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Sonnets

By Emily Pfeiffer: Revised and Enlarged Ed.
Pfeiffer, Emily (1827-1890)

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[section]
  
DEDICATION TO J. E. P.
  
ENVOY TO C. R. AND M. L.
  
THE PALMER LOVE.
  
ETNA.
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ASPIRATION.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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LEARN OF THE DOG.
 I. 
I.
 II. 
II.
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THE LOST LIGHT.
 I. 
I.
 II. 
II.
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A PLEA.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
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HELLAS.
 I. 
I.
 II. 
II.
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SHELLEY.
 I. 
I.
 II. 
II.
  
INVOCATION.
  
INVOCATION.
  
A REMINISCENCE.
  
THE JOY OF JOYS.
  
THE SORROW OF SORROWS.
  
TO THE MOURNERS OF LOVE.
  
WATCHMAN, WHAT OF THE NIGHT.
  
A WIND FROM OFF THE SEA.
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TO NATURE
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
  
PAST AND FUTURE.
  
BROKEN SPEECH.
  
TO THE BLIND ARCHITECT OF THE CITY OF LIFE
  
TO A MOTH THAT DRINKETH OF THE RIPE OCTOBER.
  
THE WINGED SOUL.
  
THE GOSPEL OF DREAD TIDINGS.
  
DREAMING.
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ON HEARING THE INTRODUCTION TO “LOHENGRIN.”
 I. 
I.
 II. 
II.
  
A CHRYSALIS.
  
THE CHILDREN OF LIGHT.
  
AN INVOCATION.
  
THE “STING OF DEATH.”
  
TO L. C. SMITH.
  
AMONG THE GLACIERS.
  
ON THE THUNER SEE.
  
THE HUNGER OF LIFE.
  
EVOLUTION.
  
LOVE AND JOY.
  
LOVE AND SORROW.
  
THE PRISONER IN THE HOUSE OF LIFE.
  
ON LOCH KATRINE.
  
AMONG THE HEBRIDES.
  
TO THE HERALD HONEYSUCKLE.
  
TO IMMORTAL MUSIC.
  
TRANSFIGURATION.
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TO THE FRIENDS OF LOVE.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.FALLEN FROM GRACE.
 II. 
II.UNDER THE ROSE.
  
ON GUARD.
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[subsection]
 I. 
I.TO A FLEDGLING ROBIN.
 II. 
II.TO THE SAME, ON BEGINNING HIS SONG.
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STUDIES FROM THE ANTIQUE.
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KASSANDRA.
 I. 
I.
 II. 
II.
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KLYTEMNESTRA.
 I. 
I.
 II. 
II.
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TO DR. WILHELM JORDAN.
 I. 
I.
 II. 
II.
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[subsection]
 I. 
I.IN LOVE'S ECLIPSE.
 II. 
II.LOVE THE REVEALER.
  
A PARTNERSHIP.
  
TO E. BURNE JONES, ON HIS PICTURE OF THE ANNUNCIATION.
  
SUGGESTED BY THE PICTURE OF THE ANNUNCIATION, BY E. BURNE JONES.
  
KING COPHETUA AND THE BEGGAR MAID.
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[subsection]
 I. 
I.LOVE AND DEATH.
 II. 
II.LOVE AND LIFE.
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CAIN AND ABEL.
 I. 
I.CAIN AND ABEL.
 II. 
II.OUTCAST CAIN.
 III. 
III.CAIN REPENTANT.
  
HOPE.
  
DEAF.
  
MID-OCEAN.
  
NIAGARA.
  
BEATING THE AIR.
  
THE SOUDAN.
  
GORDON.
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A PROTEST.
 I. 
I.
 II. 
II.
 III. 
III.
  
THE COMING DAY.
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[subsection]
 I. 
I.THE SOUL'S PRAYER.
 II. 
II.THE SOUL'S PRIDE.
  
WEARIHEAD.
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SIX 14-LINE POEMS.
 I. 
I.
 II. 
II.
 III. 
III.
 V. 
V.
 VI. 
VI.
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[section]
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A SYMPHONY OF SONNETS. I. TO X.
 I. 
I.
 II. 
II.
 III. 
III.
 IV. 
IV.
 V. 
V.
 VI. 
VI.
 VII. 
VII.
 VIII. 
VIII.
 IX. 
IX.
 X. 
X.

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58

TO IMMORTAL MUSIC.

NAY, Music, thou art young! Not long ago
Thou hadst but rounded to thy perfect form,
Thy virginal, sweet heart was hardly warm,
And little knew of passion or of woe.
Now, prescient darling of the world's old age—
Born to its gathered wealth, its subtlety,
And sadness—thou canst sound the soundless sea,
Deeper than line of deepest thought can gauge.
Thy voice, veiled Seraph serving among men,
Wakes strains in us immortal as thine own;
O say thou wilt not vanish from our ken,
Fly our dim earth as elder lights have flown,
And leave us dumb amid the tuneful spheres,
With nothing lasting to the end but tears!
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