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A Poet's Harvest Home

Being One Hundred Short Poems: By William Bell Scott ... With an Aftermath of Twenty Short Poems
Scott, William Bell (1811-1890)
  
[epigraph]
  
[dedication]

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POEMS.
  
PROLOGUE.
  
THE POET'S OPPORTUNITY.
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THE FOXGLOVE:
 I. 
I.
 II. 
II.
  
THE GARDEN BOWER.
  
THE ROBIN.
  
CONTENT.
  
PHEMIE BLAYNE.
  
THE SCHOOL-CHILDREN.
  
GLENKINDIE.
  
TELIESSIN.
  
HELP.
  
OISIN.
  
THE SEA.
  
THE TIDE.
  
AT SEA.
  
THE HURRICANE.
  
THE NORNS WATERING YGGDRASILL.
  
THOROLF AND GUDRUN.
  
THE NYMPH OF ARCADIE.
  
CUPID AMONG THE MAIDENS.
  
MUSIC.
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THE OLD OLD STORY.
 I. 
I.
 II. 
II.
  
THE APPLE TREE.
  
THE APPLE.
  
APPLE GATHERING.
  
A BIRTHDAY.
  
BEFORE MARRIAGE.
  
TO THE DEAD.
  
ELIJAH.
  
LOVE AND DEATH.
  
THE OFFERING.
  
THE EMPEROR JULIAN ON GERMAN DRINK.
  
THE CANDIDATE.
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THE SPHYNX.
 I. 
I.
 II. 
II.
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NATURE.
 I. 
[I.]
 II. 
II.
  
HORTUS PARADISI.
  
ST. COLUMBA.
  
OF ME.
  
LITTLE BOY.
  
BAGATELLE.
  
MARE SERENITATIS.
  
A GENIUS?
  
THE TWO SIDES.
  
SELF-ACCUSATION.
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THE SUN-DIAL.
 I. 
I.
 II. 
II.
  
MORALITY.
  
A GHOST.
  
A LOWLAND WITCH BALLAD.
  
MORNING.
  
SILENCE.
  
HERO-WORSHIP.
  
ROSE-LEAVES.
  
PARACELSUS.
  
RABELAIS.
  
A SIMILE.
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OF POETRY.
 I. 
I. THE POET.
 II. 
II. THE POET'S BOOK.
 III. 
III. ART FOR ART'S SAKE.
 IV. 
IV. ANCIENT FORMS.
 V. 
V. ON READING MR. THEODORE WATTS' SONNET, ‘THE SONNET'S VOICE.’
 VI. 
VI. REMONSTRANCE.
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OF POETS.
 I. 
I. STRATFORD.
 II. 
II. SHAKESPEARE.
 III. 
III. THE KESSELSTADT MASK.
 IV. 
IV. DANTE. I.
 V. 
V. DANTE. II.
 VI. 
VI. DANTE AND BEATRICE.
 VII. 
VII. WORDSWORTH.
 VIII. 
VIII. SOUTHEY.
 IX. 
IX. BURNS.
 X. 
X. CHATTERTON.
 XI. 
XI. SAPPHO.
 XII. 
XII. ORPHEUS.
 XIII. 
XIII. BYRON.
 XIV. 
XIV. SHELLEY. I.
 XV. 
XV. SHELLEY. II.
  
THE FALLING LEAF.
  
LEFT ALONE.
  
AUBADE.
  
A GARLAND, FOR ADVANCING YEARS.
  
AN AUTUMN EVENING.
  
END OF HARVEST.
  
MEMORY.
  
SEEKING FORGETFULNESS.
  
CONTINUITY OF LIFE.
  
EXPERIENCE.
  
AGE.
  
BIRTHDAY, ÆT. 70.
  
A-DIEU.
  
EPILOGUE.
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An Aftermath.
  
INTRODUCTORY SONNET.
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NEW YEAR BELLS.
 I. 
TWO EPOCHS. I. 1831.
 II. 
TWO EPOCHS. II. 1881.
  
RHYME OF LOVE.
  
SPRING.
  
WM. BLAKE'S DESIGNS FOR THE GRAVE.
  
CHRISTIANITY AND PAGANISM.
  
INFANCY.
  
AN ANNIVERSARY: THE 31st.
  
DANTE IN EXILE.
  
THE INFERNO.
  
RAPHAEL'S MADONNA DI SAN SISTO.
  
MERRY ENGLAND.
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THE AUTO DA FE.
 I. 
I. SAINT DOMINIC.
 II. 
II. TORQUEMADA.
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CARDINAL NEWMAN.
 I. 
I.
 II. 
II.
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THE SICKLE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
VOICES OF SUNSET CLOUDS.
  
A LAST WALK, IN ILLNESS.
  
THE FURTHER SHORE.

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109

III. ART FOR ART'S SAKE.

‘Art for art's sake,’—very well,
Your picture you don't care to sell?
Yes, yes, I do, and thus I try
To paint so bright they want to buy—
‘Art for art's sake,’—then I fear
You want no sympathetic tear
From the stalls and boxes here?
Yes, yes, I do, I write it so,
A hundred nights the crowds shall go—
‘Art for art's sake,’—Heavens! once more,
You'd say again things said before?
And pray, why not? I wish I could
Stand as Shakespeare, Fletcher, stood—
Nay, dear aspirant, rather write
As Shakespeare were he here to-night;
That would be far more worth prizing:—
But who can rise to that high pass—
Who can rise? alas, alas,
Shakespeare little thought of rising!
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