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A Poet's Harvest Home

Being One Hundred Short Poems: By William Bell Scott ... With an Aftermath of Twenty Short Poems
Scott, William Bell (1811-1890)
  
[epigraph]
  
[dedication]

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POEMS.
  
PROLOGUE.
  
THE POET'S OPPORTUNITY.
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THE FOXGLOVE:
 I. 
I.
 II. 
II.
  
THE GARDEN BOWER.
  
THE ROBIN.
  
CONTENT.
  
PHEMIE BLAYNE.
  
THE SCHOOL-CHILDREN.
  
GLENKINDIE.
  
TELIESSIN.
  
HELP.
  
OISIN.
  
THE SEA.
  
THE TIDE.
  
AT SEA.
  
THE HURRICANE.
  
THE NORNS WATERING YGGDRASILL.
  
THOROLF AND GUDRUN.
  
THE NYMPH OF ARCADIE.
  
CUPID AMONG THE MAIDENS.
  
MUSIC.
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THE OLD OLD STORY.
 I. 
I.
 II. 
II.
  
THE APPLE TREE.
  
THE APPLE.
  
APPLE GATHERING.
  
A BIRTHDAY.
  
BEFORE MARRIAGE.
  
TO THE DEAD.
  
ELIJAH.
  
LOVE AND DEATH.
  
THE OFFERING.
  
THE EMPEROR JULIAN ON GERMAN DRINK.
  
THE CANDIDATE.
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THE SPHYNX.
 I. 
I.
 II. 
II.
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NATURE.
 I. 
[I.]
 II. 
II.
  
HORTUS PARADISI.
  
ST. COLUMBA.
  
OF ME.
  
LITTLE BOY.
  
BAGATELLE.
  
MARE SERENITATIS.
  
A GENIUS?
  
THE TWO SIDES.
  
SELF-ACCUSATION.
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THE SUN-DIAL.
 I. 
I.
 II. 
II.
  
MORALITY.
  
A GHOST.
  
A LOWLAND WITCH BALLAD.
  
MORNING.
  
SILENCE.
  
HERO-WORSHIP.
  
ROSE-LEAVES.
  
PARACELSUS.
  
RABELAIS.
  
A SIMILE.
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OF POETRY.
 I. 
I. THE POET.
 II. 
II. THE POET'S BOOK.
 III. 
III. ART FOR ART'S SAKE.
 IV. 
IV. ANCIENT FORMS.
 V. 
V. ON READING MR. THEODORE WATTS' SONNET, ‘THE SONNET'S VOICE.’
 VI. 
VI. REMONSTRANCE.
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OF POETS.
 I. 
I. STRATFORD.
 II. 
II. SHAKESPEARE.
 III. 
III. THE KESSELSTADT MASK.
 IV. 
IV. DANTE. I.
 V. 
V. DANTE. II.
 VI. 
VI. DANTE AND BEATRICE.
 VII. 
VII. WORDSWORTH.
 VIII. 
VIII. SOUTHEY.
 IX. 
IX. BURNS.
 X. 
X. CHATTERTON.
 XI. 
XI. SAPPHO.
 XII. 
XII. ORPHEUS.
 XIII. 
XIII. BYRON.
 XIV. 
XIV. SHELLEY. I.
 XV. 
XV. SHELLEY. II.
  
THE FALLING LEAF.
  
LEFT ALONE.
  
AUBADE.
  
A GARLAND, FOR ADVANCING YEARS.
  
AN AUTUMN EVENING.
  
END OF HARVEST.
  
MEMORY.
  
SEEKING FORGETFULNESS.
  
CONTINUITY OF LIFE.
  
EXPERIENCE.
  
AGE.
  
BIRTHDAY, ÆT. 70.
  
A-DIEU.
  
EPILOGUE.
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An Aftermath.
  
INTRODUCTORY SONNET.
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NEW YEAR BELLS.
 I. 
TWO EPOCHS. I. 1831.
 II. 
TWO EPOCHS. II. 1881.
  
RHYME OF LOVE.
  
SPRING.
  
WM. BLAKE'S DESIGNS FOR THE GRAVE.
  
CHRISTIANITY AND PAGANISM.
  
INFANCY.
  
AN ANNIVERSARY: THE 31st.
  
DANTE IN EXILE.
  
THE INFERNO.
  
RAPHAEL'S MADONNA DI SAN SISTO.
  
MERRY ENGLAND.
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THE AUTO DA FE.
 I. 
I. SAINT DOMINIC.
 II. 
II. TORQUEMADA.
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CARDINAL NEWMAN.
 I. 
I.
 II. 
II.
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THE SICKLE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
VOICES OF SUNSET CLOUDS.
  
A LAST WALK, IN ILLNESS.
  
THE FURTHER SHORE.

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82

A GENIUS?

(W. A. C. S.)

In early morn he rose elate,
Rose up with the strength of ten,
We recognised a king of men.
He would not linger, could not wait,
Opened at once the golden gate
And entered to the unlit shrine,
Poured out, yea, drank, the lustral wine.
But soon he found daylight more fair
Than the closed sanctum's darkened air;
That the world outside was wide;
That in all time there is a tide;
That it is best to serve the call
To do what's waited for by all;
That it is something less than sane
What has been done to do again.
Back he turned without a sigh,
And threw his magic passport by.
He said, ‘I am not asked for there,
My harvest grows, it seems, elsewhere,
Upon another hemisphere.’
I wait him still, but wait in vain,
I shall not see his face again.
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