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A Poet's Harvest Home

Being One Hundred Short Poems: By William Bell Scott ... With an Aftermath of Twenty Short Poems
Scott, William Bell (1811-1890)
  
[epigraph]
  
[dedication]

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POEMS.
  
PROLOGUE.
  
THE POET'S OPPORTUNITY.
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THE FOXGLOVE:
 I. 
I.
 II. 
II.
  
THE GARDEN BOWER.
  
THE ROBIN.
  
CONTENT.
  
PHEMIE BLAYNE.
  
THE SCHOOL-CHILDREN.
  
GLENKINDIE.
  
TELIESSIN.
  
HELP.
  
OISIN.
  
THE SEA.
  
THE TIDE.
  
AT SEA.
  
THE HURRICANE.
  
THE NORNS WATERING YGGDRASILL.
  
THOROLF AND GUDRUN.
  
THE NYMPH OF ARCADIE.
  
CUPID AMONG THE MAIDENS.
  
MUSIC.
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THE OLD OLD STORY.
 I. 
I.
 II. 
II.
  
THE APPLE TREE.
  
THE APPLE.
  
APPLE GATHERING.
  
A BIRTHDAY.
  
BEFORE MARRIAGE.
  
TO THE DEAD.
  
ELIJAH.
  
LOVE AND DEATH.
  
THE OFFERING.
  
THE EMPEROR JULIAN ON GERMAN DRINK.
  
THE CANDIDATE.
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THE SPHYNX.
 I. 
I.
 II. 
II.
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NATURE.
 I. 
[I.]
 II. 
II.
  
HORTUS PARADISI.
  
ST. COLUMBA.
  
OF ME.
  
LITTLE BOY.
  
BAGATELLE.
  
MARE SERENITATIS.
  
A GENIUS?
  
THE TWO SIDES.
  
SELF-ACCUSATION.
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THE SUN-DIAL.
 I. 
I.
 II. 
II.
  
MORALITY.
  
A GHOST.
  
A LOWLAND WITCH BALLAD.
  
MORNING.
  
SILENCE.
  
HERO-WORSHIP.
  
ROSE-LEAVES.
  
PARACELSUS.
  
RABELAIS.
  
A SIMILE.
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OF POETRY.
 I. 
I. THE POET.
 II. 
II. THE POET'S BOOK.
 III. 
III. ART FOR ART'S SAKE.
 IV. 
IV. ANCIENT FORMS.
 V. 
V. ON READING MR. THEODORE WATTS' SONNET, ‘THE SONNET'S VOICE.’
 VI. 
VI. REMONSTRANCE.
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OF POETS.
 I. 
I. STRATFORD.
 II. 
II. SHAKESPEARE.
 III. 
III. THE KESSELSTADT MASK.
 IV. 
IV. DANTE. I.
 V. 
V. DANTE. II.
 VI. 
VI. DANTE AND BEATRICE.
 VII. 
VII. WORDSWORTH.
 VIII. 
VIII. SOUTHEY.
 IX. 
IX. BURNS.
 X. 
X. CHATTERTON.
 XI. 
XI. SAPPHO.
 XII. 
XII. ORPHEUS.
 XIII. 
XIII. BYRON.
 XIV. 
XIV. SHELLEY. I.
 XV. 
XV. SHELLEY. II.
  
THE FALLING LEAF.
  
LEFT ALONE.
  
AUBADE.
  
A GARLAND, FOR ADVANCING YEARS.
  
AN AUTUMN EVENING.
  
END OF HARVEST.
  
MEMORY.
  
SEEKING FORGETFULNESS.
  
CONTINUITY OF LIFE.
  
EXPERIENCE.
  
AGE.
  
BIRTHDAY, ÆT. 70.
  
A-DIEU.
  
EPILOGUE.
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An Aftermath.
  
INTRODUCTORY SONNET.
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NEW YEAR BELLS.
 I. 
TWO EPOCHS. I. 1831.
 II. 
TWO EPOCHS. II. 1881.
  
RHYME OF LOVE.
  
SPRING.
  
WM. BLAKE'S DESIGNS FOR THE GRAVE.
  
CHRISTIANITY AND PAGANISM.
  
INFANCY.
  
AN ANNIVERSARY: THE 31st.
  
DANTE IN EXILE.
  
THE INFERNO.
  
RAPHAEL'S MADONNA DI SAN SISTO.
  
MERRY ENGLAND.
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THE AUTO DA FE.
 I. 
I. SAINT DOMINIC.
 II. 
II. TORQUEMADA.
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CARDINAL NEWMAN.
 I. 
I.
 II. 
II.
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THE SICKLE.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
VOICES OF SUNSET CLOUDS.
  
A LAST WALK, IN ILLNESS.
  
THE FURTHER SHORE.

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III.

Beloved Sickle, thou hast been
Where lyre or sword were never seen,
186

And round thee, like the ivy screen
Around a faun's brown knotted hair,
Clung hopes and fears and blessings rare.
In a warmer clime
In a distant time
A goddess held thee in her hand
About whose head's immortal band
Were braided ears of bearded corn,
More loved than even the halo borne
By Phœbus or than Dian's horn.
Round this maternal-goddess' shrine
There was a flower-encircled glow
Of fruitage and of wine,
To her the autumnal overflow
Was borne with hymns divine.
This goddess is departed now,
No more she guides the timely plough,
It grides along alone:
No more men light her temple dim,
Aud the consecrating hymn,
Dear Sickle, long hath been thine own.
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