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The poetical works of James Montgomery

collected by himself
Montgomery, James (1771-1854)

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THE WANDERER OF SWITZERLAND:
 I. 
PART I.
 II. 
PART II.
 III. 
PART III.
 IV. 
PART IV.
 V. 
PART V.
 VI. 
PART VI.
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THE WEST INDIES:
 I. 
PART I.
 II. 
PART II.
 III. 
PART III.
 IV. 
PART IV.
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THE WORLD BEFORE THE FLOOD:
  
TO THE SPIRIT OF A DEPARTED FRIEND.
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THE WORLD BEFORE THE FLOOD.
 1. 
CANTO FIRST.
 2. 
CANTO SECOND.
 3. 
CANTO THIRD.
 4. 
CANTO FOURTH.
 5. 
CANTO FIFTH.
 6. 
CANTO SIXTH.
 7. 
CANTO SEVENTH.
 8. 
CANTO EIGHTH.
 9. 
CANTO NINTH.
 10. 
CANTO TENTH.
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GREENLAND:
 1. 
CANTO FIRST.
 2. 
CANTO SECOND.
 3. 
CANTO THIRD.
 4. 
CANTO FOURTH.
 5. 
CANTO FIFTH.
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THE PELICAN ISLAND:
 1. 
CANTO FIRST.
 2. 
CANTO SECOND.
 3. 
CANTO THIRD.
 4. 
CANTO FOURTH.
 5. 
CANTO FIFTH.
 6. 
CANTO SIXTH.
 7. 
CANTO SEVENTH.
 8. 
CANTO EIGHTH.
 9. 
CANTO NINTH.
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PRISON AMUSEMENTS:
  
VERSES TO A ROBIN RED-BREAST,
  
MOONLIGHT.
  
THE CAPTIVE NIGHTINGALE.
  
ODE TO THE EVENING STAR.
  
SOLILOQUY OF A WATER-WAGTAIL ON THE WALLS OF YORK CASTLE.
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THE PLEASURES OF IMPRISONMENT.
 I. 
Epistle I.
 II. 
Epistle II.
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THE BRAMIN.
 I. 
EXTRACT FROM CANTO I.
 II. 
EXTRACT FROM CANTO II.
  
A TALE TOO TRUE
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THOUGHTS ON WHEELS.
 I. 
No. I. THE COMBAT.
 II. 
No. II. THE CAR OF JUGGERNAUT.
 III. 
No III. THE INQUISITION.
 IV. 
No. IV. THE STATE LOTTERY.
 V. 
No. V. TO BRITAIN.
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THE CLIMBING BOY'S SOLILOQUIES.
  
PROLOGUE.
 I. 
No. I. THE COMPLAINT.
 II. 
No. II. THE DREAM.
 III. 
No. III. EASTER-MONDAY AT SHEFFIELD.
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NARRATIVES.
  
FAREWELL TO WAR:
  
LORD FALKLAND'S DREAM.
  
THE PATRIOT'S PASS-WORD.
  
THE VOYAGE OF THE BLIND.
  
AN EVERY-DAY TALE.
  
A TALE WITHOUT A NAME.
  
A SNAKE IN THE GRASS.
  
THE VIGIL OF ST. MARK.
  
A DEED OF DARKNESS.
  
THE CAST-AWAY SHIP.
  
THE SEQUEL.
  
A NIGHT IN A STAGE-COACH;
  
THE REIGN OF SPRING.
  
THE REIGN OF SUMMER.
  
ABDALLAH AND SABAT.
  
THE STRANGER AND HIS FRIEND.
  
THE ADVENTURE OF A STAR.
  
THE SAND AND THE ROCK.
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THE CHRONICLE OF ANGELS.
 I. 
Part I.
 II. 
Part II.
 III. 
Part III.
  
ELIJAH IN THE WILDERNESS.
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MORNA.
  
THE ARGUMENT.
  
