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Problems of Literary Executorship by Norman Holmes Pearson

Establishing a Text: The Emily Dickinson Papers by Thomas H. Johnson

The Text of the "Envoy to Alison" by Harris Chewning

Notes on the Wynkyn de Worde Editions of the Boke of St Albans and its Separates by Eloise Pafort

The Copy for the First Folio Richard II by Richard E. Hasker

Compositor Determination in the First Folio King Lear by I. B. Cauthen, Jr.

The Issues and States of the Second Folio and Milton's Epitaph on Shakespeare by William B. Todd

The Text of the Spectator by Donald F. Bond

The Preface to A Dictionary of the English Language: Johnson's Revision and the Establishment of the Text by W. R. Keast

Type Sizes in the Eighteenth Century by Philip Gaskell

The Pre-Publication Printings of Tarkington's Penrod by Campbell R. Coxe

The Morgan Copy of Machlinia's Speculum Christiani Curt F. Bühler

The Melancholy Cavalier: A Study in Seventeenth-Century Plagiarism Sarah Dickson

The Early Editions of Dryden's State of Innocence Marion H. Hamilton

The Pirated Quarto of Dryden's State of Innocence Fredson Bowers

Thomas D'Urfey's Richmond Heiress (1693): A Bibliographical Study Raymond A. Biswanger, Jr.

Variant Forms of Fielding's Coffee-House Politician Jeanne Addison Masengill

The Case of the Planters of Tobacco in Virginia, 1733: An Extraordinary Use of Standing Type Oliver L. Steele, Jr.

Baskerville and James Whatman A. T. Hazen

The First Edition of Essays by Mr. Goldsmith, 1765 Arthur Friedman

Some Notes on Edward Gibbon's Mémoire Justificatif Robert R. Rea

Two New Works of Robert Southey Kenneth Curry

The Printing of Jefferson's Notes, 1793-94 Coolie Verner P. J. Conkwright

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A Sheaf of Whitman Letters Walter Harding

1.

2.

I. (Blue-lined white paper, 8" x 5", one page)

3.

II. (White paper, 4" x 6", four pages; envelope addressed to Charles W. Eldridge / care Major Hapgood / Paymaster U S Army / Washington D C, postmarked Brooklyn.)

4.

III. (Blue-lined white paper, 8" x 5", four pages)

5.

IV. (White paper, unlined, with Harper's official heading, 8" x 5")

6.

V. (White paper, 8" x 5", one page).

7.

VI. (Grey paper, unlined, 9½" x 6")

8.

VII. (Postal card postmarked Camden, September 11, 1883, and addressed to Karl Knortz, cor Morris Avenue & 155th Street, New York City)

9.

VIII. (Postal card postmarked Philadelphia, June 11, 1885, and addressed to Sylvester Baxter, Outing office, 175 Tremont St., Boston, Mass.)

10.

IX. (White board, 4½" x 3½")

11.

X. (Blue-lined white paper, 10" x 7½", one page)

12.

XI. (Blue-lined white paper, 10" x 8", two sheets; envelope postmarked Camden, June 14, and addressed to Carl Knortz.)

13.

XII. (Light green paper, 10" x 8", two sheets, originally used by Ernest Rhys for his letter to Whitman of March 29, 1887).

14.

XIII. (Postal card, postmarked Camden June 14, and addressed to Karl Knortz.)

15.

XIV. (Postal card postmarked September 30, 1889, and addressed to O. O. Hemenway, Pittsfield, Illinois.)

Addendum Ernst Kyriss

A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1951

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Notes

[1]

Montague Summers first noticed these peculiarities in The Restoration Theatre (1934), pp. 145-146. Dogget appears for Quickwit on F1, F4v, G4v, and uncorrected H1v. The warnings appear on G1 and uncorrected H1.

[2]

DFo (8.30.46), ICN, ICU, PU; Nat. Libr. Scotland.

[3]

DFo (10.21.43), DLC, IU, NNC; Bodl., Worc. Coll.

[4]

Under the title "Stubborn Church-Division," its opening line, the song was attributed to The Richmond Heiress in Thesaurus Musicus (1693), pp. 24-25. It was also printed in a revised form in four editions of Pills to Purge Melancholy.

[5]

Additional examination by courtesy of Mr. Herman R. Mead of the Huntington Library.

[6]

See also Charles Gildon, The Lives and Characters of the English Dramatick Poets (1698), p. 52.

[7]

According to Dryden the catcalls were led by the Dukes of Richmond and St. Albans.

[8]

The irregularity between the compositorial characteristics of sheet F and sheets G and H is therefore best explained not as resulting from a change in workman but instead from some alteration in his treatment of the text after resuming work following a delay.

[9]

My thanks are due the editor of Studies in Bibliography for various suggestions about the interpretation of the bibliographical evidence and for assistance in the writing of this article.