Brooklyn, N. Y.