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A. English and General
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A. English and General

  • ADRIAN, A. A., Mark Lemon: The First Editor of “Punch,” Oxford Univ. Press, 1966. xiv, 241 p. 8 pl.[1890]
  • ALLEN, R. R., Variant Readings in Johnson's “London,” PBSA , 60:214-15.[1891]
  • ALSPACH, R. K., and ALSPACH, C. C., The Variorum Edition of the Plays of W. B. Yeats , Macmillan, 1966. xxv, 1336 p.[1892]
  • ALSTON, R. C., Bibliography and Historical Linguistics, Library , 5th ser., 21:182-91.[1893]
  • AVIS, F. C., Type Face Terminology , London, F. C. Avis, 1965. 52 p.[1894]
  • BARBER, GILES, Parisian Binding Prices in 1649, Book Collector , 15:210.[1895]

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  • BARBER, GILES, Les Reliures vernis sans odeur, Book Collector , 15:351-52.(Supplements C 1469.)[1896]
  • BARNES, J. J., Edward Lytton Bulwer and the Publishing Firm of Harper & Brothers, AL , 38:35-48.[1897]
  • BARTLETT, PHYLLIS, A Manuscript of Meredith's “Modern Love” Yale Univ. Libr. Gazette , 40:185-87.[1898]
  • BASANOFF, ANNE, Itinerario della carta dall'oriente al'occidente e sua diffusione Europa , Milan, Il Polifilo, 1965. 94 p., 14 pl., folding map.(Documenti Sulle Arti del Libro, IV.)[1899]
  • BEER, GILLIAN, Meredith's Contributions to “The Pall Mall Gazette,” MLR , 61:395-400.[1900]
  • BILL, GEOFFREY, Lambeth Palace Library, Library , 5th ser., 21:192-206.[1901]
  • BINGLEY, CLIVE, Book Publishing Practice , Hamden, Connecticut, Archon Books, 1966. viii, 104 p.[1902]
  • BISHOP, O. B., The First Printing Press in Canada, 1751-1800, In David Kaser, ed., Books in America's Past , Univ. Press of Virginia for the Bibl. Soc. of the Univ. of Va., 1966, pp. 130-48.(Established at Halifax, Nova Scotia by John Bushell and continued by Anthony Henry.)[1903]
  • BLAKE, ROBERT, The Dating of [Disraeli's] Endymion, R.E.S. , n.s., 17:177-82.[1904]
  • BOND, W. H., The Houghton Library's vernis Binding, Book Collector , 15:352.(Supplements C1469)[1905]
  • BOND, W. H., W. A. Jackson's Dibdin: A Revised Entry, Book Collector , 15:352-53.(Corrects C1369)[1906]
  • BOWERS, FREDSON, Bibliography and Modern Librarianship , Univ. of California, 1966. 27 p.[1907]
  • BOWERS, FREDSON, The Dramatic Works in the Beaumont and Fletcher Canon , Cambridge, At the Univ. Press, 1966. xxv, 669 p.(Including plays edited, with textual introductions, by Cyrus Hoy, Fredson Bowers, G. W. Williams, I. B. Cauthen, R. K. Turner, and L. A. Beaurline.)[1908]
  • BOWERS, FREDSON, On Editing Shakespeare , Univ. Press of Virginia, [1966]. ix, 210 p.[1909]
  • BROWN, ARTHUR, The Great Variety of Readers, SS , 18(1905):11-22.(The publication of Shakespeare from the quartos to the Penguin edition.)[1910]
  • BROWN, T. J., Francis Bacon, 1561-1626 (English Scientific Autographs, VIII), Book Collector , 15:185.[1911]
  • BROWN, T. J., James Watt, 1736-1819 (English Scientific Autographs, VII), Book Collector , 15:47.[1912]
