The works of Sr William Davenant :: :: University of Virginia Library

The works of Sr William Davenant

... Consisting of Those which were formerly Printed, and Those which he design'd for the Press: Now published Out of the Authors Originall Copies

D'Avenant, William (1606-1668)

[dedication]

GONDIBERT:

MADAGASCAR,

POEMS

POEM TO THE Earl of Orrery.

To him who Prophecy'd a Succesles end of the Parliament, in the Year 1630.

The Countess of ANGLESEY lead Captive by the Rebels, at the Disforresting of Pewsam.

The long Vacation in London, in Verse Burlesque, or Mock-Verse.

EPITAPH.

Song.

Upon the Marriage of the Lady Jane Cavendish with Mr. Cheney.

To the Duke of Richmond, in the Year 1639.

To Mr, W. M. Against Absence.

A New-years-Gift to the Queen, in the Year 1643.

To the QUEEN; Entertain'd at Night. In the Year 1644.

Sung as a Prologue when the faithful Shepherdess was Presented.

EPITAPH.

Master Serjeant's Clients

To my Friend Mr. Ogilby,

SONG.

To Mr. Edward Laurence.

EPITHALAMIUM.

The DREAME.

To the Earle of Monmouth.

EPITAPH

To Edward Earl of Dorset.

SONG.

In the Person of a Spy,

Against Womens pride.

To the Dutchess of Buckingham.

SONG.

Sent with a Lock of Hair.

The Philosopher and the Lover; to a Mistress dying.

SONG.

To Mistress E. S. Married to an old Usurer.

To Mr. Benlowes, on his Divine Poem.

Epitaph on a young Virgin.

To all Poets upon the recovery of Endimion Porter from a long Sickness.

The Mistress.

The Philosophers Disquisition directed to the Dying Christian.

The Christians Reply to the Phylosopher.

To the Lord Lieutenant of Ireland.

To Clelia.

A BALLAD.

Prologue for the Temple: at the Acting of Fivehours Adventure, to my Lord Chancelor.

EPILOGUE to the King at Whitehall, at the Acting the Siege of Rhodes.

EPILOGUE to the Villain;

The First Dayes Entertainment at Rutland-House, by Declamations and Musick: after the manner of the Ancients.

Cœlum Britannicum, A Masque at Whitehal in the Banquetting-House, on Shrove-Tuesday night, the 18 of February 1633

The TEMPLE of LOVE A Masque. Presented by the Queens Majesty, and her Ladies at Whitehall.

The Triumphs of the Prince D'Amour. A Masque Presented by his Highness at his Palace in the Middle Temple.

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391

The Song of the Brachmani, in Answer to Orpheus his Harp.

1

Heark! Orpheus is a Seaman grown,
No winds of late have rudely blown,
Nor waves their troubled heads advance!
His Harp hath made the winds so mild,
They whisper now as reconcil'd,
The waves are sooth'd into a dance.

2

See how the list'ning Dolphins play!
And willingly mistake their way,
As when they heard Arions straines!
Whom once their scaly Ancestor,
Convay'd upon his back to shore,
And took his musick for his pains.

3

We Priests that burn Loves Sacrifice,
Our Orpheus greet with ravish'd eyes;
For by this calmnesse we are sure,
His Harp doth now prepare the way,
That Indamora's voyage may
Be more delightful, and secure.

4

And now th' inchanted mists shall clear,
And Loves true Temple straight appear,
(Long bid from men by sacred power,)
Where noble Virgins still shall meet,
And breath their Orizons, more sweet
Than is the Springs ungather'd flower.

The Barque having taken port, the Masquers appear in a Maratime Chariot, made of a spungie Rockstuff mixt with shels, Sea-weeds, Corral, and Pearl, born upon an Axletree with golden wheels without a rimme, with flat spokes like the blade of an Ore comming out of the Naves. This Chariot was drawn by Seamonsters, and floated with a sweet motion in the Sea: Indamora Queen of Narsinga, sate enthron'd in the highest part of this Chariot, in a rich seat, the back of which was a great Skallpo Shell. The habit of the Masquers was of Isabella Colour, and Watchet, with Bases in large panes cut through, all over richly embroidered with silver, and the dressing of their heads was of silver, with small falls of white feathers tipp'd with Watchet. This sight thus moving on the water, was accompanied with the Musick and Voyces of the Chorus.