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“PERILS BY THE HEATHEN.”
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SONGS ON THE ABOLITION OF NEGRO SLAVERY IN THE BRITISH COLONIES, August 1. 1834.
 I. 
No. I. THE RAINBOW.
 II. 
No. II. THE NEGRO IS FREE.
 III. 
No. III. SLAVERY THAT WAS.
 IV. 
No. IV. SLAVERY THAT IS NOT.
 V. 
No. V. THE NEGRO'S VIGIL,
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Verses to the Memory OF THE LATE RICHARD REYNOLDS, OF BRISTOL.
 I. 
I. THE DEATH OF THE RIGHTEOUS.
 II. 
II. THE MEMORY OF THE JUST.
 III. 
III. A GOOD MAN'S MONUMENT.
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MISCELLANEOUS POEMS.
  
THE GRAVE.
  
THE LYRE.
  
REMONSTRANCE TO WINTER.
  
SONG.
  
LINES WRITTEN UNDER A DRAWING OF YARDLEY OAK,
  
SONG
  
RELIGION.
  
“THE JOY OF GRIEF.”
  
THE BATTLE OF ALEXANDRIA.
  
THE PILLOW.
  
VERSES TO THE MEMORY OF THE LATE JOSEPH BROWNE, OF LOTHERSDALE,
  
THE THUNDER-STORM.
  
ODE TO THE VOLUNTEERS OF BRITAIN
  
HANNAH.
  
A FIELD FLOWER.
  
THE SNOW-DROP.
  
THE OCEAN.
  
THE COMMON LOT.
  
THE HARP OF SORROW.
  
POPE'S WILLOW.
  
A WALK IN SPRING.
  
THE SWISS COWHERD'S SONG IN A FOREIGN LAND.
  
THE OAK.
  
THE DIAL.
  
THE ROSES.
  
TO AGNES.
  
AN EPITAPH.
  
THE OLD MAN'S SONG.
  
THE GLOW-WORM.
  
BOLEHILL TREES.
  
THE MOLE-HILL.
  
M. S. TO THE MEMORY OF “A FEMALE WHOM SICKNESS HAD RECONCILED TO THE NOTES OF SORROW,”
  
THE PEAK MOUNTAINS. IN TWO PARTS.
  
TO ANN AND JANE.
  
OCCASIONAL ODE.
  
A DAUGHTER (C. M.) TO HER MOTHER.
  
CHATTERTON.
  
THE WILD ROSE.
  
ON FINDING THE FEATHERS OF A LINNET
  
SONNET.
  
SONNET.
  
SONNET.
  
SONNET.
  
DEPARTED DAYS: A RHAPSODY,
  
HOPE.
  
A MOTHER'S LOVE.
  
THE TIME-PIECE.
  
STANZAS TO THE MEMORY OF THE REV. THOMAS SPENCER, OF LIVERPOOL,
  
HUMAN LIFE.
  
THE VISIBLE CREATION.
  
SONNET.
  
SONNET.
  
SONNET.
  
THE BIBLE.
  
INSTRUCTION.
  
THE CHRISTIAN SOLDIER.
  
ON THE ROYAL INFANT,
  
A MIDNIGHT THOUGHT.
  
INCOGNITA.
  
THE LITTLE CLOUD.
  
THE ALPS:
  
QUESTIONS AND ANSWERS.
  
YOUTH RENEWED.
  
THE BRIDAL AND THE BURIAL.
  
FRIENDS.
  
A MOTHER'S LAMENT
  
THE WIDOW AND THE FATHERLESS.
  
THE DAISY IN INDIA.
  
THE DROUGHT.
  
A SEA PIECE.
  
ROBERT BURNS.
  
A THEME FOR A POET.
  
NIGHT.
  
MEET AGAIN!
  
VIA CRUCIS, VIA LUCIS.
  
THE PILGRIM.
  
GERMAN WAR-SONG.
  
REMINISCENCES.
  
THE AGES OF MAN.
  
ASPIRATIONS OF YOUTH.
  
A HERMITAGE.
  
THE FALLING LEAF.
  
ON PLANTING A TULIP-ROOT.
  
INSCRIPTION UNDER THE PICTURE OF AN AGED NEGRO-WOMAN.
  
THOUGHTS AND IMAGES.
  
A VOYAGE ROUND THE WORLD.
  
BIRDS.
  
TIME:
  
TO A FRIEND, WITH A COPY OF THE FOREGOING LUCUBRATION.
  
A LUCID INTERVAL.
  
WORMS AND FLOWERS.
  
THE RECLUSE.
  