  • BUCHANAN-BROWN, JOHN, The First Publication of Abraham Woodhead's Translation of St. Teresa, Library , 5th ser., 21:234-40.[1913]
  • BUTLER, W. S., The Nakaz of Catherine the Great, Amer. Book Collector , 16:5:19-21.[1914]
  • CARNIE, R. H., Scottish Printers and Booksellers, 1668-1775: A Study of Source-Material, Bibliotheck , 4:213-27.[1915]
  • CARTER, HARRY, Caslon Punches: An Interim Note, Jour. Printing Historical Soc. , 1:68-70.[1916]
  • CARTER, HARRY, and VERVLIET, H. D. L., Civilité Types , Oxford, Univ. Press for the Oxford Bibl. Soc., 1966. xiv, 138 p.(Publns., n.s., 14.)[1917]
  • CARTER, JOHN, ABC for Book-Collectors, repr. with cors., London, Rupert Hart-Davis, 1966. 208 p.[1918]
  • CARTER, JOHN, The Iniquity of Oblivion Foil'd (Collector's Piece II) [Sir Thomas Browne's Hydriotaphia (Urne Buriall) . . . [together with] the Garden of Cyrus], Book Collector , 15:279-82.[1919]
  • CAVANAUGH, Sister J. C., The Library of Lady Southwell and Captain Sibthorpe, SB , 20:243-54.[1920]
  • CHRISTOPHERS, R. A., George Abbot, Archbishop of Canterbury, 1562-1633 , Univ. Press of Virginia for Bibl. Soc. of the Univ. of Va., 1966. xxiv, 211 p.[1921]
  • COLBY, VINETA, and COLBY, R. A., The Equivocal Virtue: Mrs. Oliphant and the Literary Market Place , Hamden, Connecticut, Archon, 1966. xiv, 281 p.[1922]
  • COPE, ZACHARY, Who Was Sophia Sentiment? Was She Jane Austen? Book Collector , 15:143-51.[1923]
  • DAWSON, G. E., and KENNEDYSKIPTON, LAETITIA, Elizabethan Handwriting, 1500-1650 , New York, Norton, 1966. 130 p.[1924]

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  • DAY, KENNETH, ed., Book Typography, 1815-1965, in Europe and the United States of America , Chicago, Univ. of Chicago Press, 1966. xxiii, 401 p. 192 pl.(Contributors: F. Baudin, G. Blanchard, M. Vox, G. K. Schauer, Miss P. M. Handover, F. Riva, G. W. Ovink, and James Wells.)[1925]
  • DEARDEN, J. S., John Ruskin, the Collector, wtih a Catalogue of the Illuminated Manuscripts formerly in his Collection, Library , 5th ser., 21:124-54.[1926]
  • DEARING, V. A., The Poor Man's Mark IV or Ersatz Hinman Collator, PBSA , 60:149-58.[1927]
  • DEARING, V. A., Some Routines for Textual Criticism, Library , 5th ser., 21:309-17.[1928]
  • DEVAL, LAURIE, The Bibliography of Beatrix Potter, Book Collector , 15:454-59.[1929]
  • DONOVAN, D. G., A Note on the Text of “The Anatomy of Melancholy,” PBSA , 60:85-86.[1930]
  • DONOVAN, D. G., Two Corrected-Forme Readings in the 1632 The Anatomy of Melancholy , Book Collector , 15:353-54.[1931]
  • DOYLE, ANNE, Dryden's Authorship of Notes and Observations on the Empress of Morocco (1674), Studies in English Literature, 1500-1900 , 6:421-45.[1932]
  • DUDIN, R. M., Arte del legatore e doratore di libri , Milano, Edizioni Il Polifilo, 1964. 122 p.(Documenti sulle arti de libro. Collezione promosa dalla Cartiera Ventura III.)[1933]
