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Problems in the Making of Computer Concordances by S. M. Parrish

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Electronic Computers and Elizabethan Texts by Ephim G. Fogel

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2.

3.

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5.

Textual Criticism

6.

Concordance-Making

7.

Enumerative Bibliography

8.

Studies in Attribution

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Printing Methods and Textual Problems in A Midsummer Night's Dream Q1 by Robert K. Turner, Jr.

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2.

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The Printing of John Webster's Plays (III): The Duchess of Malfi by John Russell Brown

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The Shares of Fletcher and his Collaborators in the Beaumont and Fletcher Canon (VII) by Cyrus Hoy

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2.

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National Library of Scotland and Edinburgh University Library Copies of Plays in Greg's Bibliography of the English Printed Drama by Marion Linton

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Scottish Printers and Booksellers 1668-1775: A Second Supplement (II) by Robert Hay Carnie

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1.

Index of Places

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Early Editions of The Tatler by William B. Todd

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Samuel Richardson's London Houses by T. C. Duncan Eaves and Ben D. Kimpel

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Wordsworth's Poetry and Stuart's Newspapers: 1797-1803 by R. S. Woof

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2.

3.

A Note on Pseudonyms

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Some Observations on the Text of Dubliners: "The Dead" by Robert E. Scholes

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2.

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The English Editions of James Gould Cozzens by James B. Meriwether

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2.

Publication Dates of the Novels

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The Errata Lists in the First Aldine Editions of Caro's Rime and of the Due Orationi of St. Gregorius Nazianzenus by Curt F. Bühler

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On the Tercera Parte of Calderon — 1664 by Edward M. Wilson

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notes

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Gorboduc, Ferrex and Porrex: The First Two Quartos by I. B. Cauthen, Jr.

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New Year's Day Gift Books in the Sixteenth Century by Edwin Haviland Miller

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A Note on Printers' Measures by W. Craig Ferguson

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The Earliest London Printings of "Verses on the Death of Doctor Swift" by A. H. Scouten

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The Printing of Fielding's Miscellanies (1743) by Donald D. Eddy

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Facts and Conjectures Concerning the Printing

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Rasselas: Purchase Price, Proprietors, and Printings by Gwin J. Kolb

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Dwight's Triumph of Infidelity: Text and Interpretation by Jack Stillinger

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3.

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William Dean Howells and The Breadwinners by George Monteiro

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A Harold Frederic First by Stanton B. Garner

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PART II. PERIODICALS

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Hidden Printings in Edith Wharton's The Children by Matthew J. Bruccoli

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Half-Sheet Imposition of Eight-Leaf Quires in Formes of Thirty-Two and Sixty-Four Pages by Oliver L. Steele

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A SELECTIVE CHECK LIST OF BIBLIOGRAPHICAL SCHOLARSHIP FOR 1960

1.0.

Part I: INCUNABULA AND EARLY RENAISSANCE by Rudolf Hirsch

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2.0.

Part II: THE LATER RENAISSANCE TO THE PRESENT by Howell J. Heaney

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2.1.

1. Bibliographies, Check Lists, Enumerations

2.1a.

ENGLISH AND GENERAL

2.1b.

B. United States

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2.2.

2. Printing, Publishing, Bibliography and Textual Scholarship

2.2a.

A. English and General

2.2b.

B. United States

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1.

Notes on Contributors

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BIBLIOGRAPHICAL SOCIETY OF THE UNIVERSITY OF VIRGINIA

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CONTRIBUTING MEMBERS FOR 1961

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WINNERS OF THE 1961 AWARDS

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RECENT MEETINGS OF THE SOCIETY

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PUBLISHED BY THE SOCIETY DURING THE YEAR

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OTHER PUBLICATIONS AVAILABLE TO MEMBERS

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FORTHCOMING PUBLICATIONS

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notes

[1]

By a parte is meant a collection of twelve plays preceded by the usual preliminaries. Calderón's Primera parte was first printed in 1636, the Segunda parte in 1637.

[2]

"On the Segunda parte of Calderón", Hispanic Review, V (1937), 208-224.

[3]

I must thank Dr. J. Cremona for information about the Vatican copies and Dr. Daniel Devoto for similar services in Paris. See J. L. Whitney, Catalogue of the Spanish Library, . . . bequeathed by G. Ticknor to the Boston Public Library (1879), p. 49. Joaquin Montaner, La colección teatral de don Arturo Sedó (Barcelona, 1951), p. 36. Emilio Cotarelo y Mori, Catálogo abreviado de una colección dramática española . . . .(Madrid, 1934), p. 163. Cambridge University Library Bulletin (Extra Series). Catalogue of the Maccoll Collection and other Spanish books (1910), p. 15.

[4]

Cambridge University Library Bulletin, loc. cit.

[5]

See particularly his "The two versions of Calderón's El laurel de Apolo", Hispanic Review, XIV (1946), 213-234.

[6]

Fol. 233 misnumbered 231 in E.M.W. and U.L.C. Fol. 260 appears as 268 in B.M., 26 in E.M.W. and the number has dropped out altogether from U.L.C. and B.N.M. The catch-word on G4v appears only in E.M.W.; that on X6v has dropped out from U.L.C.

[7]

Op. cit., p. 214.

[8]

E.g.: olcance for alcance; fime for firme; igbore for ignore.

[9]

Biblioteca Nacional, Madrid: Res. 87. I must thank don José López de Toro for sending me a microfilm of this important manuscript.

[10]

Cf. my article "The text of Calderón's La púrpura de la rosa", Modern Language Review, LIV (1959), 43.

[11]

The posthumous edition of Vera Tassis changes the reading again. Vera had no copy of the manuscript, and he therefore gave the speech of the clowns to the tyrant Focas:

Leo.
Quiẽ es la que aguarda?

Erac.
Quien es la que espera?

Focas.
Es
Cintia, Reyna de Trinacria.

(Tercera parte de comedias verdaderas (Madrid, 1687), p. 190, col. 1.)

[12]

I have summarized in this and in the two following paragraphs material more fully set out in my article "The two editions of Calderón's Primera parte of 1640", The Library, Fifth Series, XIV (1959), 175-191. Heaton's article, quoted in note 2, is of course also relevant.

[13]

It may perhaps be said that there are more accents used in Excelmo and that Excelentissimo has a greater number of abbreviations. Consonantal internal u is sometimes, but not often, replaced by v in Excelentissimo. The spelling etc. of both these editions seem to me fairly typical of ordinary printer's usage of the 1660s.