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Studies in bibliography
STUDIES IN BIBLIOGRAPHY
[title page]
Contents
Tanselle's "Editing without a Copy-Text": Genesis, Issues, Prospects
I.
I
II.
II
III.
III
IV.
IV
V.
V
Dust-Jackets, Dealers, and Documentation
I.
I
II.
II
III.
III
IV.
IV
ACKNOWLEDGMENTS
A LIST OF PRE-1891 EXAMPLES OF BRITISH AND AMERICAN PUBLISHERS' PRINTED BOOK-JACKETS, SLIP-CASES, AND OTHER DETACHABLE COVERINGS
Approximate Dates
INDEX TO THE LIST
1.
(1) Authors, Editors, Illustrators, Translators
2.
(2) Publishers and Series
British (London)
British (other than London)
American (New York)
American (other than New York)
3.
(3) Libraries
4.
(4) Collectors
5.
(5) Dealers and Auction Houses
6.
(6) Scholars
HISTORIOGRAPHICAL PROBLEMS AND POSSIBILITIES IN BOOK HISTORY AND NATIONAL HISTORIES OF THE BOOK
1.
1. The Interdisciplinary Nature of Book History
2.
2. Periodization
3.
3. Boundaries
4.
4. The Sociology of Texts
5.
5. The Role of Bibliography in Book History
6.
6. Understanding What the Gaps in Our Knowledge Might Mean
7.
7. The De Facto Culture of Intellectual Property
8.
8. Some Problems Involved in Reading as a Subject of Book History
9.
9. Numbers
10.
10. Producing a Printed History and Considering Its Use and Readership
HOW TO READ BOOK HISTORY
I.
I
II.
II
1.
1. Surveying what exists
2.
2. Describing, and learning from, physical details
3.
3. Using external records
4.
4. Thinking clearly about bibliographical evidence
5.
5. Defining the field
6.
6. Interpreting variant physical features
7.
7. Recognizing the cultural values inherent in design elements
8.
8. Discovering book producers' intentions
9.
9. Assessing the responses of readers
10.
10. Preserving the artifacts
BIBLIOGRAPHICAL ASPECTS OF ITALIAN PRINTED MUSIC OF THE SIXTEENTH AND SEVENTEENTH CENTURIES
I.
I. Signatures
Normal Patterns
Added Material
Miscalculations
Unsigned Gatherings
Diverse Styles in the Same Edition
Deliberate Repetition
Continuo Parts
Anomalous Signings
Faulty Signings
II.
II. Pagination and Piece Numbering
PAPER MAKING IN SEVENTEENTH-CENTURY GENOA: THE ACCOUNT OF GIOVANNI DOMENICO PERI (1651)
Giovanni Domenico Peri, I frutti d'Albaro (Genova: Giovanni Maria Farroni, 1651)
From Chapter XIV (pp. 63-71), "Mill for making writing paper"
Annual Agreement with the Master of the Mill
From Chapter XIV (pp. 63-71), "Fabrica della carta da scrivere"
Concerto col Maestro dell'Edifitio annualmente
THE DISSEMINATION OF SHAKESPEARE'S PLAYS CIRCA 1714
Were Shakespeare's Plays Separately Published in 1714?
The Price of the Tonson Editions
Mears's Advertisement of 1715
NEW LIGHT ON JOHN HOADLY AND HIS `POEMS SET TO MUSIC BY DR. GREENE'
WATERMARKS AND THE DETERMINATION OF FORMAT IN BRITISH PAPER, 1794-CIRCA 1830
I.
I
II.
II
COOPER AND HIS COLLABORATORS: RECOVERING COOPER'S FINAL INTENTIONS FOR HIS FICTION
Cooper and His Copyists
Cooper and His Printers
Cooper and John Fagan
Conclusion: What Cooper Intended His Collaborators To Do
APPENDIX
Notes on Contributors
BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
OFFICERS
COUNCIL
PAST PRESIDENTS
BENEFACTORS FOR 2002
PATRONS FOR 2002
CONTRIBUTING MEMBERS FOR 2002
Individuals
Institutions
STUDENT MEMBERS FOR 2002
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Studies in bibliography