  • DUMAS, D. G., Things As They Were: The Original Ending of Caleb Williams , Studies in English Literature, 1500-1900 , 6:575-97.[1904]
  • EAVES, T. C. D., and KIMPEL, B. D., Richardson's Revisions of Pamela , SB , 20:61-88.[1935]
  • EICHHOLZ, J. P., William Kent's Career as Literary Illustrator, BNYPL , 70:620-46.[1936]
  • ERDMAN, D. V., and FOGEL, E. G., editors, Evidence for Authorship: Essays on Problems of Attribution , Cornell Univ. Press, 1966. 559 p.[1937]
  • ERSKINE-HILL, HOWARD, Alexander Pope at Fifteen: A New Manuscript, R.E.S. , 17:268-77.[1938]
  • EVANS, G. B., New Evidence on the Provenance of the Padua Prompt-Books of Shakespeare's Macbeth, Measure for Measure, and Winter's Tale , SB , 20:239-42.[1939]
  • EVANS, G. B., Shakespearean Prompt-Books of the Seventeenth Century. Volume IV . . . The Smock Alley Hamlet , Univ. Press of Virginia for the Bibl. Soc. of the Univ. of Va., 1966. 48; 32 p.[1940]
  • EWING, D. C., A Note on Mary Russell Mitford's “Belford Regis,” PBSA , 60:473.[1941]
  • FAWCETT, TREVOR, Nature Printing [by Richard Cockle Lucas], Library , 5th ser., 21:331.(Supplements Wakeman, C2056 here.)[1942]
  • FIRTH, JOHN, Harriet Weaver's Letters to James Joyce, 1915-1920, SB , 20:151-88.[1943]
  • FLEEMAN, J. D., A Critical Study of the Collected Works of Samuel Johnson Published between the Years 1787 and 1825 , Doctoral dissertation, Univ. of Oxford, 1965.(From Bibl. in Britain, 1965 .)[1944]
  • FRENCH, H. D., A Slashed Copy of Reliques of Robert Burns in the Wellesley College Library, Book Collector , 15:67-68.[1945]
  • FULLER, John, A New Epilogue by Pope?, R.E.S. , n.s., 17:409-13.(To John Gay's The Wife of Bath.)[1946]
  • GERSON, J. H. C., The 1796 Edition of Walpole's Anecdotes: A Fifth Vol- Book Collector , 15:484.[1947]
  • GLICKMAN, R. J., and STAALMAN, G. J., Manual for the Printing of Literary Texts and Concordance by Computer , prelim. ed., Univ. of Toronto Press, 1966. 115 p.[1948]
  • GOLDSCHMIDT, E. P., The Printed Book of the Renaissance , 2d ed., with corrs., Amsterdam, Israel, 1966. ix, 93 p.[1949]
  • GOLDSTEIN, L. M., The Pepys Ballads, Library , 5th ser., 21:282-92.[1950]
  • GREEN, D. B., An Early Reprinting of Three Poems from Keat's 1820 Volume, PBSA , 60:363.[1951]
  • GRUNDER, H. D., Early Law Printing and Publishing in England, with Special Reference to the Year Books and the Year Book Abridgements , Thesis, Univ. of Chicago, 1965.[1952]

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  • GULICK, S. L., Issued in Parts: The Seventh Edition of Chesterfield's “Letters to His Son,” PBSA , 60:159-65.[1953]
  • HABER, T. B., The Making of “A Shropshire Lad”: A Manuscript Variorum , Seattle, Univ. of Washington Press, 1966. xi, 322 p.[1954]
  • HART, HORACE, Charles Earl Stanhope and the Oxford University Press , London, Printing Historical Society, 1966. 365-412, xxxiii p.(Publication No. 2.) (Reprinted from Collectanea III, 1896, with notes by James Mosley.)[1955]
  • HENNING, STANDISH, The Printer of Romeo and Juliet, Q 1, PSBA , 60:363-64.[1956]
