| Allegory in Literary History | Demonology |
| Ambiguity as Aesthetic Principle | Evolution of Literature |
| Ancients and Moderns in the Eighteenth Century | Expressionism in Literature |
| Art and Play | Form in the History of Aesthetics |
| Art for Art's Sake | Genius from the Renaissance to 1770 |
| Baroque in Literature | Genius: Individualism in Art and Artists |
| Theories of Beauty to the Mid-Nineteenth Century | Musical Genius |
| Theories of Beauty since the Mid-Nineteenth Century | Concept of Gothic |
| Catharsis | Harmony or Rapture in Music |
| Chance Images | Iconography |
| Classicism in Literature | Impressionism in Art |
| Classification of the Arts | Irony |
| Sense of the Comic | Literature and Its Cognates |
| Creativity in Art | Literary Paradox |
| Literary Criticism | Millenarianism |
| Mimesis | Periodization in Literary History |
| Motif | Rhetoric and Literary Theory in Platonism |
| Motif in Literature; The Faust Theme | Poetry and Poetics from Antiquity to the Mid-Eighteenth Century |
| Literary Attitudes Toward Mountains | Realism in Literature Music and Science |
| Music as a Demonic Art | Rhetoric after Plato |
| Music as a Divine Art | Romanticism in Literature |
| Myth in Antiquity | Romanticism (ca. 1780-ca. 1830) |
| Myth in Biblical Times | Satire |
| Myth in the Middle Ages and the Renaissance | Victorian Sensibility and Sentiment |
| Myth in English Literature: Seventeenth and Eighteenth Centuries | Style in Literature |
| Sublime in External Nature |
| Myth in the Eighteenth and Early Nineteenth Centuries | Symbol and Symbolism in Literature |
| Myth in the Nineteenth and Twentieth Centuries | Taste in the History of Aesthetics from the Renaissance to 1770 |
| Naturalism in Art | Temperance (Sōphrosynē) and the Canon of the Cardinal Virtues |
| Neo-Classicism in Art | Sense of the Tragic |
| Newton's Opticks and Eighteenth-Century Imagination | Ut pictura poesis |
