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Mark Twain's sketches, new and old

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A True Story.
  
  
  
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A True Story.

[ILLUSTRATION]

"I's one o' de ole Blue Hen's chickens, I is."

[Description: 503EAF. Page 202. In-line image; opening image for the story "A True Story." The image depicts Aunt Rachel, a strong African-American woman who was a servant in the Twain family, staring angrily with her hands on her hips.]

REPEATED WORD FOR WORD AS I
HEARD IT.

IT was summer time, and twilight.
We were sitting on the porch of
the farm-house, on the summit
of the hill, and “Aunt Rachel” was
sitting respectfully below our level,
on the steps,—for she was our servant,
and colored. She was of
mighty frame and stature; she was
sixty years old, but her eye was undimmed
and her strength unabated.
She was a cheerful, hearty soul, and
it was no more trouble for her to
laugh than it is for a bird to sing.
She was under fire, now, as usual
when the day was done. That is to
say, she was being chaffed without
mercy, and was enjoying it. She
would let off peal after peal of laughter,
and then sit with her face in her
hands and shake with throes of enjoyment
which she could no longer
get breath enough to express. At such a moment as this a thought occurred
to me, and I said:

“Aunt Rachel, how is it that you've lived sixty years and never had any
trouble?”

She stopped quaking. She paused, and there was a moment of silence.


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She turned her face over her shoulder toward me, and said, without even a
smile in her voice:—

“Misto C—, is you in 'arnest?”

It surprised me a good deal; and it sobered my manner and my speech, too.
I said:—

“Why, I thought—that is, I meant—why, you can't have had any trouble.
I've never heard you sigh, and never seen your eye when there wasn't a laugh
in it.”

She faced fairly around, now, and was full of earnestness.

“Has I had any trouble? Misto C—, I's gwyne to tell you, den I leave it
to you. I was bawn down 'mongst de slaves; I knows all 'bout slavery, 'case I
ben one of 'em my own se'f. Well, sah, my ole man—dat's my husban'—he was
lovin' an' kind to me, jist as kind as you is to yo' own wife. An' we had chil'en
—seven chil'en—an' we loved dem chil'en jist de same as you loves yo' chil'en.
Dey was black, but de Lord can't make no chil'en so black but what dey mother
loves 'em an' wouldn't give 'em up, no, not for anything dat's in dis whole
world.

“Well sah, I was raised in ole Fo'ginny, but my mother she was raised in Maryland;
an' my souls! she was turrible when she'd git started! My lan'! but she'd
make de fur fly! When she'd git into dem tantrums, she always had one word
dat she said. She'd straighten herse'f up an' put her fists in her hips an' say, `I
want you to understan' dat I wa'nt bawn in the mash to be fool' by trash! I's
one o' de ole Blue Hen's Chickens, I is!' 'Ca'se, you see, dat's what folks dat's
bawn in Maryland calls deyselves, an' dey's proud of it. Well, dat was her
word. I don't ever forgit it, beca'se she said it so much, an' beca'se she said it
one day when my little Henry tore his wris' awful, and most busted his head,
right up at de top of his forehead, an' de niggers didn't fly aroun' fas' enough
to 'tend to him. An' when dey talk' back at her, she up an' she says, `Look-a-heah!'
she says, `I want you niggers to understan' dat I wa'nt bawn in de mash
to be fool' by trash! I's one o' de ole Blue Hen's Chickens, I is!' an' den she
clar' dat kitchen an' bandage' up de chile herse'f. So I says dat word, too,
when I's riled.


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“Well, bymeby my ole mistis say she's broke, an' she' got to sell all the niggers
on de place. An' when I heah dat dey gwyne to sell us all off at oction in
Richmon', oh de good gracious! I know what dat mean!”

Aunt Rachel had gradually risen, while she warmed to her subject, and now
she towered above us, black against the stars.