  • HERNLUND, PATRICIA, William Strahan's Ledgers: Standard Charges for Printing, 1738-1785, SB , 20:89-111.[1957]
  • HEYWORTH, P. L., The Composition of Milton's At a Solemn Musick , BNYPL , 70:450-58.[1958]
  • HÖLTGEN, K. J., and HORDEN, JOHN, Arthur Warwick (1603/4-1633): the Author of Spare minutes , Library , 5th ser., 21:223-30.[1959]
  • HOFFMANN, C. G., Ford's Manuscript Revisions of The Good Soldier , English Literature in Transition , 9:3:145-52.[1960]
  • HOLLANDER, R. B., Jr., A Textual and Bibliographical Study of the Poems of Edwin Muir , Doctoral dissertation, Columbia University, 1962.[1961]
  • HOWARD, W. J., Dr. Johnson on Abridgment—a Re-examination, PBSA , 60:215-19.[1962]
  • HOWARD-HILL, T. H., Knight, Crane, and the Copy for the Folio “Winter's Tale,” N & Q , n.s., 13:139-40.[1963]
  • JACKSON, MacD. P., “Henry V,” III. vi.181: an Emendation, N & Q , n.s., 13:133-34.[1964]
  • JUEL-JENSEN, BENT, Michael Drayton and William Drummond of Hawthornden: A Lost Autograph Letter Rediscovered, Library , 5th ser., 21:328-30.[1965]
  • JUEL-JENSEN, BENT, The 1628 Edition of John Earle's Micro-Cosmographie , Library , 5th ser., 21:231-34.[1966]
  • KABLE, W. S., The Influence of Justification on Spelling in Jaggard's Compositor B, SB , 20:235-39.[1967]
  • KAUFMAN, PAUL, The Westminster Library: History and Mystery, Library , 5th ser., 21:240-45.[1968]
  • KEYNES, G. L., On Editing Blake, In English Studies Today , 3d ser., Edinburgh, Univ. Press, 1964, pp. 137-53.[1969]
  • KEYNES, G. L., A Study of the Illuminated Books of William Blake , London, Methuen, 1965. 89 p. Ltd. ed., London, Trianon Press, [1964].[1970]
  • KINSLEY, JAMES, Burns and the Merry Muses , Renaissance and Modern Studies , 9 (1965):5-21.[1971]
  • KINSER, SAMUEL, The Sunderland Copy of Jacques-Auguste de Thou's History of His Time , Book Collector , 15:446-53.[1972]
  • KLEPIKOV, S. A., Historical Notes on Ukrainian Bookbinding, Book Collector , 15:135-42.[1973]
  • KRAMER, DALE, Two “New” Texts of Thomas Hardy's The Woodlanders , SB , 20:135-50.[1974]
  • LATHAM, JACQUELINE, The Origin of “Mrs. Dalloway,” N & Q , n.s., 13:98-99.[1975]
  • LOVE, H. H. R., The Authorship of the Postscript of “Notes and Observations on the Empress of Morocco,” N & Q , n.s., 13:27-28.[1976]
  • LUCKOMBE, PHILIP, The History of the Art of Printing , 1771, London, Gregg Press, vi, 606 p.(English Bibl. Sources, Ser. 3: Printers' Manuals, 3.)[1977]
  • McKENZIE, D. F., The Cambridge University Press, 1696-1712 , Cambridge Univ. Press, 1966. 2 vols. xv, 432; ix 381 p.[1978]
  • MARKEN, J. W., William Goodwin's History of the United Provinces, PQ , 45:379-86.[1979]
  • MARKS, C. L., Traherne's Church's Year-Book, PBSA , 60:31-72.[1980]
  • MARTIN, C. G., Coleridge's Lines to Thelwall: A Corrected Text and a First Version, SB , 20:254-57.[1981]
  • MONTEIRO, GEORGE, Unrecorded Variants in Two Yeats Poems, PBSA , 60:367-68.[1982]

