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A Poet's Harvest Home

Being One Hundred Short Poems: By William Bell Scott ... With an Aftermath of Twenty Short Poems
Scott, William Bell (1811-1890)
  
[epigraph]
  
[dedication]

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POEMS.
  
PROLOGUE.
  
THE POET'S OPPORTUNITY.
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THE FOXGLOVE:
 I. 
I.
 II. 
II.
  
THE GARDEN BOWER.
  
THE ROBIN.
  
CONTENT.
  
PHEMIE BLAYNE.
  
THE SCHOOL-CHILDREN.
  
GLENKINDIE.
  
TELIESSIN.
  
HELP.
  
OISIN.
  
THE SEA.
  
THE TIDE.
  
AT SEA.
  
THE HURRICANE.
  
THE NORNS WATERING YGGDRASILL.
  
THOROLF AND GUDRUN.
  
THE NYMPH OF ARCADIE.
  
CUPID AMONG THE MAIDENS.
  
MUSIC.
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THE OLD OLD STORY.
 I. 
I.
 II. 
II.
  
THE APPLE TREE.
  
THE APPLE.
  
APPLE GATHERING.
  
A BIRTHDAY.
  
BEFORE MARRIAGE.
  
TO THE DEAD.
  
ELIJAH.
  
LOVE AND DEATH.
  
THE OFFERING.
  
THE EMPEROR JULIAN ON GERMAN DRINK.
  
THE CANDIDATE.
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THE SPHYNX.
 I. 
I.
 II. 
II.
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NATURE.
 I. 
[I.]
 II. 
II.
  
HORTUS PARADISI.
  
ST. COLUMBA.
  
OF ME.
  
LITTLE BOY.
  
BAGATELLE.
  
MARE SERENITATIS.
  
A GENIUS?
  
THE TWO SIDES.
  
SELF-ACCUSATION.
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THE SUN-DIAL.
 I. 
I.
 II. 
II.
  
MORALITY.
  
A GHOST.
  
A LOWLAND WITCH BALLAD.
  
MORNING.
  
SILENCE.
  
HERO-WORSHIP.
  
ROSE-LEAVES.
  
PARACELSUS.
  
RABELAIS.
  
A SIMILE.
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OF POETRY.
 I. 
I. THE POET.
 II. 
II. THE POET'S BOOK.
 III. 
III. ART FOR ART'S SAKE.
 IV. 
IV. ANCIENT FORMS.
 V. 
V. ON READING MR. THEODORE WATTS' SONNET, ‘THE SONNET'S VOICE.’
 VI. 
VI. REMONSTRANCE.
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OF POETS.
 I. 
I. STRATFORD.
 II. 
II. SHAKESPEARE.
 III. 
III. THE KESSELSTADT MASK.
 IV. 
IV. DANTE. I.
 V. 
V. DANTE. II.
 VI. 
VI. DANTE AND BEATRICE.
 VII. 
VII. WORDSWORTH.
 VIII. 
VIII. SOUTHEY.
 IX. 
IX. BURNS.
 X. 
X. CHATTERTON.
 XI. 
XI. SAPPHO.
 XII. 
XII. ORPHEUS.
 XIII. 
XIII. BYRON.
 XIV. 
XIV. SHELLEY. I.
 XV. 
XV. SHELLEY. II.
  
THE FALLING LEAF.
  
LEFT ALONE.
  
AUBADE.
  
A GARLAND, FOR ADVANCING YEARS.
  
AN AUTUMN EVENING.
  
END OF HARVEST.
  
MEMORY.
  
SEEKING FORGETFULNESS.
  
CONTINUITY OF LIFE.
  
EXPERIENCE.
  
AGE.
  
BIRTHDAY, ÆT. 70.
  
A-DIEU.
  
EPILOGUE.
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An Aftermath.
  
INTRODUCTORY SONNET.
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NEW YEAR BELLS.
 I. 
TWO EPOCHS. I. 1831.
 II. 
TWO EPOCHS. II. 1881.
  
RHYME OF LOVE.
  
SPRING.
  
WM. BLAKE'S DESIGNS FOR THE GRAVE.
  
CHRISTIANITY AND PAGANISM.
  
INFANCY.
  
AN ANNIVERSARY: THE 31st.
  
DANTE IN EXILE.
  
THE INFERNO.
  
RAPHAEL'S MADONNA DI SAN SISTO.
  
MERRY ENGLAND.
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THE AUTO DA FE.
 I. 
I. SAINT DOMINIC.
 II. 
II. TORQUEMADA.
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CARDINAL NEWMAN.
 I. 
I.
 II. 
II.
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THE SICKLE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
VOICES OF SUNSET CLOUDS.
  
A LAST WALK, IN ILLNESS.
  
THE FURTHER SHORE.

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119

III. THE KESSELSTADT MASK.

(FROM AN ARTISTIC POINT OF VIEW).

That round-cheeked, flat-faced Stratford bust
Sank one's ideal to the dust,
But heaven be praised, for by its grace
We have found our Shakespeare's face.
Gerard's own bust they well could spare,
So they mounted it up there!
As for the portrait by Droeshout,
Perhaps his fingers had the gout!
But here's the king of men divine,—
The Elizabethan profile line,—
Let Gerard and Droeshout give place—
We have found our Shakespeare's face.
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