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Studies in bibliography

  
STUDIES IN BIBLIOGRAPHY
  
[title page]
  
Contents

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Tanselle's "Editing without a Copy-Text": Genesis, Issues, Prospects
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
 V. 
V
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Dust-Jackets, Dealers, and Documentation
 I. 
I
 II. 
II
 III. 
III
 IV. 
IV
  
ACKNOWLEDGMENTS
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A LIST OF PRE-1891 EXAMPLES OF BRITISH AND AMERICAN PUBLISHERS' PRINTED BOOK-JACKETS, SLIP-CASES, AND OTHER DETACHABLE COVERINGS
  
Approximate Dates
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INDEX TO THE LIST
 1. 
(1) Authors, Editors, Illustrators, Translators
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(2) Publishers and Series
  
British (London)
  
British (other than London)
  
American (New York)
  
American (other than New York)
 3. 
(3) Libraries
 4. 
(4) Collectors
 5. 
(5) Dealers and Auction Houses
 6. 
(6) Scholars
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HISTORIOGRAPHICAL PROBLEMS AND POSSIBILITIES IN BOOK HISTORY AND NATIONAL HISTORIES OF THE BOOK
 1. 
1. The Interdisciplinary Nature of Book History
 2. 
2. Periodization
 3. 
3. Boundaries
 4. 
4. The Sociology of Texts
 5. 
5. The Role of Bibliography in Book History
 6. 
6. Understanding What the Gaps in Our Knowledge Might Mean
 7. 
7. The De Facto Culture of Intellectual Property
 8. 
8. Some Problems Involved in Reading as a Subject of Book History
 9. 
9. Numbers
 10. 
10. Producing a Printed History and Considering Its Use and Readership
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HOW TO READ BOOK HISTORY
 I. 
I
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II
 1. 
1. Surveying what exists
 2. 
2. Describing, and learning from, physical details
 3. 
3. Using external records
 4. 
4. Thinking clearly about bibliographical evidence
 5. 
5. Defining the field
 6. 
6. Interpreting variant physical features
 7. 
7. Recognizing the cultural values inherent in design elements
 8. 
8. Discovering book producers' intentions
 9. 
9. Assessing the responses of readers
 10. 
10. Preserving the artifacts
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BIBLIOGRAPHICAL ASPECTS OF ITALIAN PRINTED MUSIC OF THE SIXTEENTH AND SEVENTEENTH CENTURIES
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I. Signatures
  
Normal Patterns
  
Added Material
  
Miscalculations
  
Unsigned Gatherings
  
Diverse Styles in the Same Edition
  
Deliberate Repetition
  
Continuo Parts
  
Anomalous Signings
  
Faulty Signings
 II. 
II. Pagination and Piece Numbering
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PAPER MAKING IN SEVENTEENTH-CENTURY GENOA: THE ACCOUNT OF GIOVANNI DOMENICO PERI (1651)
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Giovanni Domenico Peri, I frutti d'Albaro (Genova: Giovanni Maria Farroni, 1651)
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From Chapter XIV (pp. 63-71), "Mill for making writing paper"
  
Annual Agreement with the Master of the Mill
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From Chapter XIV (pp. 63-71), "Fabrica della carta da scrivere"
  
Concerto col Maestro dell'Edifitio annualmente
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THE DISSEMINATION OF SHAKESPEARE'S PLAYS CIRCA 1714
  
Were Shakespeare's Plays Separately Published in 1714?
  
The Price of the Tonson Editions
  
Mears's Advertisement of 1715
  
NEW LIGHT ON JOHN HOADLY AND HIS `POEMS SET TO MUSIC BY DR. GREENE'
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WATERMARKS AND THE DETERMINATION OF FORMAT IN BRITISH PAPER, 1794-CIRCA 1830
 I. 
I
 II. 
II
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COOPER AND HIS COLLABORATORS: RECOVERING COOPER'S FINAL INTENTIONS FOR HIS FICTION
  
Cooper and His Copyists
  
Cooper and His Printers
  
Cooper and John Fagan
  
Conclusion: What Cooper Intended His Collaborators To Do
  
APPENDIX

  
Notes on Contributors
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BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA
  
OFFICERS
  
COUNCIL
  
PAST PRESIDENTS
  
BENEFACTORS FOR 2002
  
PATRONS FOR 2002
  
CONTRIBUTING MEMBERS FOR 2002
  
Individuals
  
Institutions
  
STUDENT MEMBERS FOR 2002
  
Accessible on the World Wide Web
  
Print Publications
  
Studies in Bibliography
  
Other Society Publications
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British (other than London)

Allbut & Daniel (Hanley), 87.1

Black, Adam & Charles (Edinburgh), 85.7,
86.2, 87.5, 90.3

Blackwood (Edinburgh), 61.1

Clarendon Press (Oxford), 84.4, 88.6, 89.7

Douglas, David (Edinburgh), 78.3

Galt (Manchester), 57.2

Lovejoy's Library (Reading), 87.13

Oliphant, Anderson & Ferrier (Edinburgh),
84.16

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