THE RETREAT.
  
SPEED THE PROW.
  
THE SKY-LARK.
  
THE FIXED STARS.
  
THE LILY.
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THE GENTIANELLA.
  
IN LEAF.
  
IN FLOWER.
  
THE SUN-FLOWER.
  
WINTER-LIGHTNING.
  
HUMILITY.
  
EVENING TIME.
  
REMINISCENCE.
  
A RECOLLECTION OF MARY F.,
  
THE CHOLERA MOUNT.
  
THE TOMBS OF THE FATHERS.
  
A CRY FROM SOUTH AFRICA.
  
TO MY FRIEND, GEORGE BENNET, ESQ., OF SHEFFIELD
  
STANZAS IN MEMORY OF THE REV. JAMES HARVEY,
  
ONE WARNING MORE.
  
THE VEIL.
  
A RIDDLE.
  
ON A WATCH-POCKET
  
TO CYNTHIA
  
FOR J. S.:
  
TO MARGARET
  
ON THE FIRST LEAF OF MISS J.'s ALBUM.
  
TO MARY.
  
SHORT-HAND.
  
THE BLANK LEAF.
  
THE GNAT.
  
AN INFANT'S ALBUM.
  
A WEDDING WISH.
  
MOTTO TO “A POET'S PORTFOLIO.”
  
THE VALENTINE WREATH.
  
THE WIDOW.
  
IN MEMORY OF E. B.,
  
IN MEMORY OF E. G.
  
GARDEN THOUGHTS.
  
TO MR. AND MRS. T., OF YORK:
  
FAREWELL TO A MISSIONARY.
  
THE LOT OF THE RIGHTEOUS.
  
A BENEDICTION FOR A BABY.
  
“OCCUPY TILL I COME.”
  
A MESSAGE FROM THE MOON.
  
THE PURPLE BEECH.
  
FRANKLIN,
  
THE PRESS.
  
THE GRASSHOPPER.
  
EMBLEMS.
  
CORONATION ODE FOR QUEEN VICTORIA.
  
WESTMINSTER ABBEY,
  
A BRIDAL BENISON.
  
THE BLACKBIRD.
  
THE MYRTLE.
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DALE ABBEY.
 I. 
I.
 II. 
II.
  
THE WILD PINK
  
TRANSMIGRATIONS.
  
SONNET.
  
SONNET.
  
SONNET.
  
SONNET.
  
“A CERTAIN DISCIPLE.”
  
STANZAS ON THE DEATH OF THE LATE REV. THOMAS RAWSON TAYLOR, OF BRADFORD, IN YORKSHIRE
  
STANZAS IN MEMORY OF ROWLAND HODGSON, ESQ., OF SHEFFIELD

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316

ROBERT BURNS.

What bird, in beauty, flight, or song,
Can with the Bard compare,
Who sang as sweet, and soar'd as strong,
As ever child of air?
His plume, his note, his form, could Burns
For whim or pleasure change;
He was not one, but all by turns,
With transmigration strange.
The Blackbird, oracle of spring,
When flow'd his moral lay;
The Swallow wheeling on the wing,
Capriciously at play:
The Humming-bird, from bloom to bloom,
Inhaling heavenly balm;
The Raven, in the tempest's gloom;
The Halcyon, in the calm:
In “auld Kirk Alloway,” the Owl,
At witching time of night;
By “bonnie Doon,” the earliest Fowl
That caroll'd to the light.
He was the Wren amidst the grove,
When in his homely vein;
At Bannockburn the Bird of Jove,
With thunder in his train:
The Woodlark, in his mournful hours;
The Goldfinch, in his mirth;
The Thrush, a spendthrift of his powers,
Enrapturing heaven and earth;
The Swan, in majesty and grace,
Contemplative and still;
But roused,—no Falcon, in the chase,
Could like his satire kill.
The Linnet in simplicity,
In tenderness the Dove;
But more than all beside was he
The Nightingale in love.
Oh! had he never stoop'd to shame,
Nor lent a charm to vice,
How had Devotion loved to name
That Bird of Paradise!
Peace to the dead!—In Scotia's choir
Of Minstrels great and small,
He sprang from his spontaneous fire,
The Phœnix of them all.
1820.
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