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  • MORAN, JAMES, A Condensed History of The Relief Printing Press, Black Art , 3(1964/65):34-61.[1983]
  • MORAN, JAMES, Thomas J .Wise and His Printers, Black Art , 3 (1964/65):67-80.[1984]
  • MORGAN, PAUL, An Addendum [To W. B. Todd, London Printers' Imprints, 1800-1840, C2046 here]: English Provincial Imprints, 1799-1869, Library , 5th ser., 21:60-62.[1985]
  • MORRIS, J., A Note on the First Stereotyping in England, Jour. Printing Historical Soc. , 1:97-98.[1986]
  • MOSLEY, JAMES, An Introduction to Pierre Simon Fournier's Modéles des caracteres de l'imprimerie , London, Eugrammia Press, 1965. 20 p., 6 pl.[1987]
  • MUIR, KENNETH, The Text of Othello, Shakespeare Studies , 1 (1965):227-39.[1988]
  • NEVILLE, R. G., Macquer's Dictionnaire de chymie, 1766, Book Collector , 15:484-85.[1989]
  • NIXON, H. M., An Adam Binding, 1764 (English Bookbindings, LVII), Book Collector , 15:184.[1990]
  • NIXON, H. M., A Guild of Women-Binders Binding c. 1903 (English Bookbindings, LVI), Book Collector , 15:46.[1991]
  • NIXON, H. M., Harleian Bindings by Chapman, 1721 (English Bookbindings, LVIII), Book Collector , 15:321-22.[1992]
  • NIXON, H. M., A London Panel-Stamped Binding, c. 1530, Rebacked for James West, c. 1755 (English Bookbindings, LIX), Book Collector , 15:460.[1993]
  • NORTON, J. E., The Post Office London Directory, Library , 5th ser., 21:293-99.[1994]
  • NOTOPOULOS, J. A., New Texts of Shelley's Palto, Keats-Shelley Jour. , 15:99-115.[1995]
  • NOWELL-SMITH, SIMON, An Early Work of R. B. Buchanan, Bibliotheck , 4:249.[1996]
  • NOWELL-SMITH, SIMON, Firma Tauchnitz, 1837-1900, Book Collector , 15:423-36.[1997]
  • NOWELL-SMITH, SIMON, First Editions, English and American, Library , 5th ser., 21:68[1998]
  • NOWELL-SMITH, SIMON, The Printing of George Meredith's The Amazing Marriage , Library , 5th ser. 21:300-308.[1999]
  • OASTLER, C. L., John Day, the Elizabethan Printer, Thesis, Univ. of Oxford, 1965.(From Bibl. in Britain, 1965 .)[2000]
  • OSBORN, J. M., New Poems by Sir John Denham, TLS , September 1, 1966, p. 788.[2001]
  • PADEN, W. D., and ZUTHER, G. H. W., Blake's Jerusalem, Plate 28, a Further Correction, N & Q , May, 1965, pp. 182-83.[2002]
  • PARKS, STEPHEN, Justice to William Creech, PBSA , 60:453-64.[2003]
  • PARSONS, C. O., Chapbook Versions of the Waverly Novels, Studies in Scottish Literature , 3:189-220.[2004]
  • PERRIN, NOEL, The Real Bowdler, N & Q , n.s., 13:141-42.(Work begun by Miss Henrietta Bowdler, sister of Thomas Bowdler.)[2005]
  • PINNEY, THOMAS, More Leaves from George Eliot's Notebook, HLQ , 29:353-76[2005a]
  • PLANT, MARJORIE, The English Book Trade, An Economic History , 2d rev. ed., London, Allen, 1965. 500 p.[2006]
  • POOLE, H. E., New Music Types: Invention in the Eighteenth Century, Jour. Printing Historical Soc. , 1:21-38.[2007]
  • POTTLE, F. A., An Important Addition to Yale's Wordsworth-Coleridge Collection, Yale Univ. Libr. Gazette , 41:45-59.(Duplicate of the second volume of the printer's copy for Lyrical Ballards, 1802.)[2008]