“Dey put chains on us an' put us on a stan' as high as dis po'ch,—twenty foot
high,—an' all de people stood aroun', crowds an' crowds. An' dey'd come up
dah an' look at us all roun', an' squeeze our arm, an' make us git up an' walk,
an' den say, `Dis one too ole,' or `Dis one lame,' or `Dis one don't 'mount to
much.' An' dey sole my ole man, an' took him away, an' dey begin to sell my
chil'en an' take dem away, an' I begin to cry; an' de man say, `Shet up yo' dam
blubberin',' an' hit me on de mouf wid his han'. An' when de las' one was gone
but my little Henry, I grab' him clost up to my breas' so, an' I ris up an' says,
`You shan't take him away,' I says; `I'll kill de man dat tetches him!' I says.
But my little Henry whisper an' say, `I gwyne to run away, an' den I work an'
buy yo' freedom.' Oh, bless de chile, he always so good! But dey got him
—dey got him, de men did; but I took and tear de clo'es mos' off of 'em an'
beat 'em over de head wid my chain; an' dey give it to me, too, but I didn't
mine dat.

“Well, dah was my ole man gone, an' all my chil'en, all my seven chil'en—
an' six of 'em I hain't set eyes on ag'in to dis day, an' dat's twenty-two year
ago las' Easter. De man dat bought me b'long' in Newbern, an' he took me
dah. Well, bymeby de years roll on an' de waw come. My marster he was a
Confedrit colonel, an' I was his family's cook. So when de Unions took dat
town, dey all run away an' lef' me all by myse'f wid de other niggers in dat
mons'us big house. So de big Union officers move in dah, an' dey ask me
would I cook for dem. `Lord bless you,' says I, `dat's what I's for.'

“Dey wa'nt no small-fry officers, mine you, dey was de biggest dey is; an' de
way dey made dem sojers mosey roun'! De Gen'l he tole me to boss dat kitchen;
an' he say, `If anybody come meddlin' wid you, you jist make 'em walk chalk;
don't you be afeared,' he say; `you's 'mong frens, now.'

“Well, I thinks to myse'f, if my little Henry ever got a chance to run away,


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he'd make to de Norf, o' course. So one day I comes in dah whar de big officers
was, in de parlor, an' I drops a kurtchy, so, an' I up an' tole 'em 'bout my Henry,
dey a-listenin' to my troubles jist de same as if I was white folks; an' I says,
`What I come for is beca'se if he got away and got up Norf whar you gemmen
comes from, you might 'a' seen him, maybe, an' could tell me so as I could fine
him ag'in; he was very little, an' he had a sk-yar on his lef' wris', an' at de top
of his forehead.' Den dey look mournful, an' de Gen'l say, `How long sence
you los' him?' an' I say, `Thirteen year.' Den de Gen'l say, `He wouldn't be
little no mo', now—he's a man!'

“I never thought o' dat befo'! He was only dat little feller to me, yit. I
never thought 'bout him growin' up an' bein' big. But I see it den. None o'
de gemmen had run acrost him, so dey couldn't do nothin' for me. But all dat
time, do' I didn't know it, my Henry was run off to de Norf, years an' years, an,
he was a barber, too, an' worked for hisse'f. An' bymeby, when de waw come'
he ups an' he says: `I's done barberin',' he says, `I's gwyne to fine my ole mammy,
less'n she's dead.' So he sole out an' went to whar dey was recruitin', an' hired
hisse'f out to de colonel for his servant; an' den he went all froo de battles
everywhah, huntin' for his ole mammy; yes indeedy, he'd hire to fust one officer
an' den another, tell he'd ransacked de whole Souf; but you see I didn't know
nuffin 'bout dis. How was I gwyne to know it?

“Well, one night we had a big sojer ball; de sojers dah at Newbern was
always havin' balls an' carryin' on. Dey had 'em in my kitchen, heaps o' times,
'ca'se it was so big. Mine you, I was down on sich doin's; beca'se my place
was wid de officers, an' it rasp me to have dem common sojers cavortin' roun'
my kitchen like dat. But I alway' stood aroun' an' kep' things straight, I did;
an' sometimes dey'd git my dander up, an' den I'd make 'em clar dat kitchen,
mine I tell you!

