BIBLIOGRAPHY
The most important though indirect contribution to the
history of the
classification of the arts is: P. O. Kristeller,
“The Modern
System of the Arts: A Study in the History
of Aesthetics,”
Journal of the History of Ideas,
12, 4 (1951),
496-527, and 13, 1 (1952), 17-46. W. Tatarkiewicz dealt
with the subject in
The History of Aesthetics, 3 vols. (Polish
ed., Wroclaw, 1960-67; English ed., The Hague, 1970);
idem,
“Art and Poetry, a Contribution to the History of
Ancient
Aesthetics,” Studia Philosophica,
2 (1939); idem,
“Classification of the
Arts in Antiquity,” Journal of the
History
of Ideas,
24, 2 (1963), 231-40.
Classical and medieval sources are: Radulphus Ardens,
in M. Grabmann,
Geschichte der scholastischen
Methode,
(1909), 1, 254. Aristotle, Poetics, passim, and Physica, 199a
15. Bekker,
Anecdota Graeca, II,
654 (670). Cicero,
De
oratore, III, 7,
26. Galen,
Protrepticus, 14, (Marquardt, 129).
Isocrates,
Panegiricus, 40. Plato,
Republic, 601D;
Sophist, 219A, 235D.
Plotinus,
Enneads, IV, 4, 31; V, 9, 11. Quin-
tilian,
Institutio oratoria, II, 18, 1. Hugh of Saint Victor,
Didascalicon, II, in Migne, 176, cols. 751, 760. Seneca,
Epistolae, 88, 21.
References for modern classification of the arts: C. Bat-
teux, Les beaux arts
réduits à un seul principe (1747). F.
Blondel, Cours d'architecture (1675), pp. 169,
783. G. P.
Capriano, De vera poetica
(1555). L. Castelvetro, Poetica
d'Aristotele
vulgarizzata (1570); Correzione d'alcune
cose del
dialogo della lingua de B. Varchi (1572), p. 72.
V. Danti,
Trattato della perfetta proporzione, (1567),
in P. Barocchi,
Trattati d'arte del Cinquecento, Vol. 1 (Bari,
1960).
D'Alembert, Oeuvres (1853), p. 99. M.
Dessoir, Ästhetik und
allgemeine
Kunstwissenschaft (Stuttgart, 1906). M. Ficino,
Commentarium in Convivium (1561). J. W. Goethe,
review
of Sulzer's paper, Werke, (Weimar, 1896),
37, 206. J. Harris,
Three Treatises (1744), p. 25. G. W. F. Hegel,
“Vorlesungen
über die
Ästhetik,” Heidelberg Lectures,
1818-29 (East
Berlin, 1955). J. Hippisley, The Polite Arts or a Dissertation
on Poetry, Painting, Musick,
Architecture, and Eloquence
(London, 1749), Ch. 2. I. Kant,
Kritik der Urteilskraft (1790),
p.
51. G. Manetti, De dignitate et excellentia
hominis, (1532),
3, 131. M. Mendelssohn, Betrachtungen über die Quellen
der schönen
Künste und Wissenschaften (1757). F. Menes-
trier, Philosophie des images (1683). A. Poliziano,
Panepiste-
mon
(1491). J. G. Sulzer, Allgemeine Theorie der
schönen
Künste (1771, 1774). 
E 
.
Tesauro, Canocchiale aristotelico
(1655),
p. 74. B. Varchi, Della maggioranza delle Arti
(1549),
reprinted in P. Barocchi, Trattati d'arte
del Cinquecento, Vol.
1 (Bari, 1960). C. Vasari, Le vite, ed. G. Milanesi (Florence,
1878,
1906), 1, 168. G. B. Vico, Scienza nuova
(1744), p.
25. B. Weinberg, A History of Literary
Criticism in the
Italian Renaissance (Chicago, 1961), contains
important
references on the sixteenth century.
W. TATARKIEWICZ
[See also Classicism in Literature;
Classification of
the
Sciences; Education; Mimesis;
Music and
Science; Music
as a Divine Art; Naturalism in Art; Platonism;
Renaissance
Humanism; Rhetoric;
Style;
Ut pictura poesis.]