  • POWELL, E. G., The Manuscript of Swinburne's “Off Shore,” Libr. Chron. of the Univ. of Texas , 8:2:9-22.[2009]
  • PRICE, CECIL, The Larpent Manuscript of St. Patrick's Day, HLQ , 29:183-89.[2010]
  • PRICE, G. R., Dividing the Copy for [Middleton's] Michaelmas Term , PBSA , 60:327-36.[2011]
  • QUINN, D. B., and SKELTON, R. A., “Introduction,” lx p., to Richard Hakluyt, The Principall Navigations , London, 1589, Cambridge, For the Hakluyt Soc. and the Peabody Museum of Salem, 1965. 2 v.[2012]
  • REES, JOAN, Fulke Greville and the Revisions of Arcadia , R.E.S. , n.s., 17:54-57.[2013]

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  • RICE, H. C., Jr., A Manuscript of Kipling's “The Light That Failed,” PULC , 27:125-30.[2014]
  • RIEMER, A. P., Shirley's Revisions and the Date of The Constant Maid , R.E.S. , n.s., 17:141-48.[2015]
  • ROBERTS, SYDNEY, Adventures with Authors , Cambridge, At the Univ. Press, 1966. 276 p.[2016]
  • ROBERTSON, JEAN, Sidney and Bandello, Library , 5th ser., 21:326-28.[2017]
  • ROGERS, F. M., Separated Jesuit Letters, PBSA , 60:91-99.[2018]
  • SANDERSON, J. L., Epigrames P[er] B[enjamin] R[udyerd] and Some More “Stolen Feathers” of Henry Parrot, R.E.S. , n.s., 17:241-55.[2019]
  • SCHOENBAUM, S., Internal Evidence and Elizabethan Dramatic Authorship , Evanston, Northwestern Univ. Press, 1966. xx, 281 p.[2020]
  • SCHULZ, H. C., A Middle English Manuscript Used as Printer's Copy, HLQ , 29:325-36.(The Prick of Conscience and STC 3360.)[2021]
  • SCHWEIK, R. C., The “Duplicate” Manuscript of Hardy's “Two on a Tower”: A Correction and a Comment, PBSA , 60:219-21.[2022]
  • SCHWEIK, R. C., An Error in the Text of Hardy's Far From the Madding Crowd , Colby Libr. Quart. , 7:269.[2023]
  • SCHWEITZER, JOAN, The Chapter Numbering in Oliver Twist , PBSA , 60:337-43.[2024]
  • SCHWOERER, L. G., Chronology and Authorship of the Standing Army Tracts, 1697-1699, N & B , n.s., 13:382-90.[2025]
  • SERONSY, C. C., Another Huntington Manuscript of the Sidney Psalms, HLQ , 29: 109-116.[2026]
  • SHAWCROSS, J. T., Milton's “Tenure of Kings and Magistrates”: Date of Composition, Editions, and Issues, PBSA , 60:1-8.[2027]
  • SHERBO, ARTHUR, Samuel Johnson and Certain Poems in the May 1747 Gentleman's Magazine , R.E.S. , n.s., 17:382-90.[2028]
  • SIMMONS, JUDITH, Publications of 1623, Library , 5th ser., 21:207-22.[2029]
  • SIMPSON, S. M., An Anonymous and Undated Edinburgh Tract, Book Collector , 15:67.(Archimedis Epistola ad regem Gelonem, (706?, by Archibald Pitcairne?.)[2030]
  • SMITH, J., The Printer's Grammar, 1755, London, Gregg Press, 1965. 312 p.(English Bibliographical Sources, Ser. 3: Printers' Manuals, 2.)[2031]
  • STEVENS, JOAN, “Woodcuts Dropped into the Text”: The Illustrations in The Old Curiosity Shop and Barnaby Rudge , SB , 20:113-34.[2032]
  • STOTT, R. T., Boz's Memoirs of Joseph Grimaldi, 1838, Book Collector , 15:354-56.[2033]