“Well, one night—it was a Friday night—dey comes a whole plattoon f'm a
nigger ridgment dat was on guard at de house,—de house was head-quarters,
you know,—an' den I was jist a-bilin'! Mad? I was jist a-boomin'! I swelled
aroun', an' swelled aroun'; I jist was a-itchin' for 'em to do somefin for to start
me. An' dey was a-waltzin' an' a-dancin'! my! but dey was havin' a time! an'


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[ILLUSTRATION] [Description: 503EAF. Page 206. Image of a dance hall, where couples are swaying to the music. The picture centers on one couple, a beautiful woman resting her head on the shoulder of a man, with Aunt Rachel standing next to them, hands on hips, looking quite angry.]
I jist a-swellin' an' a-swellin' up! Pooty soon, 'long comes sich a spruce young
nigger a-sailin' down de room wid a yaller wench roun' de wais'; an' roun' an'
roun' an' roun' dey went, enough to make a body drunk to look at 'em; an'
when dey got abreas' o' me, dey went to kin' o' balancin' aroun' fust on one leg
an' den on t'other, an' smilin' at my big red turban, an' makin' fun, an' I ups
an' says `Git along wid you!—rubbage!' De young man's face kin' o' changed,
all of a sudden, for 'bout a second, but den he went to smilin' ag'in, same as he
was befo'. Well, 'bout dis time, in
comes some niggers dat played
music and b'long' to de ban', an' dey
never could git along widout puttin'
on airs. An' de very fust air
dey put on dat night, I lit into
'em! Dey laughed, an' dat made me
wuss. De res' o' de niggers got to
laughin', an' den my soul alive but
I was hot! My eye was jist ablazin'!
I jist straightened myself
up, so,—jist as I is now, plum to
de ceilin', mos',—an' I digs my fists
into my hips, an' I says, `Look-a-heah!'
I says, `I want you niggers
to understan' dat I wa'nt bawn in
de mash to be fool' by trash! I's one o' de ole Blue Hen's Chickens, I is!' an'
den I see dat young man stan' a-starin' an' stiff, lookin' kin' o' up at de ceilin'
like he fo'got somefin, an' couldn't 'member it no mo'. Well, I jist march' on
dem niggers,—so, lookin' like a gen'l,—an' dey jist cave' away befo' me an' out
at de do'. An' as dis young man was a-goin' out, I heah him say to another
nigger, `Jim,' he says, `you go 'long an' tell de cap'n I be on han' 'bout eight
o'clock in de mawnin'; dey's somefin on my mine,' he says; `I don't sleep no
mo' dis night. You go 'long, he says, `an' leave me by my own se'f.'

“Dis was 'bout one o'clock in de mawnin'. Well, 'bout seven, I was up an'


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[ILLUSTRATION] [Description: 503EAF. Page 207. Image of a small African-American boy sitting on the top seat of a carriage holding onto the reins.]
on han', gittin' de officers' breakfast. I was a-stoopin' down by de stove,—jist
so, same as if yo' foot was de stove,—an' I'd opened de stove do' wid my right
han',—so, pushin' it back, jist as I pushes yo' foot,—an' I'd jist got de pan o'
hot biscuits in my han' an' was 'bout to raise up, when I see a black face come
aroun' under mine, an' de eyes a-lookin' up into mine, jist as I's a-lookin' up
clost under yo' face now; an' I jist stopped right dah, an' never budged! jist
gazed, an' gazed, so; an' de pan begin to tremble, an' all of a sudden I knowed!
De pan drop' on de flo' an' I grab his lef' han' an' shove back his sleeve,—jist
so, as I's doin' to you,—an' den I goes for his forehead an' push de hair back,
so, an' `Boy!' I says, `if you an't my Henry, what is you doin' wid dis welt on
yo' wris' an' dat sk-yar on yo' forehead? De Lord God ob heaven be praise',
I got my own ag'in!'

“Oh, no, Misto C—, I hain't had no trouble. An' no joy!