  • STOWER, C., The Printer's Grammar, 1808, London, Gregg Press, 1965. xviii, 530, [48] p.(English Bibliographical Sources, Ser. 3: Printers' Manuals, 4.)[2034]
  • SUCKSMITH, H. P., Dickens at Work on Bleak House: A Critical Examination of His Memoranda and Number Plans, Renaissance and Modern Studies , 9 (1965):47-85.[2035]
  • SUPER, R. H., American Piracies of Matthew Arnold, AL , 38:123-25.[2036]
  • TANSELLE, G. T., The Identification of Type Faces in Bibliographical Description, PBSA , 60:185-202.[2037]
  • TANSELLE, G. T., The Recording of Press Figures, Library , 5th ser., 21:318-25.[2038]
  • TANSELLE, G. T., Samuel Roth's Love Secrets, 1927, Book Collector , 15:486-87.(Including piracies of work of James Joyce, Stephen Crane, Norman Douglas, D. H. Lawrence, and others.)[2039]
  • TANSELLE, G. T., The Specification of Binding Cloth, Library , 5th ser., 21:246-47.[2040]
  • TANSELLE, G. T., A System of Color Identification for Bibliographical Description, SB , 20:203-34.[2041]
  • TAYLOR, J. R., The Art Nouveau Book in Britain , London, Methuen, 1966. 176 p.[2042]
  • THORSON, J. L., The Publication of Hudibras , PBSA , 60:418-38.[2043]
  • TIMPERLEY, C. H., The Printer's Manual, 1838, London, Gregg Press, 1965. 116 p.(English Bibliographical Sources, Ser. 3: Printers' Manuals, 7.)[2044]
  • TODD, W. B., Dickens's Battle of Life: Round Six, Book Collector , 15:48-54.[2045]
  • TODD, W. B., London Printers' Imprints, 1800-1840, Library , 5th ser., 21:46-59.[2046]

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  • TURNER, M. L., Conrad and T. J. Wise, Book Collector , 15:350-51.[2047]
  • TURNER, R. K., Jr., The Printers and the Beaumont and Fletcher Folio of 1647, Section 2, SB , 20:35-59.[2048]
  • TURNER-BERRY, W., and POOLE, H. E., Annals of Printing , London, Blandford Press, 1966. 315 p. Rev. TLS, Feb. 2, 1967, p. 96.[2049]
  • TWYMAN, MICHAEL, John Soulby, Printer , Ulverston, Reading, Univ. Press, 1966. 53 p.[2050]
  • AN UNPUBLISHED Poem by Thomas Hardy, TLS , June 2, 1966, p. 504.[2051]
  • VERNER, MATHILDE, Johann Albert Fabricius, Eighteenth-Century Scholar and Bibliographer, PBSA , 60:281-326.[2052]
  • VERVLIET, H. D. L., The Garamond Types of Christopher Plantin, Journal Printing Historical Soc. , 1:14-20.[2053]
  • VICHERT, G. S., Some Recent Mandeville Attributions, PQ , 45:459-63.[2054]
  • VOET, LEON, The Making of Books in the Renaissance as Told by the Archives of the Plantin-Moretus Museum, Printing & Graphic Arts , 10:2 (December, 1965):33-62.[2055]
  • WAKEMAN, GEOFFREY, Henry Bradbury's Nature Printed Books, Library , 5th ser., 21:63-67.[2056]
  • WEALES, GERALD, A Wycherley Prologue, Libr. Chron. [Univ. of Pa.], 32:101-104.[2057]
  • WEBER, C. J., Fore-Edge Painting , Irvingston-on-Hudson, N.Y., Harvey House, 1966. 223 p.[2058]
  • WHITE, WILLIAM, Dylan Thomas, Mr. Rolph, and “John O'London's Weekly,” PBSA , 60:370-72.[2059]
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